William Shakespeare's Much Ado About Nothing
In the play "Much Ado About Nothing", William Shakespeare describes how a person can do a lot of things out of nothing. There are four main characters in this play that find a lot to do about stupid things and it can make things very difficult. The main characters are: Benedick, Claudio, Beatrice, and Hero. Shakespeare explains the roles of these four different characters and how relationships work. It's amazing what he knew 400 years ago about relationships and how it is very similar to today's relationships.
Benedick is the young Lord of Padua, and is a man who will never get married nor settle down with one woman. Benedick is what we would call in the nineties, a bachelor.
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But his thoughts change as he is the victim of a terrible rumor started by Don John the Bastard, the evil brother of Don Pedro. The rumor was that Hero was cheating on Claudio and Don John showed them proof, which was all set up the night before the wedding. Now Claudio didn't take liking to this and at the wedding told Hero it was over and made a fool of her. It all works out in the end as he finds out it was all a lie and he betrayed his love Hero. As a true man he takes responsibility and gives his remorse and things turn out happily ever after.
Beatrice is Benedick's love, and Leonato's niece. She is just like Benedick just from a girl's side of view. Those to bicker back and forth at each other so much that a person would think how could they ever fall in love together. Beatrice has a small little crush on Benedick, but it is hard to tell because she makes fun of him all the time. Before Benedick comes into Messina she asks how he is and if he is injured or in other words okay. That is Beatrice's way of dealing with men, she may be a little immature in relationships. Beatrice's views change suddenly also when she overhears the gossip that Benedick has a thing for her and wants to wed her. Now she is also a caught in the middle with the gossip and believes that this is true, that Benedick does have thing for her. Now Beatrice is in love and it is much ado about nothing because
Beatrice and Benedick as a Couple in William Shakespeare's Much Ado About Nothing 'Much Ado About Nothing' is a Shakespeare play set in Mecina. It is a comedy, about Don Pedro and his friends. The play focuses on the relationships of the characters, especially that of Beatrice/Benedick and Claudio/Hero. The two romances follow two different ideas, one an average romance in Shakespeare's day, the other a not so average romance. Beatrice and Benedick's history together is made clear from the start, when Beatrice tells the messenger bringing news of Benedick's return, that he 'is no less than a stuffed man', implying that he is very full of himself.
In Shakespeare’s Much Ado about Nothing, there are the usual characters that show up in most of Shakespeare’s pieces. For instance the characters Hero and Claudio could easily be compared to Romeo and Juliet. Both Hero and Juliet are innocent, quite, and beautiful young women who fall in love instantly without conversing with the other person. Likewise, Claudio and Romeo decide to marry these women within twenty-four hours. Because of these characters’ lack of unique and interesting qualities, I
On the other hand Benedick and Beatrice’s relationship is different; their relationship is not superficial but deeply rooted within them. They enjoy insulting each other as Benedick says to her ‘what my lady disdain! Are you yet living?’
Benedick is also concerned is his public image. He considers himself a ladies’ man of sorts and does not want to be tied down by any woman and would rather die than be wed because he does not trust women.
In Much Ado About Nothing, William Shakespeare depicts both Benedick and Beatrice as characters with one major flaw: both are full of pride. With the use of the masquerade scene, as well as the orchard scenes, Shakespeare allows the characters to realize their awry characteristic. By realizing their erroneous pride, Benedick and Beatrice are able to correct this and not only become better citizens, but fall in love.
One of John's men enacts a scene at Hero's window with a woman who appears to be Hero. When Claudio and Pedro observe this, they are easily deceived and Claudio angrily denounces Hero to be hidden as though dead until Claudio regains his senses. When the constable, Dogberry, arrests John's men, who then readily confess their guilt, Claudio is forced to admit his error in thinking Hero would deceive him. He then mourns for her and agrees to marry her cousin. The cousin turns out to be a disguised and forgiving Hero. After all this "ado" the two couples are married and Don John is arrested.
Benedick claims that he there should be no shame is changing one’s mind about marriage. He is making excuses to himself as to why his outlook on love and women have changed so abruptly, undoubtedly readying himself to be the butt of the same wit and jokes that he has subjected Claudio: “I may/ chance have some odd quirks and remnants of wit /broken on me because I have railed so long against marriage” (II.iii.223-225). He knows that he will most certainly face even more criticisms because he has changed his views so unexpectedly and rapidly. He says that he will be able to handle the
During the two gulling scenes, namely Act 2 Scene 3 and Act 3 Scene 1,
The play Much Ado About Nothing by William Shakespeare consists of many themes which grow out of the game of love'. The two main themes consist of perception and deception. Through the plot complications, character development and dramatic techniques these themes can be explored. In the play deception is shown on both good and evil sides, the game of love between Beatrice and Benedick and the Don John plot to split up Hero and Claudio. Perception is a theme used in most of Shakespeare's plays. Perceptive views by the characters help portray the game of love. Hero is perceived as dead which then Claudio is sorry and feels for her. Beatrice and Benedick's loved is clouded by each other's perceptions and arguments.
Much Ado About Nothing by William Shakespeare "Much Ado About Nothing" in fact has a great deal to say about love and marriage. What is Shakespeare trying to tell us about relationships between men and women? Compare the play's treatment of love with that in "Silas Marner" In "Much Ado About Nothing" there are many different forms of love and relationships that range from youthful infatuation to parental love. Shakespeare makes many comments about men and women and shows the audience a variety of both romantic and platonic relationships.
All throughout the beginning of the play, both Beatrice and Benedick use sarcasm and hide their true feelings for each other, which is the first example of tricky in their relationship. Both of them have vowed never to marry anyone; Benedick stating: "Because I will not do them the wrong to mistrust any, I will do myself the right to trust none; and the fine is, for the which I may go the finer, I will live a bachelor." (1.1.232–35), while Beatrice says, "No, uncle, I'll none. Adam's sons are my brethren, and truly I hold it a sin to match in my kindred." (2.1.59–60.) Their friends see that they are the perfect match for one another, and plan to trick them into confessing their love for each other. When Benedick is in the orchard, he overhears Don Pedro, Claudio, and Leonato talking about how Beatrice is in love with him but is afraid he will mock her if she tells him. Benedick believes them, saying, "This can be no trick." (2.3.217.) He then goes on to say, "I will be horribly in love with her." (2.3.230–31.) Later, Beatrice hears Hero and Ursula talking about how they can't tell her that Benedick loves her because she is a scornful person. After Hero and Ursula leave, Beatrice states:
In Shakespeare’s play, Much Ado About Nothing, written in the early 15th century, the relationships between Benedick and Beatrice and Hero and Claudio are the key to the play and create a lot of tension and comedy. The two relationships are interesting in different ways, and this essay will explore this in terms of the language used, the plot, characterisation and how the two relationships stand thematically.
Beatrice and Benedick, however, in much contrast to Hero and Claudio are the ideal couple who are both equal in the relationship. Beatrice is an opinionated and stubborn woman who will have no one if she doesn't have the one she wants, which she makes clear throughout the play by refusing to marry lightly and by the conversation in Act One between her and Pedro. She chooses
The fact that Benedick has feelings for Beatrice becomes clearer as the play progresses, despite his assertions to Claudio that he is 'a professed tyrant to their sex'. Benedick keeps this point of view while speaking to Don Pedro, making quite clear that he will never marry:
1. In Act I, Beatrice and Benedick engage in a witty conversation, which Leonato describes as a playful battle: “There is a kind of / merry war betwixt Signor / Benedick and her. They never / meet but there’s a skirmish of wit between them” (1.1.58-59). Beatrice insists that she does not like Benedick at all, and insults him relentlessly throughout Act I: “It is so indeed. He is no less than a stuffed man. But for the / stuffing—well, we are all mortal” (1.1.47-48). Beatrice even goes so far as to compare Benedick to a disease when she finds out he has taken up a new best friend, Claudio: “O Lord, he will hang upon him like a disease! He is sooner / caught than the pestilence, and the taker runs presently