What Is There Love In A Midsummer Night's Dream

At one time, Demetrius loved Helena, and then he fell in love with someone else. Initially, Demetrius had given his love to Helena: “He hailed down oaths that he was only mine, / And when this hail some heat from Hermia felt, / So he dissolved, and showers of oaths did melt” (MND 1.1.243-245). Helena loved Demetrius, and he promised to be with her forever. However once he met her friend, Hermia, Demetrius left Helena to chase after her friend. Helena’s jealousy of Demetrius’ love drives her to think about what he really wants. Helena believes that Hermia’s beauty is why Demetrius desires her. She tells Hermia, “Demetrius loves your fair”, and she goes further to say, “Were the world mine, Demetrius being bated, / The rest I’d give to be to you translated” (MND 1.1.182, 190-191). Her jealousy of Demetrius’ love has turned into jealousy of Hermia’s beauty. Helena obsesses over having Demetrius back to the point that she continuously follows him around. Demetrius is tired of Helena chasing him: “Do I entice you? Do I speak you fair?” (MND 2.1.199). Demetrius does not understand why she tries so hard to be with him when he does not even compliment her. Demetrius threatens Helena to leave him alone: “I’ll run from thee, and hide me in the brakes, / And leave thee to the mercy of wild beasts” (MND 2.1.227-228). At this point, he is beyond exhausted with Helena, and he will do anything to get away from her.

(3.1.145-146). There are many situations in the play where this quote applies, such as Helena’s love for Demetrius, Titania’s (temporary) love for Bottom, Hermia and Lysander’s love, etc. The characters only love each other because of a habitual (or forceful) attraction to the other person. There is no particular reason given as to why the characters are in love, but through the clues in the play, we can tell that the love shown here is unconditional. Through this we can tell that love shown in A Midsummer Night’s Dream is portrayed as preposterous and

Throughout the play, Helena practically worships Demetrius, despite his obvious hatred towards her. Demetrius asks Helena, “Or rather, do I not in plainest truth, tell you I do not, nor I cannot, love you?” (Shakespeare 2.1.185-186). in which she responds, “And

Love is a timeless topic which Shakespeare explores in depth in “A Midsummer Night’s Dream “. Shakespeare utilizes the format of a play within a play to communicate the complexities of love. Love is a force that characters cannot control. The play includes scenes of lovers searching for fulfillment in the arms of characters who are unavailable. The magic love potion wreaks havoc between actual lovers and it is clear just how negatively it is portrayed. The entire play revolves around the difficulties of maintaining love and how foolish and insecure the pursuit of love can make us. It also touches on the fickleness of love, that love can be

When Helena and Demetrius were together, she was perfectly content and satisfied with herself. She knew of her magnificent beauty and high potential. Unfortunately, when Demetrius strayed from her, her self-confidence dropped several notches, and she no longer thinks of herself as desirable nor beautiful. Then, after Puck anoints Demetrius’ eyes with the love potion, he falls back in love with Helena. However, she thinks he is mocking her, and in her eyes, it is a very repulsive deed. Love’s misfortunes consequently vanquish all of Helena’s self-confidence and prompt her judgement to become

Helena and Demetrius spend the night together which causes Helena to fall in love with him. Except Demetrius does not return her feeling of love and instead likes her best friend Hermia instead. When Demetrius is under the love potion he says “Lysander, keep thy Hermia. I will none. If e’er I loved her, all that love is gone. My heart to her but as guestwise sojourned And now Helen is it home returned, There to remain.”(Act 3 Scene 2). He pursues Helena and toys with her feelings (even though it wasn’t intentional) showing that love indeed can change and turn on

Within Shakespeare’s play, “A Midsummer Night’s Dream”, the reader is exposed to the idea that love is an over-arching shadow that casts itself over the entirety of the play, despite it being the most fundamental theme within the plot it is the main cause of nearly every major event that happens within the play. This is seen within Theseus’ monologue where he discusses the ideas of: love being able to drive you to do insane acts, love altering one’s perception of reality, and the lengths one is willing to go to in the name of love.

Helena discloses the plan Lysander creates for himself and Hermia to Demetrius (Act I, Scene II). Although in Act I Scene II, Demetrius clearly proclaims “I love thee not, therefore pursue me not.” Helena replies saying the more Demetrius hates her the more she shall love him and she would gladly be his dog. In Act III Scene II, Demetrius has love juice put upon his eyes so he may fall in love with Helena. The love is so sudden

The strong friendship between Helena and Hermia quickly disintegrated when they became involved with the two men. The love potion was meant to help, but Puck's mistake managed to completely reverse the relationship. When both Demetrius and Lysander were under the influence of the "love-in-idleness" flower, Helena believed that both were mocking her.

Consequently, Demetrius falls in love with Helena, as it should have been in the first place, so “two [men] at once woo one [woman],” as Puck says in line 3.2.118. Helena is completely mixed up when Demetrius states that he is now in love with her because then both of Hermia’s suitors are now wooing her. The conflicts in love that Shakespeare presents here are a way for him to start solving the love issues by bringing the couples together using the fairies’ magic powers. Indeed, by making Demetrius fall in love with the lady who loves him, he pleases Helena, who should normally be happy to have won her quest. However, since Lysander is also in love with her, she is not fooled, and knows that there is something unusual going on. She suspects that the gentlemen are teasing her scornfully by “flout[ing] at [her] insufficiency” (2.2.128).

Helena is a very desperate and aroused woman who loves Demetrius with her life. Even though she shows a great passion of love for him, Demetrius rejects this and therefore piles another burden of sorrow onto Helena’s shoulders. She is fed up with Demetrius rejecting her, but Helena is not tempted to give up yet.

Love is one of the most difficult mysteries of life. The difficulty of love is shown throughout A Midsummer Night’s Dream. In the play, the characters have to deal with jealousy that comes along with being in love. Love’s difficulty in the play comes from love being out of balance. Love being out of balance is a romantic situation where a difference gets in the way of happiness in the relationship. William Shakespeare’s A Midsummer Night’s Dream demonstrates these conflicts with a little bit of humor and buoyancy. The four young Athenians have many difficulties with love. Hermia loves Lysander and Lysander returns the feelings; Helena loves Demetrius but Demetrius loves Hermia. The two men love the same women, which leaves Hermia

(II.i.206-208). In regards to this, Demetrius is clearly stating that he “do[es] not, nor cannot love” Helena in such a way that she admires him. Yet, despite this rejection, Helena goes on to say, “[a]nd even for that do I love you the more” (II.i.209). With Helena’s speech in mind, she is blinded by her love for Demetrius and is unable to see that she is loved back. Her love can be described as foolish because she has no real reason behind it.

In A Midsummer Night’s Dream, Shakespeare explores the subjectivity of love. The play shows the absurdity of love through its characters like an episode of “MTV The Real World”: they fall in love, break up, lose friendships, and someone will ultimately look like an ass. Shakespeare’s play examines the combination of both traditional and non-traditional gender roles affecting the character’s perception of their respective romantic relationships. Shakespeare then questions whether love is real through Lysander and Helena. Shakespeare’s play as a whole demonstrates how initial perceptions of love are subject to transformation. Both the characters and the play debunk that love is static, but rather an ever metamorphosing reality.

Occurring in Act 2 scene 1, Helena informs Demetrius of Hermia and Lysander’s plans to run away together in hopes of winning Demetrius’s heart. After hearing about their plan, Demetrius is determined to stop Hermia and pursues after her into the woods. Helena isn’t far behind and tries to reason with Demetrius. Once again she expresses her love for him and even offers him to do anything