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Women Hollering Creek Woman

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The Mexican woman is a highly-stereotyped individual. She is either timid and meek, rarely speaking out of turn, and when she does it is in a small, soft accented-voice that begs to be left alone. Or, she is fiery, exotic dark caramel skin, long wind-blown hair and lips red as blood. She is a vixen, independent and loud, with a laugh that can be heard all around the room. But both of these women come from the same place, as do the women who do not belong in either category. In Women Hollering Creek and Other stories, Sandra Cisneros gives a voice to these women. By showing Mexican and Mexican-American culture through an intimate and diverse scope, Cisneros highlights the oppression and degradation of women that is commonplace in this culture …show more content…

In the vignette entitled “Women Hollering Creek”, Cleófilas is simply given away to her soon to be husband by her father, a choice she takes basically no part in herself, despite it being a life-altering and intimate decision. This type of family dynamic is commonplace in Mexican culture, with the power of the household being ultimately placed upon the head male figure. This is not just a Mexican convention, however, as many women and girls especially experience gender oppression within their own families in their relationships with men, often experiencing “gender domination” (Shaw & Lee, 445). This type of gender oppression can be seen in many different ways within a family with masculine privilege presenting itself by dominating women in subtle or not subtle ways, one such way being “making and/or vetoing important family decisions”, which giving away your daughter to another man certainly is (Shaw & Lee 446). After leaving behind her childhood home and her father, Cleófilas finds herself not only under new “ownership”, but also in a completely different country. She does not speak English, and she has no friends here, or means of leaving. Her power and familiarity has been completely stripped from her, forcing her to rely on this new man entirely for safety. A fact which her husband almost immediately abuses, taking to hurting her physically and secluding her from the world. He has become the new dominant male in her life, able to make all the choices for her, regardless of her feelings or well-being. In this way, the marriage was a transaction of power which bound Cleófilas into subservience (Shaw & Lee (Emma Goldman)

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