Lilly Martin Spencer’s painting (Domestic HAPPINESS) achieved immediate acclaim. In this painting a husband and wife are admiring two babies who are wrapped up. They are filled with HAPPINESS and joy. The wife is overwhelmed by the beauty of the babies and places her hand near her husband chest. The eastern Bluebird is a symbol of HAPPINESS. It is a species familiar to millions in eastern North America. Male bluebird’s differs from females. Males are bright blue while females are more grayish. They’re small with a big round head and large eyes. They are much admired for their lovely coloring and for the song people hear as “chur-lee, chur-lee”. Blue birds eat small fruits and hunt insects, spiders and other different creatures. Dandelion
They were running up the road to a barn and I followed them to a little grassy patch. They all went to a shady spot under a tree and laid down under the trees shade. I slowly walked up to them they looked hungry and lost so I went to find some hay, luckily there was a patch of hay nearby. So she went and pulled a patch out of the ground and went back to the horses. The horses were still there laying under the cool shade. I slowly came to the first one. It was small with a white dot around its eye and other white dots on its sides. I started to put the hay down the horse got up and started
I have chosen a famous oil on canvas painting: Venus and Cupid by Lorenzo Lotto made around the fifteenth and sixteenth century during the Italian Renaissance period. Overall, this piece is extremely intriguing to me, I cannot imagine how the artist created it with such detail and precision. Overall, this painting has this happy and positive mood, but it is also makes me curious as to what this painting is about. It also gives me this feeling to smile for Cupid and Venus in the painting, rather than with them, as there faces are conveyed as being happy together. Its colors similarly, just like the overall painting, has this beautiful bright and cheery color that seem to suit Venus and Cupid well.
A cosmopolitan young flapper-looking woman occupies two-thirds of Tamara de Lempicka’s (b.1898- d.1980) painting of 1928 entitled “Maternity”, wearing a pink satin draping top that reveals her perfect rounded right shoulder and the peak of her inflated breast that is tenderly held in her left hand by her elongated fingers, which she helps her baby to breastfeed (Figure 2). The baby, whose sex is unidentifiable, is wrapped up in a white polka-dot cover that adorns his/her neck with a perforated floral design, emphasizing the roundness of his/her head that depict a dark full of hair and a red-flesh rounded cheek. The minimal dark grey background that is incorporated in the composition serves as an indicative tool to the viewer, by bringing into
Social equality is the concept in which all individuals possess the same fundamental basic liberties, opportunities, moral value/respect, and social benefits. The concept of ‘equality’ has a multiplicity of meanings and definitions, and with the rise of liberalization and democratization around the world ‘social equality’ has become the most predominant. As economic openness creates greater wealth disparities, the parallel rise of democratization has enabled citizens to demand more accountability measures and public welfare services from their governments in order to manage such disparities. Although the movement towards greater social
In the painting, a young man and his father are sitting on the running board of the family’s farm truck waiting for a train to arrive to pick up the young man for university. The expressions on both of the men’s faces tell a story all on its own. The young man seems to be very optimistic, while his father is dreading the arrival of the train to pick him up. The father of the young man seems to be upset and in thought. The expression on his face looks as if he is thinking back to when he was young and the opportunities he had or didn’t have, but he also seems to have an upset look on his face because he is letting go of his son, possibly even his only son. His facial expression looks as if he is thinking back on his life and what it was like for him, but also what the future will hold for himself and his son while he is away at college.
The United States and Mexico border fence has been a recent debate with the people because of the irresistible flow of Mexican illegal in the United States. Living in the lower Rio Grande Valley of Texas, I may be able to see a huge wall or fence being built on our border with Mexico. Other than the economic recession we have to this day, people still have their views and opinions expressed on another topic, the “segregation” wall. Some express opinions on whether this wall will keep illegal immigrants out, others speak on how this is a total disaster both financially and emotionally as in this wall being referred to as “racist”.
The settings and environments of the documentary Painted Babies position the viewer to respond to how beauty
Hannah's poetry celebrates the potential of one human being to accomplish something significant against all odds, in the most dire of circumstances. Though Hannah's family was not religious, they identified as Jewish. As Hannah turned twenty-one, even though she was safe in Palestine, she could not escape the dark shadow that World War II cast over Europe. She felt she had to help in whatever way she could. Her response was extreme. but so were the times. It was around this time that she wrote one of her most famous poems, Blessed is the Match. Hannah's urge to write had always been strong. Now the war and its horror inspired her to continue writing in her journal; she produced poems that continue to endure and inspire us today. Senesh's diary
Cassatt’s composition is a great example of the impressionist style movement. It is a great everyday scene showing a mother comforting her child. Cassatt is successful in creating a works of art that perfectly describe the everyday lives during these times. Her piece Susan Comforting the Baby uses various techniques to convey Cassatt’s message on the ordinary life of women and
The art and beauty in this painting is exemplified through the eyes of Boucher. It starts with a beautiful couple taking a rest after picking up some followers. Their clothing looks very elegant and colorful which shows that they are aristocrats. The man’s eyes are gazing at a shepherdess who gathered her own flowers. Their eyes are locked despite the man having his own woman right in front of him. The light brushstrokes of the dresses, flowers, and trees
Another attracting feature of this painting is that it appeals to your emotional side. Personally, I have an elder sister and we share a connection that is really rare. I have a picture of her, holding me as a baby with a huge smile on her face and this painting ultimately reminds me of that; giving me nothing but pleasant memories. That is what William is trying to do here. He uses the soothing and caring facial expression of the young lady together with the tenderness of the sleeping baby to capture his viewers and appeal to their caring and emotional side.
The focal point of this painting seemed to be focused on the young lady’s face and her imagination of
Filial Piety is the main focus of the painting. In the painting, several different scenes are showed. One scene shows Filial Piety relationships in a “levels of a contemporary society”(Maxwell, 40). It shows a son saying goodybe to his parents. Another
In Jean-Honoré Fragonard painting The Happy Lovers (appendix: fig. 1), viewers are able to get a glimpse into the light-hearted, playful Rococo period. The Happy Lovers is a 35.5 x 47.75 in. oil painting, that was created between the years 1760–5 in France for an unnamed aristocrat; however, it can now be found in the Norton Simon Museum in Pasadena, California. The Rococo period was a result of artists resisting the stiff monarchy, and desiring open expressionism–this was particularly emphasized through nature. The two great artists from this period are Fragonard and François Boucher, Fragonard’s teacher. A result of Boucher teaching Fragonard, specifically in the continuation of pastoral, Boucher was a great influence. This is obvious when The Happy Lovers is compared to Boucher’s The Bird Catchers (appendix: fig. 2). Both paintings include subjects of women holding bird catchers and doves, ultimately symbolizing woman’s ability to control relationships. More specific to The Happy Lovers, the woman dangles the cage above the boy, who is carrying a dove, a symbol of Venus–the goddess of love. However, in the bottom left quadrant of the painting there is an even larger cage with more doves, hinting at the idea that women can easily capture many men. This further expands the sensual intention Fragonard creates. In placing this scene within a secluded landscape, Fragonard emphasizes the flirtation and secretiveness between the two lovers–creating an unstructured, blissful
Poetry like so many other things in life is complicated and easily misunderstood, similar to the poem entitled “Poetry” by Marianne Moore. Through her unique way of writing Moore uses literary devices imagery and personification to make the readers question why it is she has come to “dislike”(line 1) poetry. In particular, her word choice leaves a lot of room to wonder exactly why she has chosen to write it this way. A main theme that is represented in this poem is conformity and whether or not it is something to be followed.