Analysis
Butler’s performativity is relevant to understanding the space in this study because the female identity is performed, in its relational to the heterosexual dominant male. In the absence of the male, the female identity is constructed differently. De Beauvoir critiques traditional marriage as suffocating to both the husband and the wife (2011: 589), describing the home as “an isolated cell” (Beauvoir 2011:534) in which oppression can fester unnoticed to wider society. This can be used as a point of reference, by understanding how the isolated space can also be safe and remodelled as a home which is not suffocating. Therefore, living outside the confines of marriage, can be understood as an example of the liberation from the confines
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The wooden floors throughout the home may also be perceived as middle class, but in reality have a more practical logic: less work to clean. Which could be a reconfiguration of domestic duty, or a logical decision for a lifestyle which simply does not have time to continually clean. Although on one hand the financial security of being able to live as a single woman outside of marriage reflects a degree of status, it also reflects social and cultural changes in female access to finance and education. A western educational privilege could be considered an enabling background reason for the females cohabiting outside of heteronormative boundaries without crossing over into homosexuality. However, this would be too simplistic, one of the occupants is of working class background and this living arrangement has not always been the case. Furthermore, with regard to inbuilt middle class markers of the space, the house has not been altered since the owner arrived. The blank “gender neutral” colours of the house offer no clues about the gender identity of the inhabitants, but they do reflect a lack of urge to feminize the colours or decoration in accordance with wide held assumptions about female taste. In terms of status, this highlights social and cultural obligations as well as capital, therefore less available time for cultivating and transforming the space. The lack of a need to express identity through material culture can be evidenced through the unfinished paint samples in the kitchen (figure 9), which shows how creativity is manifest through an active lifestyle and domestic chaos (figures 3 5 8 9 and 10 show messy surroundings), rather than the choice of material decoration of the
While some objects are evident in all of the rooms, there are other objects that are exclusive to certain rooms for the reason that it provides comfort and contentment to a singular person only. Similar to the example that Kron provided regarding TV sets, each family member in our home has a TV set of their own in order to not be prevented from watching anything that pleases us and to avoid conflicts. In my mother’s room, the first thing that attracts attention is the big vanity with the multiple lights, makeup and expensive perfume bottles that are all set and organized. Correspondingly, it is predictable for Middle Eastern women who are disciplined by the dominant ideologies to not only strive to look beautiful, but to fall in love with that process until it becomes a part of them. According to Michel Foucault’s claims in Panopticism, women in a way become docile bodies that ensure the maintenance of that human order (207). In addition, the bookshelves and the tremendous amount of books are the central theme of my room. The classic design of my room and the fairy lights above my bed creates an almost a safe haven where I could curl myself under the blankets for hours and just read. Moreover, the treadmill in my brother’s bedroom cannot be ignored when entering his room. This depicts his choice of a healthy lifestyle in a country where it is almost
In the following essay, I shall be exploring the representation of identity in Alison Bechdel’s Fun Home, mainly through a postcolonial feminist lens. My analysis will focus on Bruce and Alison’s interactions with each other and how Bechdel deconstructs the stereotypical ideals of gender roles and sexuality, via intertextual references.
In the 1920's, many people became familiar with religions that are known today. Religions would follow what is so-called “ planned for them” written in the books. The Butler Act made it illegal to teach about religions from the textbooks. This included that teachers as any school were allowed to teach and about the science of evolution. The conflicts that the Butler Act made were between tradition and modernity. This act was worrying parents that it would change, and make a big effect for their children's education. These are reasons why people cared about the Butler Act. It also questioned the simple debate between evolution and creation. John Scopes was the first to argue about the importance of teaching science. Later on, there was a Scopes trial in Dayton,Tennessee.
Some skeptics such as Audre Lorde: may, argue that the focus of Larsen’s novella focused primarily on the juxtaposition of race and sexual identity of Black feminism in the early twentieth century. However, Larsen makes use of unstable identities that can been seen through the passage via Brian Redfield and John Bellew. The husbands’ envelope the extent of male privilege and contrarily shows their means of working against it. By exploring these men, it offers a more critical view to understanding Clare and Irene
During life, birth, and death, a family is one of the few natures of life that are present throughout. Often times, the value of family is taken for granted, and people tend to disregard the importance it carries. Due to the power present in the nature of a man, often times it is challenging for women to establish a firm independence, in distinction of the common norms inaugurated in society and in family. In both A Thousand Splendid Suns and Pride and Prejudice, men are the dominant figures in all households, as they have control over their financial status, who their children marry, where they live, and create means in which the females of the family must follow. The inferiority that women face leads to an inquiry of an immense pride
She tells of the feeling of shame which emerge from not even having a bed throughout her entire childhood (3). She does reassure that she has the security of her family being the only constant in her life, “Close and sweet and loving. Lucky me on my small pallet on the floor” (4). Travelling every summer “We never knew from one day to the next, from one year to the next, where we would go or live or what we would do” (127), her security of her family seemed always there “Having lived in other people’s houses, barns, and in migrant housing in various stages of decay and repair, it felt as though we could make a home out of anything” (99).
In conclusion, West Mexico has a few common thread running through their works of art, one of them happens to be the use the tri-color pallet, which we found covering the Standing Male Figure and in a color scale from lightest too darkest on the Seating Female Figure. As well as the meaning of nudity, in the male sculpture it represents authority and in the female sculpture it signifies fertility. Lastly, art for art sake, what if we are reading too much into these pieces what if they just served no actual purpose but just to look good and adorn a home. Mesoamerica a mixing of styles from earlier civilizations that have come before, there is always going to be an inklings of prior civilization that have integrated into newer civilizations and
While the narrator recognizes the great care with which her husband is treating her she seems to constantly feel that she is being ungrateful. She calls herself out in her journal for being a “comparative burden” (Gilman) The room in which the narrator resides has a sturdy bed that is nailed to the floor. The narrator notes that there are bars on the windows and rings hooked into the wall. She wrongly assumes that this room was used as a nursery or gymnasium by the previous owners. As the reader, we are able to instill our own thoughts that this room was in fact built to house someone with a mental disorder. This begs the question of what the house really is, to contain such a room away from decent society.
The local people are blurred out to show their lower social standing to the European female. Ethnic stereotypes is also pursued as Evelyn is a British housewife whose husband has recently passed, leaving her
Wilton later describes how, by turning away from the heterosexual male-female institution, women are taking a crucial step on the path of liberation. Although a woman may be content having relations with a male, the male’s dominant role in society should be enough persuasion for the former to leave such structured relationship so as to explore a freer partnership that goes against societal expectations.
As said before not all stereotypes are categorised as negative information to identify certain groups. Some stereotypes that can be seen truth about women that major in engineer is that this kind of career is seen as a traditional men job for the future. When society picture a career that best fits women they picture something that does not need to do anything physical, well organized environment and a competitive career. Just because a women wants to be unique other than the ordinary women does not make her to be identified by other dis respectively. In an online interview Where are all the women in engineering? A female engineering student answers by Valerie Strauss gives an example of a women Madison Cox that managers in the career of engineering.
Society determines how males and females should think, speak, dress, and interact. Gender roles are expectations of how a person should think, speak, and dress based on our sex. In most cases, it is the woman’s responsibility to take care of the house, which includes cleaning, meal preparations, raising and taking care of the children. Compared to the men who take care of the more physical activities, such as handy work and physical labor. Although the intensity of gender roles has changed, it still exists. In Aritha van Herk’s novel, the Tent Peg, these gendered classifications become very apparent in how each gender of characters views themselves within society but also how the male and female characters view one another.
In Alice Munro’s feminist story, “The Shining Houses”, she portrays that in society, straying from social norms and ideologies will distort the communities’ perspective conflictingly causing marginalization of nonconformists. Specifically, domesticity and the need for masculine protection are two critical criteria she uses to convey her theme.
As students, coming home from school for a break like we do for Thanksgiving means many things, one of which is a week of sleeping in our childhood bedrooms. This time when I entered my bedroom I was able to look at it with a sociological lens. Bedrooms in college are often decorated with posters, posted with sticky tack, which can be ripped down with ease if the sentiment on said poster does not match our mood, but our bed rooms at home - at least in my home - are decorated with more thought and care. I looked at how the decor, set up and objects found in my room, as well as my siblings rooms, show the ways in which we preform gender and the gender strategies we use. Pictures hung on our walls symbolize hegemonic ideals for masculinity and
The outdoors are a way to explore a vividly beautiful world and to do so much more. It’s not just about the trees and the flowers, but it’s about exploring and learning new material every day about nature and wildlife. The outdoors is a creative place to learn, have some fun, provides health benefits, and activities, such as hiking.