What Does Janie's Hair Symbolize In Their Eyes Were Watching God

In Janie’s first marriage with Logan Killicks, an apron is used to symbolize the obligation in her marriage. “ Ah’ll cut de p’taters fuh yuh… When Janie had finished indoors she sat down in the barn with the potatoes ” (27). The apron represents Janie 's role in the marriage as a farm-hand, which is not similar to the beloved role that Janie yearns for in marriage. Janie envisions her marriage as a bond between a couple that is not affected by gender roles but by love, but the apron suggests that her purpose in marriage is to abide by Killicks’ rule. Furthermore, Janie decides to find more in her life, specifically love, and leaves Logan for Joe Starks; Janie expresses her freedom by tossing her apron away. The narrator states, “ That made her feel the apron tied around her waist. She untied it and flung it on a low bush beside the road and walked on…” (32). The apron’s removal reflects Janie’s way of displaying that she is breaking away the bonds of her marriage with Killicks, and the emotional restrictions she suffered. The emotional restrictions that Janie experiences are due to her lack

Janie's hair along the story represented more than her beauty, it helps show her identity and how women are unfairly treated. Hurston states, “That night he ordered Janie to tie up her hair around the store”(page 52).Jody shows his jealousy by making Janie cover her hair because he believed that he is only one who should see it. She states, “That was why she sought out Janie to friend with. Janie’s coffee-and-cream

Zora Neale Hurston was known for expressing the facets of African-American culture in her books, but her novel Their Eyes Were Watching God has elements of gender studies as well. Throughout the book, Janie’s life experiences serve as a metaphor for the historical struggle of both women and Black Americans to achieve equal rights, and various symbols throughout the book are significant in this context. Janie’s hair, in particular, is the clearest example of a symbol that represents her power and individuality. Two of the most important instances in which Hurston uses Janie’s hair as a symbol are when Janie’s hair serves as a symbol of Jody Stark’s oppression and when Janie’s hair represents her ability to have greater power than others due to its Caucasian nature.

Instead of treating Janie like the beautiful woman that she is, he uses her as an object. Joe was a man who “treasured [Janie] as a posession” (Berridge). Joe’s demanding nature suppresses Janie’s urge to grow and develop, thus causing her journey to self-realization to take steps backward rather than forward. In Janie’s opinion, “he needs to “have [his] way all [his] life, trample and mash down and then die ruther than tuh let [him]self heah 'bout it” (Hurston 122). It is almost as if Janie loses sense of her own self-consciousness due to the fact that she becomes like a puppy being told what to do by her master. The death of Jody is actually a positive thing. Joe’s controlling nature stifles Janie’s inner voice. While married to Jody, Janie became closer to others, however, she did not become closer to herself. Being on her own again gave her another chance to embark on her journey and realize who Janie Crawford really is.

She ended up living a life full of manipulation and mediocrity. While living with Joe, she had to tend to many different tasks as his wife.  She wasn't independent with him either.  She was Joe's tag-a-long.  'She went through many silent rebellions over things like that.  Such a waste of life and time.  But Joe kept saying that she could do it if she wanted to and he wanted her to use her privileges.  That was the rock she was battered against.' (Hurston, 51)  Janie always had to wear her hair a certain way, always up in a head rag, in order not to attract attention to other men and women. She was always in a state of loneliness with herself.  While married to Janie, he would not allow her to attend the people's gatherings believing that she does not belong to such a group of lower class people.  Joe was depriving Janie of her independence and sanity.  "Naw, Ah ain't no young gal no mo' but den Ah ain't no old woman either.  Ah reckon Ah looks mah age too.  But Ah'm us woman every inch of me, and Ah know it.  Dat's uh whole lot more'n you kin say.  You big-bellies round here and put out a lot of brag, but 'tain't nothin' to it but yo' big voice.  Humph!  Talkin' 'bout me lookin' old!  When you pull down yo' britches, you look lak de change uh life." (Hurston, 75)  This quote spoken by Janie proves that she was getting sick and tired of being pushed around by Joe and his stuck-up ways.  This was a slow

The world of Janie Crawford in Their Eyes Were Watching God was one of oppression and disappointment. She left the world of her suffocating grandmother to live with a man whom she did not love, and in fact did not even know. She then left him to marry another man who offered her wealth in terms of material possessions but left her in utter spiritual poverty. After her second husband's death, she claims responsibility and control of her own life, and through her shared love with her new husband, Teacake, she is able to overcome her status of oppression. Zora Neale Hurston artfully and effectively shows this victory over oppression throughout the book through her use of

In Their Eyes Were Watching God by Zora Neale Hurston, the protagonist Janie Crawford has experienced and had interactions with the nature around her. These interactions symbolised Janie’s quest for love, her own independence and personal freedom through each endeavor. Janie’s quest for her womanhood was directly influenced by the natural environment around her. For instance, the novel states that Janie “Saw a dust-bearing bee sink into the sanctum of a blossom” (11).

Janie’s outward appearance and her inward thoughts contrast following Joe’s death. She finally frees herself from his control only after he dies as she, “…tore off the kerchief…and let down her plentiful hair” (87). In freeing her hair, Janie begins to free herself from others’ control and social norms. However, she chooses to keep it tied up until after Jody’s funeral in order to keep appearances that she is grieving his passing in front of the townspeople. However, on the inside, Janie doesn’t really feel any sorrow and “sent her face to Joe’s funeral, and herself went rollicking with the springtime across the world” (88). It is only after Joe’s elaborate funeral that Janie shows her first act of freedom by burning “every one of her head rags and went about the house next morning with her hair in one thick braid swinging well below her waist” (89). She chose to let her hair be free from his domination, thus freeing herself from him overall and allowing herself to move onto the next journey in her life.

The hair rags symbolize her freedom from corruption. In chapter 7(page 76) it states “ the years took all the fight out of janie's face. For a while she thought it was gone from her soul. No matter what jody did, she said nothing. She had learned how to talk some and leave some”. Through her first marriage with Joe she's been constantly shut down and has gotten her dignaty take out of her But towards the end of the chapter she was able to liberate herself from such corruption and value her worth and take out the toxics in her life.

Janie recollects her image on love when she leaves with Joe which signifies that she values love over the stable life that she had already possessed.

After spending most of her life with Jody, finally, Janie is free from his control. This moment after Jody has passed away, Janie has realized the freedom she was given and started to become her own individual person again. Jody in the beginning of their relationship, would not let Janie put her hair down due to his jealousy against other men. As a symbol of her now found freedom, Janie let her hair down from the kerchief that once took hold of it. This showed her new found independence of Jody’s control as the kerchief was showing Jody’s dominance over her. Now, that she is alone she has come to the sense of womanhood and not the young girl ,who was once naive in her quest for love. She can now be the woman that Joey did not want her to be and that is herself.

People grow and develop at different rates. The factors that heavily influence a person's growth are heredity and environment. The people you meet and the experiences you have are very important in what makes a person who he/she is. Janie develops as a woman with the three marriages she has. In each marriage she learns precious lessons, has increasingly better relationships, and realizes how a person is to live his/her life. In Their Eyes Were Watching God, by Zora Neale Hurston, Janie's marriages to Logan Killicks, Jody Starks, and Tea Cake are the most vital elements in her growth as a woman.

Janie was no longer letting anything control her any longer. She was making her own decisions now by talking to Jordan and not listening to her grandmother, who told her to respect her husband. With the results of this, Janie ran from Killicks to marry Joe for numerous years while waiting for her hunger for love to be filled. However it never was with Joe. After the death of Joe, Janie soon found Tea Cake, who gave her the love she starved for: “after a long time of passive happiness, she got up and opened the window and let Tea Cake leap forth and mount to the sky on a wind” (Hurston 107). Hurston gave Janie Tea Cake to show that she was no longer going to wait around and wait for love. She was now going to find it herself. Proving that she was no longer the naive girl who sat under a tree and dreamed all day.

Then, Janie finally stands up for herself and tells him that he was always trying to change her and control her. She yells at him until she dies. When Jody dies, Janie lets her hair down, symbolizing her newfound freedom.

    In Zora Neale Hurston's Their Eyes Were Watching God, Janie Crawford is the heroine. She helps women to deal with their own problems by dealing with hers. She deals with personal relationships as well as searches for self-awareness. Janie Crawford is more than a heroine, however, she is a woman who has overcome the restrictions placed on her by the oppressive forces and people in her life.