What Is The Difference Between She's The Man And Twelfth Night

Femininity is a concept whose attributes are contingent on the culture it is in—what one culture may consider typically feminine traits could largely vary from what another culture views as being feminine. While theater can sometimes subvert theses ideals and present women who function in ways that are not typically feminine, theater can often present idealistic representations of women who exemplify that culture’s ideals of femininity. Take, for example, the female characters in both Guan Hanqing’s Snow in Midsummer and Hroswit’s Martyrdom of the Holy Virgins. While both texts come from largely different cultural contexts—Snow in Midsummer was written in thirteenth century China for a general population whereas Martyrdom of the Holy Virgins was written in tenth century Germany as a closet drama—both texts have female protagonists whose rebellions exemplify feminine ideals of the respective cultures.

In the She’s The Man (2006), Viola Hastings (Amanda Bynes) cross dresses for the majority of the film, pretending to be her twin brother Sebastian. She does this in order to play for Illyria’s men’s soccer team as her school, Cornwall, cut the women’s soccer team and wouldn’t allow her to play for the men’s team. Her main motivation is to beat her former schools team and prove to them that even though she is a girl, she can play on the same field as the boys. While pretending to be Sebastian, Viola initially struggles to hide her femininity, such as when it is discovered that she has tampons in her bag. As the movie progresses her ability to hide this femininity and express masculinity becomes easier. Her cross dressing has an effect on everything and everyone around her and it pushes the line on the comfort people feel when stereotypical gender norms are challenged/ She becomes interested in her roommate, Duke (Channing Tatum) and throughout the movie the two become closer on an intimate level even though Viola is still masked as Sebastian. Duke is obviously uncomfortable with this as made evident by the end of the movie, when it is revealed that Viola was pretending to be Sebastian the entire time. His look of relief reinforces this idea of stereotypical, heterosexual gender roles, as now that Viola is revealed as a female, it is socially acceptable to be attracted to her. She’s The Man reinforces the stereotypical gender roles that society expects out of

In this film, She’s the Man Olivia Hastings revolves around gender portrayal and her objection to join a men’s soccer team. She’s the Man demonstrates gender representation of femininity and masculinity through a number of characters. Olivia gets rejected and unable to join the men’s soccer team which shows how empowering it can be to be a female. Oliva’s brother Sebastian Hastings goes to London as his band got a spot to perform at a music festival for 2 weeks, so Olivia disguises to be Sebastian to be able to join the male soccer team. Both power and gender are big roles in the film as Viola continuously switches from being female to male and shows how much power both genders get.

Sexism is displayed in the play with women being discriminated

In the film version of Shakespeare's original text and Kenneth Branagh version of Twelfth Night as known as "She's the man" each had a similar plots and just almost close enough to character roles. From the statement "Shakespeare's plays should not be updated for modern audiences. The authenticity and originality of the stores should be preserved exactly as the author intended- no dramatic license should be taken." It should be disagreed upon for multiple reasons, one being as if someone were to pick which film was entertaining, chances are they picked Kenneth Branagh

Hamlet and Twelfth Night could both be compared through instances of body imagery, critical thought and social integration.

Gender stereotypes are oversimplified generalizations about the roles of each gender. In the play Macbeth, the author, William Shakespeare shows these stereotypes through the characters and their conflicts and challenges. Throughout the play, we develop an understanding about how the characters’ perspectives on what manhood and masculinity means, plays a huge part in the decisions they make.

From the beginning to the end of the story, the narrator undergoes a transformation from a child of the farm to a young woman. From my perspective, she does not start out as particularly masculine; she is more of a blank slate that is trying to rebel against what she views as

When observing gender in our society, women and men are stereotyped with specific roles. Men have always been seen as the family’s main source of income whereas the women take care of their home and children. However, Shakespeare challenges these gender roles in his play with the three female characters Goneril, Regan, and Cordelia. While all three are independent, powerful women and even lead their armies into battle, the men seem to be foolish and weak such as King Lear and Albany. Furthermore, Mira cel Batran makes a point in her essay, “Feminist Reading of William Shakespeare’s King Lear”, that although women are regarded as dependent on men, Shakespeare explains that it can be the exact opposite. The men seem to depend on the women such as King Lear depending on Cordelia and Albany depending on Goneril. Shakespeare, in his play, King Lear, portrays women who are strong and intelligent and men who are weak or overpowered by female characters, challenging the societal belief that women are inherently less than or dependent on men.

In Macbeth, the conflict between manhood and femininity is very apparent. The differences between Lady Macbeth and Macbeth are profound. Over the course of the play, Shakespeare skillfully changes the role of the two characters. Macbeth is frightened at the beginning and frightened at the end while Lady Macbeth is seeming confident and ends up frightened in the end. Lady Macbeth questions Macbeth’s manhood many time throughout the play, making the conflict between their two personalities very apparent.

Shakespeare's works have persistently influenced humanity for the past four hundred years. Quotations from his plays are used in many other works of literature and some common phrases have even become integrated into the English language. Most high schoolers have been unsuccessful in avoidance of him and college students are rarely afforded the luxury of choice when it comes to studying the bard. Many aspects of Shakespeare's works have been researched but one of the most popular topics since the 1960s has been the portrayal of women in Shakespeare's tragedies, comedies, histories and sonnets.

“Hamlet” and “Twelfth Night” are two Shakespeare plays of complete opposites. Due to one being written as a tragedy, and the other as a comedy, many comparisons can be drawn between the two plays, on themes and motifs that develop throughout the plays. One of the themes that is easily recognisable in the early stages of both plays, is that of deceit and disguise. In “Hamlet”, we learn early on that Hamlet decides to act as a madman in order to try and weed out a confession from his uncle about the murder of his father. Although he does not actually reveal to any other characters his plan until Act 1 Scene 5, when he tells Horatio that he plans to “put an antic disposition on”, the audience can recognise very early that Hamlet is going to

Shakespeare may be the most known playwright of all time, however, you may be surprised at how many unfair stereotypes this very famous writer incorporated into his plays. A Midsummer Night’s Dream is a comedy play written by William Shakespeare in the late 1500s that portrays events surrounding the marriage of Theseus, the Duke of Athens, to the extravagant Hippolyta, the former queen of the Amazons. Such events included Demetrius jilting Helena at the altar and falling in love with Helena’s rival instead, Hermia. However, Hermia is in love with Lysander, not a disdainful youth known as Demetrius. According to feminist theory, the theory that focuses on gender inequality. A Midsummer Night’s Dream would not be considered a feminist empowerment play because throughout the play Shakespeare portrays women as timid/easily frightened. He shows men having more power than women, and perpetuates the unfair stereotype that all women must act a certain way.

In Shakespeare's plays Twelfth Night and As You Like It both of the lead female characters dress as men. Both plays are comedies and the change in gender is used as a joke, but I think it goes much deeper. A woman can become a man, but only if it is not permanent. The affect of the change cannot be too great because she must change back to female once everything is settled. They are strong female characters, but must become men to protect themselves and ultimately solve the problem of the play. In the book Desire and Anxiety: The Circulation of Sexuality in Shakespearian Drama Valerie Traub calls the characters, "the crossed-dressed heroine who elicits and enjoys

Shakespeare and Webster represent the female characters in ‘Hamlet’ and ‘The duchess of Malfi’ by using general themes such as the patriarchy and the social control, the female identity and its independence, this institution of marriage, the expressions of sexuality and finally women shown to be either conformist or transgressive. Men were firmly in control in the Elizabethan and Jacobean era, and the expectations for women were to stay home, cook, clean and raise a family. Women’s status and roles were subject to the Tyranny of patriarchy, they were given strict disciplinary rules to follow whether by law or unspoken norms to prevent from rebellion. Women’s rights were restricted, legally, socially and economically, unlike today were women are more powerful and independent. Today women and men are seen to be equal and women can do pretty much everything a man can do (voting, working, becoming president) although there are many people still today who disagree with women having these rights.