1.Who does the speaker of the poem seem to be addressing in the first stanza? How do you know? In the first stanza of the poem, the speaker seems to be addressing the urn. We as the reader know that a urn is a vase that is covered with decorations. So, when the speaker says “Thou still unravished bride of quietness, Thou foster child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: what leaf-fringed legend haunts about thy shape…” we assume that the poet is addressing the urn because he seems to be questioning the decorations on the urn and what stories they hold.
2.What is the speaker questioning in lines 8 through 10?
“What men or gods are these? What maiden loath? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy?” The speaker is questioning the images he sees on the urn and is questioning the story behind each of the images. He also questions who they are and what is going on in the images he sees “What mad pursuit”.
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What are the “bold lover” and the “she” being referred to? What's situation between them is the poet describing?
In the second stanza the first image that arises is a decoration on the urn that the speaker is describing, someone who is playing an instrument (“the pipes”). Whoever is playing the instrument his melodies are unheard to the “sensual ear” and can only be heard by the “spirits ditties of no tone” (could mean: melodies can only be heard through your soul)
The “bold lover’ and the “she” are being referred as lovers stuck in time. Although the man playing the pipes can never kiss the beautiful girl, “she cannot fade...Forever wilt thou love, and she be fair!” their love will last forever and she will always remain
has many memorable and distinct poems. He is well known for his ability to write and adored by many. Ode on Indolence is a poem that can be relatable to its readers due to its idea of how indolence interferes with life’s opportunities, in particular the three mentioned in the poem, love, ambition and poesy. Keats refers to these three figures as “ghosts” (51) therefore insinuating that they once lived, but now they are mere figments of energy and air. Keats’ poem six stanzas of ten lines each in
enjoyable poem. I take delight in it, even though I recognize in it some inadequacy. But, frankly, I like it best of all of Keats's work and know it by memory. It all comes together nicely and has an exceptionally fine ending.I do not discern any particular interpretative problems with this work. The poem is a lyrical evocation of autumn with a complex tonal blend which both celebrates autumn's fullness and wistfully regrets its sense of loss and ending. There is nothing in the poem which induces