Why Has American Stopped Winning Wars?

In the 1940’s a series of propaganda films titled Why We Fight were produced for the purpose of defining the enemies of World War 2 to justify the necessity of America’s involvement in war. Hitler needed to be defeated, Nazism had to be destroyed, and tyranny had to be stopped for the sake of the American way of life by any means necessary. How could society argue against America’s role in the world war when freedom was being threatened? As Martin Luther King Jr. said “Injustice anywhere is a threat to everywhere.” No questions asked, Americans mobilized in the name of liberty and freedom. However the 2005 documentary film Why We Fight directed by Eugene Jarecki is not a sequel or war propaganda. The film informs the audience and questions America 's military industrial complex that has since dictated policy since the victory of World War 2. With the help of narration, soundbites, and credible speakers Jarecki shines light on the pernicious impact of the armed industry on our government, army, and citizens.

Regarded as one of the most controversial and polarizing military conflicts in U.S. history, the Vietnam War has left a deep and lasting impact on American culture, politics, and foreign policy. From 1964 to the present day, the Vietnam War redefined the scope of U.S. influence both at home and abroad, and caused a fundamental shift in American society that dramatically changed the way in which Americans viewed their government and the role of the United States as a world power. For an entire generation of Americans, who watched as the horrors of the war in Vietnam unfold before the spotlight of the national media, the Vietnam War directly challenged the superiority of the American way and the infallibility of U.S military dominance. In truth, the U.S government, U.S. military, and the American people as a whole struggled to accept the lessons of America’s greatest military failure and the sobering reality of the war’s consequences. To this day, the legacy of this so-called “American War” continues to resonate throughout the fabric of American society as a cautionary tale of U.S foreign intervention and blind acceptance of open-ended conflict.

Hanson’s 2012 premise, albeit over two years old today, is immediately discernible: America faces devastating self-inflicted wounds by implementing the current Administration’s defense spending budget. The dawn of 2014 finds this debate ongoing and the implementation of this budget well in progress, with even more drastic cuts taking effect than the ones analyzed by Hanson previously. While few historians of repute would argue against the reality that the siren song of defense reductions has lured the nation onto the shoals of unpreparedness for future conflict many times in the past, two shortcomings in Hanson’s piece beckon us to pause and reexamine.

When fighting the Vietnam War many did not think it possible for the United States to loose. Those fighting underestimated the power of the Viet Cong. With a foreign land and foreign customs Marines struggled to get accustomed to the way the war was fought. Philip Caputo addresses these learned lessons in A Rumor of War. Lessons that were learned in Vietnam also have relevance to the current war in Afghanistan. The men in both wars fought against an enemy that blends in with the locals. Philip Caputo’s first hand account of the Vietnam War shows the mistakes that were made and how those lessons taught the United States not to make the same mistakes in Afghanistan.

A) The title of the book is The New American Militarism: How Americans are Seduced by War and the author is Andrew Bacevich. The book was published in New York, New York by the publisher Oxford University Press in the year 2005. It is the first edition and contains 270 pages.

Hundreds of bodies littered the ground. Sounds of explosions and endless gunfire filled the air. Soldiers, with their uniforms splashed in crimson, fought viciously and ruthlessly. Their main objective, which was to win the battle, took a backseat to their newfound desperation to stay alive. After all, war is not a game, especially one such as the Vietnam War. The Vietnam War claimed hundreds of thousands of lives, and left its survivors haunted by a multitude of atrocious events. Terry Erickson’s father and George Robinson, who were two fictional characters from the short stories “Stop the Sun” and “Dear America”, respectively, were veterans of the Vietnam War. The differences and similarities between Terry’s father and George Robinson are striking, and they merit rigorous scrutiny.

Ever since the beginning of time, there has been conflict and conflict will always play a role in the development of history. The world has experienced hundreds of wars with countless casualties, these wars date back to the 10th Century and forward to the present. The United States of America is no stranger to war having participated in over 100 wars either it being a small war or a world war. Michael C. C. Adams “The Best War Ever” gives a rational explanation on the events that led the U.S to become the powerhouse country after sacrificing so much for the war, or did they? In this paper we will support the argument made in Adams “The Best War Ever” Chapter four, appropriately titled “The American War Machine”, other primary sources used will be such as Harry S. Truman first speech to congress in April 1945 and General George S. Patton’s praise speech to the Third Army. The argument being that the U.S did in fact play an impacting role in the outcome of World War 2 but how it also used appearances as an advantage to further develop itself as an international force, just like the tale from the Trojan War, the Trojan horse was all about appearances but with a precise objective.

Deceased philosopher Bertrand Russell once said, “War does not determine who is right- only who is left”. Those left are the soldiers of the 1-502nd, specifically Bravo Company 1st plt, and the Janabi family and to a greater extent, the ever-changing global world we all live in today. The tragic events that conspired in a small Iraqi village became a microcosm of how leadership failures at every level shaped the actions of a few soldiers who committed atrocious acts. One can also see how a high operational tempo, along with prolonged violence and death, has on a person’s psyche. It is the ugly side of war that the average American citizen may not want to hear or talk about. For a soldier, it is inevitably what they train their

“War at its basic level has always been about soldiers. Nations rose and fell on the strength of their armies and the men who filled the ranks.” This is a very powerful quote, especially for the yet young country of the United States, for it gives credit where credit is truly due: to the men who carried out the orders from their superiors, gave their blood, sweat and tears, and in millions of cases their lives while fighting for ideals that they believed their country or government was founded upon, and to ensure the continuation of these ideals. Up until the end of the 20th Century, they did so in the worst of conditions, and this includes not only the battle scene, but also every day life. In

In the outcome of America's intrusion of Iraq, Norman Podhoretz, the neoconservative polemicist and supervisor of Commentary, composed a long exposition contending that the fight against Islamist fanaticism added up to "World War IV." Podhoretz had an energy for the prophetically catastrophic coinage, however, numerous observers on both the privilege and left comprehended al Qaeda's stunning assault on American soil as the opening round of a war between the West and "Islamofascism," as Christopher Hitchens called it. That temperament died down as the terrorists neglected to mount likewise fantastic assaults in any event in the United States and as the peculiar disappointment of the war in Iraq cooled the passion of numerous easy chair soldiers

In the two hundred years since 1775, there has been thirty-five years of fighting in what we consider major conflicts or wars. This averages out to about one year of war to every almost 6 years of our existence as a nation and during that time, we have not been without formal military organizations. Over the course of history, the United States has engaged in many battles that were a crucial phase in developing who and what we have become. Throughout this assessment, we will analyze what were some of the true tipping points that shaped (1) America’s paradoxical love-hate relationship with war and, (2) How this relationship influences American warfare.

“Defeat in Vietnam has left the United States deeply divided” (Hallin, 1986:3). The Vietnam War became a major Cold War conflict in the 1960s period. This essay will evaluate the following question; what are the main reasons for the United States (US) defeat in the Vietnam War? The research was done through the qualitative research method which included books, journals and articles. This essay will argue that the main reasons for the US defeat in the Vietnam War was because of their inefficient tactics, inexperienced soldiers, and both international and home pressure. This research is important because the question has not been answered to its fullest extent. Additionally, it provides evidence that countries with powerful nuclear weapons and

The notion of an American way of war informs how scholars, policymakers, and strategists understand how Americans fight. A way of war—defined as a society’s cultural preferences for waging war—is not static. Change can occur as a result of important cultural events, often in the form of traumatic experiences or major social transformations. A way of war is therefore the malleable product of culturally significant past experiences. Reflecting several underlying cultural ideals, the current American way of war consists of three primary tenets—the desire for moral clarity, the primacy of technology, and the centrality of scientific management systems—which combine to create a preference for decisive, large-scale conventional wars with clear objectives and an aversion to morally ambiguous low-intensity conflicts that is relevant to planners because it helps them address American strategic vulnerabilities.

Martin van Creveld wrote The Transformation of War book in 1991 when he detailed a predictive hypothesis about the changing character of war into what he called ?Nontrinitarian War. There were conflicts arise as intrastate wars and were not based on the simplified version of Clausewitz?s ?remarkable trinity? of government, people and military forces (Van Creveld, 1991, pg. 49). In his book, Van Creveld offers an account of warfare in the previous millennium and suggests what the future might hold. The drive was that major war was draining and the emergence of forms of war ?that are simultaneously old and new? now threatened to create havoc.

War Is a Force That Gives Us Meaning, written by the talented author Chris Hedges, gives us provoking thoughts that are somewhat painful to read but at the same time are quite personal confessions. Chris Hedges, a talented journalist to say the least, brings nearly 15 years of being a foreign correspondent to this book and subjectively concludes how all of his world experiences tie together. Throughout his book, he unifies themes present in all wars he experienced first hand. The most important themes I was able to draw from this book were, war skews reality, dominates culture, seduces society with its heroic attributes, distorts memory, and supports a cause, and allures us by a