What Is The Theme Of The Devil's Wife By Carol Ann Duffy

In the Devil’s Snare by Mary Beth Norton is a narrative describing and analyzing the Salem witch crisis and pinpointing one of the greater causes of the event. Norton's thesis is that the Salem witch trials were directly related to the two Indian wars, also known as King Phillips War and King Williams War. A significant portion of the accusers, according to Norton’s research, were in fact refugees from the Maine coast. These were people who had watched their families and neighbors be killed by the Native Americans, a people who the Puritans closely related with the devil and devil worship. With many source documents used, the book seemed very dry.

Nowadays, freedom is a fundamental right for each man and woman, but it is not a perfect concept. When one’s freedom is endangered, he can do unimaginable things, especially when love is at stake or can react weirdly when he acquires it. It’s exactly what Kate Chopin, a female American author during the 19th century, did when she treated about women’s conditions in the short-story Story of an Hour in 1894, where a woman falsely learns about his husband’s death. Almost 60 years later, Roald Dahl wrote Lamb To The Slaughter, set in Great Britain, where a woman kills her husband and hide the evidences cleverly. These two short stories are not only comparative on the two female protagonists and the imagery used, but also on the main themes

Carol Karlsen 's "The Devil in the Shape of a Woman” was written to provide the reader with an understanding of the role of the “witch” in colonial New England. During the early colonial period, pilgrims lived in a male-dominated society and the classical witch hunts were conducted in an attempt to maintain this societal structure. Since these hunts were placed under a religious guise, it was simple for these individuals to act as if they were maintaining the safety and justice of society. Karlsen explains that in many instances, women who were labelled as witches were often females that had managed to acquire great economic and social status and society. In fear of these women, the neighborhood targeted them and called them witches to weaken their power. Independent of guilt, women who were accused of witchcraft could not possibly recovered. If they claimed their innocence, they would be stoned or burned to death because the counsel would decide that they were not being truthful. If they admitted to their guilt, their place in society would be marred and they would be embarrassed for partaking in these evil acts. Through this violence, men have been able to maintain their place in Puritan society. In her book, Karlsen aims to provide the reader new insight into the witch trials, demonstrating the societal, rather than religious causes for this well-known historic tragedy.

"I've done nothing wrong - and you know it!" Mrs Birling exclaims, refusing to take responsibility for her actions, which is just one of the reasons why the audience may not see Mrs Birling as a very likable character. This essay is going to explore how J.B. Priestley creates such a disagreeable character and why the audience feels this way about her.

“Trifles” by Susan Glaspell is situated in 1916 and is a one act play which incorporates essential components of what the women’s rights movement was about. After moving on from Iowa’s Drake University in 1899, Glaspell commenced her writing vocation of composing short stories and books. The play from Glaspell recounts the story of a homicide mystery involving the married couple of Mrs. Wright (Minnie) and her spouse, the murder victim, John Wright; this story also incorporates the outlook of society towards women being viewed as beneath men. “Trifles” demonstrates the unfair mentality regularly acknowledged among men towards women in 1916. In addition, it showcases the big role comradery plays for women in becoming equal represented

Many people read for some sort emotion the words invoke. Whether it is joy, sadness, fear, or anticipation, readers love being able to feel the emotions the characters feel without actually going through the same experiences. This is especially true for horror and suspense stories. Elizabeth Bowen’s short story “The Demon Lover” is able to invoke a lot of emotion through different literary elements, which is why it is so popular. Elements such as point of view, suspense, and foreshadowing really put the readers on the edge of their seats.

These three brides represent the femme fatale, the fatal woman. The over sexualised women whose charms ensnare her lovers in bonds of irresistible desire, often leading them into compromising, dangerous, and deadly situations. These women serve as monstrous reminders of what happens if the boundaries of proper behaviour and traditional gender roles are crossed. These women, although beautiful, possess the wrong type of beauty, one of which brands them as evil, openly sexual and seductive women. Who, in addition lack the chaste passivity and fragility of the ideal Victorian lady, thus making them deserving of some form of punishment in order for them to be returned to their pure, innocent, albeit dead, human form.

Though set in entirely dissimilar countries at different points in history, Margaret Atwood’s ‘Alias Grace’ and Hannah Kent’s ‘Burial Rites’ possess significant comparisons. Both for instance, are fictionalized historical novels following the tribulations of a female protagonist convicted of murder and both have been widely acclaimed for their incredible literary style which merges classic poetry, epigraphs, folklore and historical articles with fiction. The most striking parallel between each novel that can be drawn, however, is the way in which authors masterfully craft the stories of untrustworthy, cunning and deceptive criminals to elicit sympathy from their audiences. Readers of the novel and secondary characters alike are gradually pulled into sympathising with ambiguous and untrustworthy female leads, Grace Marks (Alias Grace) and Agnes Magnusdottir (Burial Rites). Despite the heavy suspicions of others and a lack of evidence to support their claims of innocence, these characters present artfully manipulated features of their defence stories to provoke empathy, sympathy and trust from those within the novel, and those reading it.

Gwen Harwood’s poetry is very powerful for its ability to question the social conventions of its time, positioning the reader to see things in new ways. During the 1960’s, a wave of feminism swept across Australian society, challenging the dominant patriarchal ideologies of the time. Gwen Harwood’s poems ‘Burning Sappho’ and ‘Suburban Sonnet’ are two texts that challenge the dominant image of the happy, gentle, but ultimately subservient housewife. Instead, ‘Burning Sappho’ is powerful in constructing the mother as violent to reject the restraints placed on her by society, whilst Suburban Sonnet addresses the mental impact of the female gender’s confinement to the maternal and domestic sphere. Harwood employs a range of language and

In today's society, we generally view upon everyone as equal beings who deserve equal rights. At the turn of the 20th century, this particular view didn?t exist. Men clearly dominated almost every aspect of life and women were often left with little importance. The Wright?s embody this view of roles in Susan Glaspell?s play Trifles. Mrs. Wright was a typical woman who suffered the mental abuse from her husband and was caged from life. In Trifles, a mixture of symbolism of oppression illustrates Mrs. Minnie Wright?s motives to kill her husband and to escape from imprisonment.

Writers consistently use poetry as a lens through which they scrutinize and delineate society. The poet, Carol Ann Duffy, uses her anthology, “The World’s Wife” to portray her strong feminist views. Within this collection Duffy gives a voice to female Biblical, historical, mythical and fictional figures, whose voices have previously not been heard. A famous feminist author, Simone de Beauvoir, once said, "Representation of the world is the work of men; they describe it from their own point of view, which they confuse with the absolute truth". Mrs Beast upholds the feminist literary tradition of re-writing literature to include these missing female perspectives, with Duffy's clear intention encapsulated in the line ‘These myths going round…

All three versions of “The Demon Lover has the same common messages: to be careful in trust, be careful of the vows you make, and that the decisions of the young often come back around negatively. All three pieces exemplify these messages heavily. Of all of the works maintaining these themes, Elizabeth Bowen’s “The Demon Lover” displays these messages the

Mrs. Ramsay thrives in this role of wife and mother, and men support this role by loving and adoring her for it. In watching her fit the stocking to James' leg and at another time, read James a fairy tale, Mr. Bankes can not help but contemplate the wonders of Mrs. Ramsay. He sees her is the best of light, as childlike and beautiful from within. "If one thought of her simply as a woman", one who wished to be admired, they were mistaken. In his opinion, she was beyond all of that. Her self sacrificing nature brought her to a higher level, where although she was strikingly beautiful, she wanted only to be like everyone else, "insignificant", so as to serve those around her.(p. 30) The simple acts which she

Robert Browning provides a critical view of gender and power relations in his dramatic monologues “Porphyria’s Lover” and “My Last Duchess.” The dramatic monologue, as S.S. Curry has written, "reveals the struggle in the depths of the soul” (11). Browning delves into the minds of characters to show their conceptions of women and ideas of power. He explores the mental processes of the characters, and invites readers to question societal ideas of power and gender. The mental pathologies of the speakers is emphasized, which forces readers to examine the sanity of their own notions of gender dynamics.

‘The World’s Wife’ is a collection of poems by Carol Anne Duffy published in 1999. Throughout Duffy’s collection of the poems she represents women from history, myths and fairy tales, particularly those whose stories tend to be defined by men, or who have only a cameo appearance in male-dominated scenarios. ‘The Worlds Wife’ collection explores the themes of sexism, inequality and stereotypes, which women, sadly still face in modern society. In Duffy’s collection some poems look at the story of the man from a woman’s perspective, such as the poem ‘Mrs Aesop’. Other poem’s stories have been slightly altered like ‘The Kray Sisters.’ As we already know the Kray Twins are two male English gangsters from the East End of London during the