What Is Blank Fiction?

As new genres in the world of novels fade out of the public eye, new ones arise just as fast. A genre that has taken the world by storm is the dystopian trope. Many new young adult novels have this new genre incorporated into the story, often weaving in themes of sadness or conformity being overcome by rebelliousness and hope. It is one of the newest genres, yet one of the most widely varied compared to older ones. Even novels from 70 years ago, such as Ayn Rand’s Anthem share similarities with the same types of stories from only 20 years ago, like The Giver by Lois Lowry.

The literary rebellion, known as realism, established itself in American writing as a direct response to the age of American romanticism’s sentimental and sensationalist prose. As the dominance of New England’s literary culture waned “a host of new writers appeared, among them Bret Harte, William Dean Howells, and Mark Twain, whose background and training, unlike those of the older generation they displaced, were middle-class and journalistic rather than genteel or academic” (McMichael 6). These authors moved from tales of local color fiction to realistic and truthful depictions of the complete panorama of American experience. They wrote about uniquely American subjects in a humorous and everyday

Often heralded as the world’s greatest nation, the United States is also considered home to the world’s greatest authors. Reputable authors such as Fitzgerald, Twain, and Steinbeck remain relevant even through the washing waves of time. One such timeless author, Ray Bradbury, ventured the hazardous path of taboo to write of change. Through his novels of innocent youths evolving into children enlightened beyond their years, Bradbury utilizes the motif of time, innocence, and the philosophical movements of existentialism, transcendentalism, and romanticism to describe catastrophic events the American culture could face if existing destitute judgments continue to prevail. Ray Bradbury dared to reveal his voice.

American literature has been evolving since the dawn of the Puritan exploration and colonization in the early 1600s. From John Smith's books and descriptions of Native American life to the revolutionary ideas of Thomas Paine and Thomas Jefferson, literature has had many forms and has taken many ideas across time to interpreted by scholars of today. The early Americans were very successful in creating a style of literature that has a complete web of genres to be examined, as well as some genres being sourced more than others. These distinctions only help to prove the diversity of American literature from 1607 to the present day.

Moral power held by literature or art has often smashed against some form of material power and censorship. For instance, books against the ideas of the Nazi regime such as Marx’s “The Communist Manifesto” were burnt in the Nazi’s book burning of 1933 and The Bible is currently banned from North Korea. Authors have therefore been pressured into finding a method to avoid the strict restrictions forced by material power. In this paper, I will argue that Philip K. Dick was able to criticize the government and the situation of America in the 1960s, without suffering consequences, thanks to the generation of a time shift in his novel and the construction of a parallel between story and history hence manipulating the line between fiction and reality.

During early 20th century, American writers were influenced by the changing world of industrialization and globalization. The horrors and World War 1 and the invention of new technologies had people questioning the future of humanity. Writers and journalist used this time to voice their views and experiences during these troubling times. Henry Louis Mencken is well-known writer who had a powerful influence on America’s writing style during the 1920s. His writing style was known for it’s wit, and harsh criticism towards American social and cultural weaknesses. His essay “The Libido for the Ugly” sends the message to the reader that America needs to change its way of living because they are too content with their current ugly lifestyle.

Over the past 75 years, the American people, while reading either short stories, novels, or longer publications, have been indoctrinated with the idea of modernism. This idea, has been pushed forwards be authors in all ages, and in all forms of publication. Modernism can be described, as looking at society and culture through a lens to find criticisms and critiques of the way that we perceive it. One of the best example of modernism that has been published in the past 75 years was by Flannery O’Conner, during the Civil Rights Movement in the 1950s and her story “A Good Man is Hard to Find.” Flannery O’Connor throughout her short story, uses character’s and phrases to demonstrate the presence of evil in society as well as in each and every one of us.

The turbulent societal changes of the mid-20th Century have been documented in countless forms of literature, film and art. On the Road by Jack Kerouac was written and published at the outset of the counter-culture movement of the 1950s and 1960s. This novel provides a first-hand account of the beginnings of the Beat movement and acts as a harbinger for the major societal changes that would occur in the United States throughout the next two decades. On the contrary, Fear and Loathing in Las Vegas, a Hunter S. Thompson novel written in 1971 provides a commentary on American society at the end of the counter-culture movement. Thompson reflects on the whirlwind of political and social activism he experienced and how American society had

The development of American Literature, much like the development of the nation, began in earnest, springing from a Romantic ideology that honored individualism and visionary idealism. As the nation broke away from the traditions of European Romanticism, America forged its own unique romantic style that would resonate through future generations of literary works. Through periods of momentous change, the fundamentally Romantic nature of American literature held fast, a fact clearly demonstrated in the fiction of F. Scott Fitzgerald. In an era of post-war disillusionment, when idealism succumbed to hedonistic materialism, F. Scott Fitzgerald’s romantically charged novel,

     From the beginning of the novel Bateman seems content with his life style. He seems perfectly happy with the daily lunch tickets at Nell’s, the Yale Club, etc. He seems fascinated and absorbed with the details of peoples wardrobes, especially his own. But if you sift through all the talk of food, cocktails, and hardbodies, the reader will find a subtle boredom or frustration even early in the novel. While waiting on food at a table at Nell’s, Bateman is momentarily diverted from the conversation by one of his thoughts of sex or violence that seem to escalate in frequency throughout the novel. “I think about Courtney’s legs, spread and wrapped around my face, and when I look over at Luis in one brief flashing moment his head looks like a talking vagina and it scares the bejesus out of me, moves me to say something while mopping the sweat off my brow.” (108)

“A Tale Intended to be After the Fact…” is how Stephan Crane introduced his harrowing story, “The Open Boat,” but this statement also shows that history influences American Literature. Throughout history, there has been a connection among literary works from different periods. The connection is that History, current events, and social events have influenced American Literature. Authors, their literary works, and the specific writing styles; are affected and influenced by the world around them. Authors have long used experiences they have lived through and/or taken out of history to help shape and express in their works. Writing styles are also affected by the current trends and opinions of the period they represent. By reading American

- The origins of fiction and American identity: a comparison of Irving and Cooper -

Karl Marx’s theory of Marxism suggest that the authority of the bourgeoisie comes from their control over the means of production in. In order to perpetuate their wealth and disguise their corrupt interior, they must oppress and exploit the proletariat through false consciousness. Both Scott Fitzgerald’s The Great Gatsby and George Orwell’s 1984 establishes societies that explores the Capitalism and Totalitarianism. George Orwell does that by setting 1984 in a futuristic totalitarian regime where the proletariat is under absolute control by the Party in order to eternalize their power over its citizens. Fitzgerald, in The Great Gatsby, describes the false consciousness imposed on the lower class of New York during the “Jazz Age” of the

Patrick Bateman is a wealthy investment banker living in Manhattan in the late 1980s. His life revolves around dining at trendy restaurants while keeping up appearances for his fiancée, Evelyn, and for his circle of wealthy and shallow associates, most of whom he dislikes. Bateman describes the materialistic nature of his lifestyle: his daily morning exercise and beautification routine, his music collection including performers such

Throughout the duration of this class, I had the opportunity to encounter a great deal of fantastic examples of literature. The stories were as similar as they were different, each one with a unique premise but somehow also reflective of one another. Perhaps it is be accident, or more likely it is because the stories are a part of the fabric of our nation and the American condition. The stories are of their respective times while also being able to fairly and accurately critique American society, culture, and values. From capitalism to America’s changing thoughts on morality throughout the decades, the writings were introspective to the story of our nation.