Why Disney Movies Rarely Have Mother Characters Analysis

For many Disney stories, as noted by Carolyn Dever, character development begins in the space of the missing mother. The reason behind why the death of mothers is beneficial to character development, may be an unknown fixture of fiction so deeply embedded into the animation world that it has become somewhat of a mystery. In the article ‘Why Are All The Cartoon Mothers Dead’, Sarah boxer makes the claim that patriarchy and misogyny are to blame for the absence of maternal figures in animation. She questions if the absence of mothers is not an accidental fixture but rather an unconscious effort to create a world where men benefit from motherless children due to womb envy.

Disney movies have been the leading outlets for child education and social learning. Due to such power of influence controversies have been raised which include the following, but not limited to, gender roles and stereotypes, issues of independence, and misrepresentation. Many people argue that despite the morals and messages that occur within such films there are still underlying messages that deal with beauty standards and norms. However, others may argue that Disney is evolutionary and evolved the imagery of male/female standards. The controversy then becomes: are Disney films doing more harm than they are good? Due to certain themes brought on by such movies, it has left younger audiences with both positive and

In the article,”Why Are All Cartoon Mothers Dead?” the author Sarah Boxer addresses the fact that the majority of childrens’ animated films contain the dead-mother’s plot - which illustrates a negative impact that a mother less world has on a child. The article address gender difference in such a manner that is consider anti-feminist by reason of cartoon mothers role to die early thus have any representation or value instead this give absolute privilege for the male identity to be given a position of total superiority. “The dead-mother plot is a fixture of fiction, so deeply woven in our storytelling fabric that it is impossible to unravel or explain”, Boxer noted, animated films include Chicken Little, Brother Bear and

perpetuated over the years throughout Disney’s movies. Disney is one of the largest media companies in the world. According to Forbes, the “net worth and market capitalization of Disney Company has been estimated as $103.96 billion in 2013” ("Walt Disney Company Net Worth - Celebrity Net Worth,”). From the premiere of the Steamboat Willie cartoons in 1928 Disney has transformed pop culture as we know it today. This paper is designed to look into four major issues gender identity, gender roles, ethnicity, social class throughout Disney’s Cinderella (1950) and Frozen (2013). I aim to show that in these films can be found a subtle manual for social norms, a supplier of dominant family values. I will assess certain sociological concepts that are represented in these films namely ‘The American Dream’, standardization, pseudo-individualism and the creation of false needs. As a society, the understanding of these issues are instrumental to our being since our identity is often distorted through long term norms, ideals and merits set forth through these animated films.

Disney uses emotion as one of his strongest focal points. Through the use of emotion, the audience is able to relate to the story. Walt Disney’s skillful use of sentiment creates new ways of seeing the maternal archetype. He uses symbolic animal archetypes and the aspect of an unstable family to Walt Disney further develop the importance of the maternal archetype. Symbolic Animal Archetypes Walt Disney was deeply involved in his stories and the way he wanted animals to be portrayed within them.

Disney has been known for creating movies, television shows, and books about heroic saviors and damsels in distress, yet have you ever thought about the message it's sending to children? The princesses are all smart and beautiful, but if you are not apparently you are not worth being a princess. The princes are handsome and strong, once again if you do not fit the criteria you can not be a Disney prince. Not all of the characters fit this criteria. Such as Maleficent, she was extremely tall and skinny, but she had strong features that were not considered beautiful. Also Gaston, he had every girl in town going after him, but he only wanted the one with the most beauty and brains. What is the effect of Disney movies on American children?

Cramped in a small Los Angeles office, Walt Disney drew a few larger than life cartoons. After Disney’s big hit Alice Comedies and cartoons of Mickey and the gang, he moved his office to Burbank, California. There, Walt and his brother, Roy, came up with their most famous movies such as Cinderella, Snow White, and Alice in Wonderland. Now with two American amusement parks, three international parks, multiple cruise lines, multiple resorts, over five hundred films, and over thirty academy award, it’s hard to not heard of Disney. Every boy or girl has at least seen or heard of Disney movies. It’s such a big part of society today that it becomes influential in a kid’s childhood. This project will look at the underlying effect of the Disney princess phenomenon and how it shapes a young girls’ perspective of herself and how she’s “supposed” to be.

Another issue that Lippi-Green observed and commented on are, the use of gender and marital status stereotypes in Disney films. Disney denotes the idea that to be desirable, you should look a certain way and "sound white" (97). Children are presented with the idealistic view that the leading male characters in search of a mate have "bulging necks and overly muscular thighs" (95) and spoke in "Mainstream United States English." Male characters are often the stronger and rougher who need women to care and tend to them. Lead female characters who are in search of their mate, epitomize how a conventional woman should be. From the physical aspect of being "doe-eyed and tiny waist " (95), to the "homemaker" status as portrayed in Disney films. There are no romantic leads given to the "mothers," they are often widowed and less desirable. The portrayal of "fathers" in Disney films is similar to the "mothers" with the addition of the comical characterization for some.

For decades now, Disney Corporation has been providing us with countless films made to delight and amuse children and adults alike. But not all Disney films seem particularly appropriate for their target audience. Many of these films portray violence, gender inequality, and skewed views of leadership roles that seem altogether inappropriate for impressionable young children. Better and more contemporary heroines need to be added to Disney’s wall of princesses in order to counteract years of sexism.

Disney directly exposes the idea that young girls should make their main goal in life to find their prince charming, fall madly in love, and live happily ever after. Making young girls’ aspiration in life revolve around finding a man of their dreams “transfix[es the] audience and divert[s] their potential utopian dreams and hopes through the false promises of the images [Disney] cast[s] upon the screen” (22). Disney tells the audience that women need a man to be happy. Disney presents the idea that women are dependent on me. Just like in The Little Mermaid, Ariel goes as far as surrendering her voice, to a witch named Ursula, and abandoning her family in order to be with her prince. Ariel also trades in her life as a mermaid, drastically changes her body, and sacrifices her greatest talent all in order to win her prince. Disney sends the message that girls need to give up their talents and lives in order to be with a man. Disney suggests that a woman’s main priority is her lover, no one or nothing else. Disney effectively portrays women in a negative way, depicting them as weak and needy. No attempt to break the stereotypical gender roles of women are evident however, these stereotypes are growing as Disney instills this image of women in the minds of viewers.

The completeness of the stories that showed on films covered dissimilarity on reality. It embraced fantasy concept a way far in realism. However, it triggered to produce heartwarming films. The concept of the stories stroked the minds and hearts of young female children which usually convey a love stories. Most protagonists were females or princesses so, evidently young female children were captivated on the stories with used of the unforgettable line “And they live happily ever after”. As a result, young female children when exposed to Walt Disney films tend to identify themselves with those fictional characters. They might as well perceive the stories will happen in life situations.

Many young children grow up watching Disney films. Many parents do not think that these movies could have a negative impact on their children. Henry Giroux, who wrote the book, “The Mouse that Roared: Disney and the End of Innocence” is a firm believer that Disney films have a negative impact on the children that watch them. For several generations Disney films have been a huge part of children’s lives, but many parents do not realize how these films can negatively impact their children. Disney films can teach young children stereotypes, how to deal with life events such as death and they can learn negative ideas and values from these films.

Not many companies can influence the childhood development of many Americans like the Walt Disney Company. Disney, named after their founder, began as just an animation studio called The Walt Disney Studios, which the company describes as “the foundation on which The Walt Disney Company was built”. Today, Disney produces various items targeted at children like toys, clothing, and animation (“Company”). In the paper, Images of Animated Others: The Orientalization of Disney’s Cartoon Heroines From The Little Mermaid To The Hunchback of Notre Dame, Celeste Lacroix of the College of Charleston assesses the portrayal of female heroines from Disney animated films that depicts human main characters, examining the sexualization of non-European or the “exotic” others, and brings to light Disney’s strategy to instill an attitude of consumerism in children. Despite my memorable sentiment with Disney animations as a child, I agree with Lacroix’s assertion that Disney impose consumerism onto children, especially with DVD commercials, tie-in products and “apps” on smartphones and tablets.

For my final paper where we had to pick a topic from current popular culture, I decided to write my paper with the focus on Disney movies. More particularly with the focus on the Disney princess movies. When it comes to the Disney movies they have always been and will always be such a huge part of our society. While growing up most children grow up watching these movies and get the idea that that is what they want to be when they grow up. When you ask a young girl what she wants to be when she is older there is a good chance that she will say that she wants to be a princess when she grows up. I have always been such a huge fan of Disney movies and I have a feeling I always will be. I found it very interesting this semester when we spend the short class period talking about the Disney female and male characters. It is rather interesting and something that I can say that I really never noticed before but the fact that the majority of all the female characters all had the same face shape. Whereas the males there were none two that were the same. However for this paper I will be looking into the relationship to cultural meanings about gender and other identity markers, such as race, sexuality, and cultural norms as seen in some of the more classic well known Disney movies.

In this popular essay, Chaya Benyamin talks about how Disney films Disney films encourage children’s hope and success. Disney characters model power of hope, encouraging children to apply hope in their own lives. They guide young women away from being powerful by giving the men the power character. For children, Disney gives insight to cultures they have never seen before.