Tensions of existential angst and loving Authentic Selves in a Fun Home. “To dare is to lose one’s footing momentarily. To not dare is to lose oneself” - Sren Kierkegaard. Alison Bechdel's graphic memoir Fun Home uses the medium of Graphic Narrative to intricately explore the importance of living an authentic life, and how having choice and finding love in life becomes the antidote to the existential dread of dealing with human mortality. Bechdel’s use of visual imagery, such as using colder color tones and flat emotional character expressions, as well as the overall feel of the coldness of death that is the fun home, brings forth within the reader a feeling of what it is to live a meaningless life, caught within the existential angst of our impending deaths. It is an …show more content…
Just two nights before his death, Alison has a dream where she is attempting to get her father to witness a “glorious sunset”. 123). The. Bruce ignores her for a moment, and when he finally comes to Alison, “The sun had sunk behind the horizon and the brilliant colors were gone.” (123). The next panel shows the black silhouettes of the two of them looking toward the would-be sunset, the reader seeing only the cold, bland blue and white which has dominated the novel. Drawing her and her father all in black highlights the inevitability of despair in relation to his death that was known to be coming. Bechdel notes, “If this was a premonitory dream, I can only say that its condolence-card association of death with a setting sun is Maudlin in the extreme” (124). These words perfectly encapsulate what is being portrayed in the photo; a lack of vibrant color and emotional awe, in a cold, unfeeling empty space. The empty space is indicative of the emptiness felt within her father and by proxy her as well. The suppression of his true self, like the sun setting without him seeing the colors, led him to live an empty and unfeeling disconnected life. Bruce feels as if the
The Dualistic Narrative in Fun Home Alison Bechdel’s Fun Home uses intellectually developed language against cartoon images that are comparatively minimal to convey what her life was like as a child and young adult as she coped with her father’s suicide. By using both of these narrative forms, Bechdel essentially gives herself two different voices in the novel: her childhood self who is the main character of the book and her current self who is the author. This is meaningful because since the novel
In Alison Bechdel’s graphic novel Fun Home, the themes of isolation and sexuality are ironically coupled together. Alison’s father, Bruce Bechdel, is a closet homosexual who carries this great burden with him his entire life. The weight of his secret and the necessity to suppress it cause him to be withdrawn and cold to his family. Alison is left with a hollow relationship between herself and her father, an emptiness that she struggles with her entire life. After years of a strained relationship
In Fun Home, by Alison Bechdel, Bruce’s outward expression does not reflect his internal identity representing the old ideology that biological sex determines identity and expression. Whereas Alison’s gradual shift to a typically masculine appearance illustrates how there is a natural change one can go through when displaying the inner self. Bechdel’s use of images, combined with text, reflects Nick Sousanis’ Unflattening by providing