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William Shakespeare 's Hamlet As A Play That Contains Frequent Meditations On Suicide Essay

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“To be, or not to be: that is the question” (Shakespeare 3.1.56). Audiences know Shakespeare’s Hamlet as a play that contains frequent meditations on suicide, yet despite suicide’s obvious religious connections, audiences do not often consider how religion as a whole functions within the play. This lack of awareness partially results from the subtlety of many of Hamlet’s religious elements. Through his religious references and the resulting emphasis on the gravity of the sins of murder and suicide, Shakespeare clarifies the contradictory attitude given to these sins and illuminates that the characters practice religion inconsistently and hypocritically because their concern is ultimately for their reputation in a Christian world rather than truly for their religion. Shakespeare relies on allusions to demonstrate to his audience that Christian morals rule the world of Hamlet and that steep penalties exist for those who disobey these rules. For example, during one of Ophelia’s grief fueled rants in Act 4, she tells Claudius: “Well, God dild you! They say the owl was a/baker’s daughter. Lord, we know what we are, but/know not what we may be. God be at your table!” (Shakespeare 4.5.42-44). Although Ophelia’s remark clearly references religion, as evidenced by her references to God, the exact meaning of her words requires knowledge about her biblical allusion. She references a religious tale about a baker’s daughter who God turned into an owl for refusing to give bread. This

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