What Is Dorian Gray Moral

Too bad Dorian didn’t tell Basil the truth about the portrait because he would have likely helped him with his predicament. Gray not wanting to share what the picture does gives the impression that he prefers to continue act horribly for pleasure and hide the reality, which is no way of dealings with problems. Dorian soon realizes this in page 87, but dismissed asking Basil for aid because he thinks it’s too was too

Although the fact that Lord Henry generates a completely new influence over Dorian’s mind is as plain as black and white, critic Esther Rashkin asserts the abusive acts of Dorian’s grandfather, Lord Kelso, plant the seed for Dorian to eventually grow into a vile man. By blaming the tyrannical Lord Kelso for Dorian’s corruption, Rashkin demands the “widely shared view that Lord Henry is the evil figure in the story who corrupts the innocent Dorian Gray and

Furthermore, Dorian’s moral principles get progressively worse, eventually leading to the murder of Dorian’s longtime friend, Basil Hallward. Dorian acts impulsively and erratically while showing Basil the mutilated portrait, “and suddenly an uncontrollable hatred for Basil Hallward came over him” (115) spurring Dorian to stab Basil repeatedly. Due to his impulsive nature and devotion to seeking pleasure, the moment his anger took over, Dorian chose to ignore his conscience. He retains his childish behavior because he never

Basil Hallward and Henry Wotten are quite the opposite of each other—Basil is unwaveringly conventional in his values while Henry instead enjoys entertaining the idea of radical and inappropriate ways of thinking (on page 4, he claims that “the one charm of marriage is that it makes a life of deception absolutely necessary,” to which Basil responds that he “hate[s] the way [Henry] talks about his married life). Because of their profoundly contrasting ideas, they are not so much foils for each other as they are for Dorian Gray. It is by these two men that one measures Dorian’s place on the scale of morality.

In the beginning of The Picture of Dorian Gray, Dorian is viewed highly by Basil and is claimed to be his sole inspiration. By this little description we read of Dorian, the reader can already see how Dorian at the beginning of the book has a strong presence. However Basil describes Dorian as having a “simple and beautiful nature”(pg-12) and tells Lord Henry, “Don’t spoil him. Don’t try to influence him. Your influence would be bad.” (pg-12). Lord Henry is the first person to start to influence and change Dorian into being deceitful. The second factor that changes Dorian is the painting. In chapter two, Basil finishes the Painting and presents it to Dorian. Instead of being filled with joy, Dorian realizes that he will grow old and the Painting will stay young. Later in the story the Portrait changes to show a sneer around Dorians mouth. The reason for this is because Dorian broke Sybil’s heart. After learning about Sybil’s suicide, Dorian accepts that the Painting will show ageing while he appears to have not aged. This forces Dorian to lock away his painting and this also shows Dorian being deceitful with his looks.

Basil begins to notice this corruption in Dorian's face right after Dorian meets Henry. When Basil is painting Dorian, he notices a change. Basil "...deep in his work, and conscious only that a look had come into the lad's face that he had never seen there before" (Wilde 13). Dorian is loosing his innocence and purity due to Henry's influence and Basil can detect

The first major event of the novel is Dorian’s relationship with Sybil Vane, as it marks Dorian’s first practical experience with Lord Henry’s instruction. Although Dorian superficially embraces and attempts to follow the Hedonistic ideals,

He is even told by Lord Henry he is far too charming to go into philantropy. This remark may be the beginning of the flattery that opened Dorian's mind up to his corruption. Dorian is being moved by Harry's speech about cherishing youth and enjoying it. His mind was being challenged by the thought of his own passions until the point when he proclaimed "stop! You bewilder me. I do not know what to say. There is some answer to you, but I cannot find it. Do not speak. Let me think. Or rather let me try not to think". Dorian allows himself to be corrupted. He begins to fear aging and begins to think that everything will be loss with the loss of his youth and beauty. Dorian goes from no worries to this thought as Harry speaks. He was convinced that this "new Hedonism" was the way. This shows the weakness of his mind in his youth it is also the begginning of his fate. With this flaw of character, Dorian seemed to write his fate unknowingly. When Basil Hallward, the painter, rewarded Dorian with the portrait he replied "If I were to be the one always young, and the picture grow old! For that-for that-Iwould give everything!…Iwould give my soul for that!". This was just a plea at the depth of his sorrow, a remark made totally through whim.

The Picture of Dorian Grey as a novel in the Victorian Era was shocking to readers of the time due to the open nature of topics like: sexuality, greed and corruption. A Freudian perspective of the characters: Basil, Lord Henry and Dorian can be seen as the Id, Ego and Super Ego. Basil is the Super Ego, he conforms to a certain extent and tries to make Dorian lead a moral life when it comes to desperate times of the loss of the 'real Dorian'; Lord Henry can be seen as the Id, the immoral character who tries to convince Dorian to submit to his natural urges and passions; Dorian is the Ego, one who in the beginning is in between the two and has a power struggle within as to how he should act as a character in the novel. In answering this question and exploring the conflicts shown in the novel one must look at the gender, identity and sexuality.

The relationship between Basil and Dorian is unordinary and changes greatly from the beginning to the end. Basil uses words like “Beautiful” and “Stunning” to describe Dorian. It is apparent

Lord Henry cares little for the death of Sibyl Vane, in contrast his sole concern is with Dorian's reputation and thus he influence’s Dorian to dismiss the suicide of his lover and encourages him to get on with his life. Dorian, assured by his mentor, Lord Henry, that his ‘extraordinary good looks’ will present him with a rich life, Dorian thanks the older man and calls

In The Picture of Dorian Gray, Basil Hallward is portrayed to be a “mother-like” figure and aims to protect his muse, Dorian from being tainted from bad influences such as Lord Henry. Basil seems to care for the innocence and loves Dorian, and wants him to be unspoiled by impure thoughts and immoral intents. It is shown clearly by Basil’s caution and hesitancy towards Lord Henry spending time with Dorian, so it is inferred that he values art that is not tainted with an impurities. However, it can also be interpreted that Basil’s moralism is a bit more self-centered than it is perceived. Basil’s allegedly cares for Dorian’s innocence but only for Basil’s obsession over creating aesthetic art.

Towards the middle of the novel, Basil confesses his worship of Dorian to the young  model himself :

He is infatuated with Dorian's beauty in the beginning. He appreciated Dorian's beauty but did not wish to possess it for himself. Basil exclaims, “When our eyes met, I felt that I was growing pale... I knew that I had come face to face with someone whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my whole soul, my very art itself.” His love for Dorian changed the way he perceived art. Basil eventually paints a portrait of Dorian to capture his beauty forever. Basil’s portrait marks a new phase in his career. Once he has painted Dorian, he fears that he has put too much of himself into the work. Basil reluctantly introduces Dorian to Lord Henry, who he fears will have a damaging influence on Dorian. He admits, “Yes, that is his name. I didn't intend to tell it to you.” Basil is later envious of the relationship between Lord Henry and Dorian. Lord Henry upsets Dorian with a speech about the transient nature of beauty and youth. Basil, wishing to protect and defect him, voices his objection to Lord Henry’s influence over Dorian. Dorian felt Basil had come to realize his true personality and that he would bring it to someones attention. Basil is murdered by Dorian. The murder of Basil marks the beginning of Dorian's end. He cannot overcome the realization that he killed his friend.

     Dorian Gray meets artist Basil Hallward in his aunt’s, Lady Brandon, estate. Basil was immediately inspired by the striking beauty of young Dorian Gray. Basil has Dorian sit for many portraits, quite a few of which depicted him as a hero from ancient Greece or a mythological figure. At the beginning of the novel Basil is finishing a portrait of Dorian in his true likeness. Basil shares with his friend, Lord Henry Wotton, his reluctance to show his painting because he was worried he had revealed too much about the way he felt for Dorian in painting it. Lord Wotton was known for causing scandals by his irreverent worshipping of youth and beauty and his selfish pursuit of pleasure. Lord Wotton, in true character, tells Basil that the portrait is his greatest masterpiece, admiring the beauty of the young man in portrayed in the painting. While Lord Wotton and Basil were discussing the painting, Dorian arrived at Basil’s studio. Basil did not want Dorian to meet Lord Henry Wotton because he was afraid the Lord Wotton would have a negative influence on Dorian.