What Are The Techniques Used In The Brief Wondrous Life Of Oscar Wao

The main theme that both creates and unites violence and love in The Brief Wondrous Life of Oscar Wao is shown from the very beginning in the Act 1 Preface which sets up the context of the fukú and Trujillo’s repressive regime. The language used sets up the dark never ending curse of the fukú with Diaz saying “Because no matter

William Shakespeare is one of the greatest writer in the world. He has written allot of plays which were amazing and interesting. Even today, people still try to understand and figure out Shakespeare’s master piece in his plays. Many of them are influencing writers’ around the world and one of them is called Junot Diaz. “The Brief Wondrous Life of Oscar Wao” is the title of Junot Diaz book in which we can perceive the author’s allusion to William’s Shakespeare play in order to comprehend the book better wise. There are many allusions that Junot Diaz had in mind of the play “The Tempest” while writing his book and the one that beats them all is the resembles of the rightful Duke of Milan in the play, Prospero and Yunior, the narrator of the story of Oscar Wao. Each of their personalities, story and character’s will prove this allusion in which they are such alike and how we perceive the story and the character differently after these following information.

The Brief Wondrous Life of Oscar Wao is not a happy book. The Author, Junot Diaz, does a great job fooling the reader into believing the story is about the De Leon family, specifically Oscar who is an over weight nerd trying to find the love of his life, but due to a family “fuku” or curse Oscar is having a lot of trouble doing so. Instead, the story actually portrays the dark history of the Dominican Republic under the dictatorship of Rafael Trujillo. Upon reading the stories of Oscar’s relatives the reader feels a powerful message of fear and oppression due to the actions of the Trujillo regime. Even after the demise of

"The Brief Wondrous Life Of Oscar Wao" by Junot Diaz portraits the life of Oscar de L茅on. By blending elements of reality with fantasy and science-fiction, the author paints this "cursed" journey of Oscar, doomed to act the role of the "contemporary geek". The story follows Oscar in his search to find a girl that will return his love, although he doesn't meet the society's masculinity standards. Latino masculinity is a dominant concept in the novel, for that is the main catalyst for all the actions depicted throughout the narration.

When we see that the people that we love have to deal with a horrible situation we try to make it better anyway we can, sometimes giving up the most important part of ourselves. In The Brief Life of Oscar Wao, Diaz argues that there are stronger forces around us. With fuku, the curse in the Dominican Republic, is present in the lives of Oscar and Beli when they both have an encounter with the

“FUKÚ” is an atavistic deadly curse that follows the De León family, and everything that can go wrong for them does. However, I believe that the fukú is only a consequence of their actions and a way for them to rationalize their misfortunes. The characters are using fukú as a crutch in place of taking responsibilities for their own actions. This is because they don’t want to accept the fact that things don’t always go the way they want them to. So they choose to blame the fukú for making their problems happen. So when fukú strikes a mongoose appears it comes as a character of a guardian angel with a sanguine presence. A mongoose is a weasel like animal that appears in the near death experiences of the characters. When it comes it shows a

Throughout Junot Diaz’s novel The Brief Wondrous Life of Oscar Wao, the Man Without a Face is a recurring character with no evident features. All of his scenes include an event in which he is either a mysterious spectator watching the distress around himself or joins in on the torture. His appearances throughout the story are suggestive of evil or violent incidents that are about to occur. More times than not, the acts are performed by Trujillo 's men. Almost consistently, he emerges whenever one of the main characters is in great discord. The faceless man symbolizes the foreshadowing of malicious occurrences caused by Fukú.

Juxtaposition places two things side by side to compare, contrast or to create a interesting effect. One example of juxtaposition was a old man having enormous wings. He was a weak old looking man which made the fact that he had enormous wings contrast. “...it was an old man, a very old man, lying face down in the mud, who, in spite of his tremendous efforts, couldn’t get up, impeded by his enormous wings” (p1). This contrasted because you would expect someone with enormous wings to be strong and well. Another example of juxtaposition is that the old man is very dirty, his wings were plucked and he was in very bad shape. “His huge buzzard wings, dirty and half plucked, were forever entangled in the mud.” This contrasts because he was a angel, and

In the short story “Marigolds”, the author, Eugenia Collier, uses several key events throughout the short story to represent the unseen cage that the main character, Lizabeth, is trapped in, and ultimately breaks. The story is set in a shanty town, likely taking place during the Great Depression. Throughout the story, Lizabeth goes through a difficult stage in life, a stage in which she is in conflict about whether she wants to be a carefree, innocent child, or an educated, compassionate adult. The climax of the story, when Lizabeth tears and rips up Miss Lottie’s marigolds, is such an emotional moment for Lizabeth that she finally completes her transition to adulthood, understands her endless cycle of poverty, and breaks the final bar of the cage.

Yet, the detailing of the protagonist’s expedition leaves one wishing for a similar adventure. The narrator’s company of her two best friends, her dogs: Jackson and Hailey, seems to carry a special significance for her. Their personification and the treatment as developing characters must have some symbolic representation of the protagonist’s personality that has been split now. The male figure Jackson is an “oversized sheepdog-and-something-else” that is tireless, adventurous and leader-like while the female figure Hailey is not “so graceful”, is “in constant indecision” as she runs and “stays behind the [protagonist]” as they ski (185). While Jackson encourages the narrator to “ski harder, go faster, climb higher”, she has to mediate between him and reluctant, groaning Hailey to find an agreement. In a symbolic level, perhaps, Houston wants the readers to see the protagonist as an embodiment of three distinct dispositions: conscience, optimism and depression. While the protagonist herself represents her conscience, this

The conclusion of The Brief Wondrous Life of Oscar Wao by Junot Diaz is satisfying because the ending revolved around Oscar’s death, the separate stories of the novel now intertwined because of him. His transformation and new personality was ultimately the cause of his death, but in a sense it can be considered happy because it seems just right. Oscar becomes a new person and breaks free of his nerdy and rejected persona. Diaz seamlessly weaves the ending of Oscar Wao’s story and all the characters around him due to their natures and the preceding actions. The ending of this novel is convincing and logical because of Oscar’s new transformation which led him to do things which he would have not done before. These things that he did, most specifically pursuing a woman he should not have, led him to his death. Despite the morbid ending, it is not unreasonable; it is certainly logical and therefore satisfying to the

In popular culture and mainstream media, women are often portrayed as overtly sexual objects that are obligated to entertain the idea of patriarchy. The strong outward appearances and characteristics of women in The Brief Wondrous Life of Oscar Wao by Junot Diaz are deceiving, as they do not reveal their powerlessness against men. Throughout the entire book, women are described and seen as sexual objects through the eyes of Yunior, Oscar, and various other men. In the first chapter, Oscar and his peers treat women like they are disposable, despite their desire and need for them. This negative trend is reinforced in the next two chapters, as the narrators shamelessly describe women by emphasizing their feminine traits whilst simultaneously displaying the idea of male dominance. In addition, strong-willed women like Beli and Lola refuse to succumb to such lustful treatment, but when they are tempted with the fantasy of true love, they immediately lose their strength and surrender. In the last few chapters, these ideas are further reinforced through the sexual desire that Oscar possesses. He meets Ybon, a prostitute with a boyfriend, and immediately falls in love. Ybon is committed to her boyfriend, but because of the way she is seen in a patriarchal system, she gives in to the forbidden love that Oscar offers. No matter how strong these women were within the story, they always let the men have their way. In the end, Oscar dies because of his uncontrollable desire for love. The

Another use of juxtaposition is used when Bradbury writes about the fire breaking out during the climax of the

One thing all human beings have in common is the struggle for self identity. Children are raised by parents or guardians who have struggled and fought for their own identities. In many cases, parents are still trying to figure it out, while raising their own children. Such is the case with the characters in Junot Diaz’s, The Brief Wondrous Life of Oscar Wao. The theme of identity is conveyed through the characters’ Dominican culture, social standing, and in finding love. Oscar, Lola, and Yunior are three central characters in Oscar Wao, who’s Dominican cultural and familial expectations were major obstacles as they struggled to establish their identity.

He had a glass-eye and when a player hesitated on a bet, he would take it out and polish it, a gesture that never failed to intimidate. His daugh­ ter, Bella, worked behind the counter. She had a club-foot and mousy hair and some more hair on her face, and although she was only twenty-six, it was generally supposed that she would end up an old maid. Anyway she was the one — the first one — who noticed that the war in Europe had changed Benny. And, as a matter of fact, the very first time he came into the store after his homecoming she said to him: “What’s wrong, Benny’? Are you afraid?”