Where Are You Going Where Have You Been Arnold Friend Quotes

A door to the beginning of her outcome is all that divides Connie in, “Where Are You Going, Where Have You Been?” from Arnold Friend, the devilish predator. Symbolism takes a big part in this story that gives a deeper meaning to Connie’s choices that ultimately extent to giving herself to Arnold. The author, Joyce Carol Oates in the short story, “Where Are You Going, Where Have You Been?” represents Arnold Friend as the real world by being challenging and malicious, and Connie as the innocent world by being defenseless and naive.

by evil and sin. Arnold Friend first attempts to coax Connie out of her house for a joyride by

Starting with “Where Are You Going, Where Have You Been,” Connie is viewed by the readers as being in this dreamlike state, which is simply used as a nightmare to show Connie the reality of her life when girls decide they want to grow up too fast. Hence, the entire experience with Arnold Friend was just Connie’s subconscious demonstrating to her what her “big girl” attitude and behavior could result in, and how it could change her life. Furthermore, with the story not having a definitive ending, it also shows that this is not reality for Connie, but just a pure glimpse of her path and future. Similarly, in “Young Goodman Brown,” Brown is also dreaming of his “what if” future. Throughout the story, people are magically appearing and disappearing. For example, when Brown talks about seeing Goody Cloyse. The story gives no indication that she acknowledges him being in the forest, yet they have known each other since he was a boy. As soon as the devil

In the story “Where Are You Going, Where Have You Been” Connie, the main character, is already struggling with many things in life and sneaks her way to date guys. There was also conflicting between her and her mother due to her mother favoring her sister, June and describing her as someone who is a good example of what she wants Connie to be. Her father is never at home due to work and when he is home, the girls do not relate to him. Arnold Friend is described as a dangerous figure with his pale complexion and his slick black hair looking like trouble by not presenting himself in a pleasing way to Connie, by not walking properly. This was an indication on how he was not in the right state of mind and how Arnold shouldn’t be near Connie. There was one scene in the story where Arnold Friend shows up, uninvited, notifying Connie that he is not a friend, but has come to take her away from her home to possibly kidnap her. "Connie felt a wave of dizziness, rise in her at this sight and she stared at him as if waiting for something to change the shock of the moment, make it alright again”. Connie feels safe in the house and does not come out until Arnold convinces and demands her that she come out. Things took an unpleasant twist when Arnold tells Connie not use the phone or he will break his promise of not coming in the house

Through plot, Oates demonstrates how Arnold Friend can be seen as a symbolic Satan. Plot starts when Arnold makes sure to tell Connie he is interested in her as he says,“Gonna get you baby” (Oates 1). Connie is in a drive-in restaurant for an older crowd when Arnold sees her for the first time. Once Connie leaves the drive-in dinner with a boy named Eddie, Arnold decides to make a move on Connie. Arnold uses foreshadowing to let her know he will meet her again. Just as Arnold says he is going to get Connie, he shows up in her driveway, creating a creepy situation. That Sunday afternoon, Connie is alone in her house while her parents and sister are on a picnic at one of their neighbor’s house, Arnold decides to use this opportunity to make his

In the story Where Are You Going, Where Have You Been? It talks about a man and a woman whose names are Connie and also Arnold friend. Arnold is suppose ably Connie’s friend who seems to just be Connie’s conscious speaking to her to tell her to do the thinks that she does.

As the story progresses, it is Sunday morning and her family is getting ready to attend a family bar-b-queue. However, Connie insists on not attending and is left alone at home. As she is washing her hair, she hears an unfamiliar car driving up to her house and her heart begins to pound for she does not want the visitor to see her undone. When Arnold Friend, a man she has seen at the restaurant before, but has never spoken to, shows up on her doorstep, she is someone curious as to why he is visiting her. Throughout the scene, he is attempting to persuade Connie into taking a ride with him and his friend Ellie. The more he speaks to her, he reveals to her that he knows many things about her such as her friends, her name, and family and where they are currently at. As the scene develops, Connie no longer has interest in Arnold for she now is scared and is fearful of what his intentions are.

In the short story “Where Are You Going? Where Have You Been?” both characters, Connie and Arnold, suffer from having dual identities. Connie is an individual who acts completely different outside her home, where she tries to portray an image of being sexually appealing. However, she is the complete opposite within her home, where she hides her sexuality and acts more like the adolescent she really is. Arnold is a mature man, something Connie is looking for in life and this intrigues her. Both characters have trouble with their dual identities, Connie’s leads her to being vulnerable to growing mature in an unpleasant manner by the force of Arnold, while Arnold’s unknown character proves to not be genuine, as Connie brings out his violent nature in her quest to be an independent adult.

The main conflict Connie faces in the story is Arnold Friend himself, a satanic figure preying on the young and naive. Initially Friend seems desirable to Connie, he seems like a suave mature figure, from afar, but as he draws closer to her Connie begins to see his flaws and what lies

Besides Arnold Friend physical appearance, which makes the reader assume that his character is not a human being, Oates gives him supernatural powers that a normal person could not have. One example of this is the power that he has over Connie; he knows everything that involves her: “ 'Just for a ride, Connie sweetheart.' Arnold Friend says. 'I never said that my name was Connie, she said.' And he replies: 'But I know what it is. I know your name and all about you, a lots of things, Arnold Friend said' ”(584-585). The security of Arnold Friend words gives to reader the impression that he has been watching her closely and all the time without her knowing it or noticing it. This confirms the reader’s hypothesis that Friend's is Satan. Moreover, when Connie tries to hide from him in her house, Arnold manipulates her into leaving the house simply by telling her what to do, like a puppeteer and his puppet: “You won’t want your family to get hurt. Now get up all by yourself. Now turn this way. That’s right. Come over here to me. Now come out through the kitchen to me honey and let’s see a smile, try it, you are brave sweet little girl”(591). Oates makes the reader infer that Satan’s only way to make her comes out is by using his demon powers, because the devil cannot get into your house unless you have invited him in. Therefore, he uses his

In the short fiction Where Are You Going, Where Have You Been? tells a story about a young 15-year-old girl named, Connie. Connie spends her time meeting boys, lounging around the house and going out with her friends. One night an unusual man makes a threatening gesture to her in the parking lot of a local drive-in restaurant. Until, one day the unusual man pulls up in her driveway in a gold colored car. The man introduces himself as Arnold Friend and asks Connie to join him for a ride. During their conversation, Connie is aware that Arnold is dangerous; his language becomes more sexual and violent, and he warns her that he will hurt her family if she calls the police. In the end, she leaves the house and joins Arnold. Connie is stuck between the lines of her sexual daydreams and reality up until she is entangled among by Arnold Friend and his infatuating music playing in his car. Everything about her had two aspects to it, one when she was at home and one for anywhere but home.

This thought, however, ignores the insecurities she has and the decision she has already made in her mind. After all, Connie did know that Arnold Friend was dangerous, she was wary of him when he first showed up and when she makes out his age she gets put on her guard even more and eventually threatens to call the police on them. Then, Arnold says words that ring through the mind of Connie: “…I promise it won’t last long and you’ll like me the way you get to like people you’re close to. You will. It’s all over for you here…”. These short sentences echo through her mind as they remind her of the relationships she has in her life. Connie realizes that will never be intimate with Arnold Friend because she cannot have a relationship like that with anybody. Because of her insecurities, Connie thinks she deserves this ending. She will go with Arnold not because she wants to, but because nothing can hold her, back she wanted to explore and have an adventure, but the adventure was thrust upon her too

“Nothing about Arnold Friend is genuine, except his violent intentions and his skill at psychological and physical intimidation. By the story’s end, Connie understands that she is not the confident flirt she thought, but a powerless pawn in the hands of a dangerous individual.” (Cormier)

She knows he is threatening her and her family but it seems she is controlled by an unknown source that makes her go with him. Someone could argue that Connie went willingly to protect her family, but that seems weird since she tried to call for help. When she tried to call for help it seemed like Arnold Friend was controlling her so that she wasn’t able to call for help. Arnold Friend has a mysterious control over Connie that makes the reader believe that she is under his control. The story says, “She felt her pounding heart. Her hand seemed to enclose it. She thought for the first time in her life that it was nothing that was hers, that belonged to her, but just a pounding, living thing inside this body that wasn’t really hers either”(Oates 325). This could prove that she didn’t have control over the situation, kind of like someone or something was controlling her.

In where are you going, where have you been the major conflict is the lack of self-confidence and immaturity of Connie. From that, the complication of being stalked by Arnold arises. The author does not just tell us Connie is a naive girl but discusses her actions and lack of actions leading us to believe so. Because of that, by the time the complication start taking shape, the reader can almost guess what would be next, that is Arnold is one of the boys that are Connie’s age. Knowing a lot about Connie by now, we will guess after being reluctant for a while she will take off with him like she has done before so many times, there how ever is a surprise waiting. Once we start following the dialogue between Connie and Arnold and know more about his awkward looks and language we start understanding the symbolism Oates has been using. He is the prince of darkness and he is there to take Connie to her final destiny, the land of the dead. Talking about the old woman down the street who was also murdered he is