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Who Is Thomas Wheatley's Influence

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Influences Wheatley was seven years of age when she was abducted from her home in Senegal/Gambia, West Africa. August 1761, she was sold to the Wheatley family. During her time with the Wheatly family, she was taught how to read and write in different languages. She was also immersed in the Bible, astronomy, geography, history, British literature and the Greek and Latin classics of Vergil, Ovid, Terence, and Homer. Although she was given such an education, she was by no means excused from her domestic duties as a slave. Despite being a slave she was still able to learn and grow into such a strong being that she was. In "To the University of Cambridge in New England," Wheatley draws a clear line between herself and the students present. Stating …show more content…

She also mixes her religious and classical influences into the piece. In line 6, she states that the “sun slumbers in the ocean’s arm” (Wheatley Line 6), as if the sun is a baby in its mothers arms. This symbolizes the sun as being dependent, but as we continue to read, the sun becomes independent from its mother. “Ador’d the God that whirls surrounding spheres/which first ordain’d that mighty Sol should reign” (Wheatley line 14-15). This states the sun being mighty and reigning over the land being God’s prince which can be inferred as Jesus. Upon reaching this point, one can see that the sun is no longer an infant and can conclude that the “ocean” is none other than the Virgin Mary. Wheatly being well versed in many religious studies and other languages, she embeds other religious influences in the piece as well. The “goddesses” like “Phoebus” is mentioned in the poem. Phoebus was another name for Apollo and the god Apollo was known to be very powerful. Apollo was not only the son of Zeus, but he was also an oracular God; meaning that he was prophetic of the future. On the other hand, Christian religion says God is the only one who knows what the future holds. Very interesting how Greek mythology and Christianity overlap and contradict each other. In line 2-3, for example it says, “To praise the monarch of the earth and skies, whose goodness and

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