What Are The Six Concertos

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In addition, Bach was a virtuoso on the organ. He also served as an organ consultant, and composer of organ works, like toccatas, chorale preludes, and fugues. He had a reputation for having great creativity, and he was able to integrate many national styles into his works. Many of his works are said to have North German influences that were taught to Bach by Georg Bröhm. Bach also copied the works of many French and Italian composers in order to decipher their compositional languages. Later on, he arranged several violin concertos by Vivaldi for organ. Most experts of musical composition believe that the years, between 1708 and 1714, were his most productive. Within this period, he composed several preludes, fugues, and toccatas. During this span, Bach wrote the Little Organ Book, Orgelbüchlein. This book remains an unfinished collection of forty-nine short chorale preludes.

The second piece that is discussed is Toccata in F major, by Johann Sebastian Bach. It is a solo piece that was performed in a unison and dissonant harmony. Surreal coordination and impressive pedal solo was extremely impressive and gave this particular piece a broad spectrum of dynamic change and tempo. Ascending and descending theme constantly repeated throughout this performance, alternating in crescendo and decrescendo, which brought life and movement to a classical piece.

When Bach was in Arnstadt when he was younger, the organ ordinarily lacked a 16-foot register on the keyboard; consequently, it sounds an octave lower than the normal 8-foot register. Accordingly, in order to create the effect, Bach used octave doubling; consequently, he continued the resounding effect of the opening bars; conversely, there is no octave doubling in any of Bach’s later organ works; moreover, the fugue sounds furious with its uninterrupted series of fast notes. Also, Bach felt embarrassed about his crude style, and he put the work aside; consequently, Bach lost a lot of his other early organ work completely. Conversely, the Tocca and the Fugue has an unstructured form, and that means that keyboard players can let their imagination run wild; as a result, Johann Gottfried Walther described the Toccata as a long piece in which both hands alternate, sometimes accompanied by long pedal notes. For this reason, Bach connected the Toccata’s freedom to the stylus phantasticus; moreover, stylus phantasticus was popular in North Germany from the seventeenth century; in addition, people described this style of composition as “freed from all constraint”. Moreover, it’s remarkable that Bach paired the toccata with the prelude and the fugue because it’s subject to strict compositional rules; nevertheless, the fugue derives its thematic material from the preceding part.

The Violin Concerto No. 1 in G minor, Opus 26 is one of the most famous violin concertos over the musical history. It is also considered to be the most renowned work by the German composer Max Bruch. I will begin with a short explanation of why I choose to analyse this piece followed by what makes this piece so remarkable. I will then present the musical context – German Romantic period – in which this piece was composed and discuss how it is representative of this period. Also, I will present briefly the biography of the composer and relate his life and style with this particular piece of music. After, I will explain the basic structure of a concerto, associate it with this violin concerto, and analyse how each movement is related. Then,

In the 1700s, Antonio Vivaldi composed his highly accredited Four Seasons concerto. The autumn movement in this concerto follows the allegro-adagio-allegro pattern. Vivaldi provided sonnets to go along with each movement to explain what the true meanings are. As a group, we felt it was necessary to provide all of our reactions to the piece. This allowed us to interpret what each of the others were visualizing throughout the composition. Some of our opinions may have varied, but overall the general mood of the piece allowed us each to have the same emotions toward the Autumn movement of the Four Seasons.

Since the Baroque era, the concerto has played a vital role in the music world. According to the Merriam Webster dictionary, a concerto is “a composition for one or more soloists and orchestra with three contrasting movements.” There are two main types: the concerto grosso and the classical concerto; both will be discussed later. While the term concerto is relatively easy to understand in context, when put into use the term becomes more complicated to define.

For my first paper, I chose to write about Beethoven’s Symphony no. 6 conducted in Rome by Claudio Abbado in F Major. I chose this symphony based on the description of the symphony which is a program symphony that transfers the listener to an outdoor setting. I had not listened to Classical music since taking music class back in the sixth grade, but I am almost certain we covered Beethoven’s symphonies. Upon hearing the first fifteen seconds of the piece, I was transported back into both my middle school class and a setting where I felt like I was actually immersed in most of the feelings described in Beethoven’s words of his symphony. The symphony is a Sonata form which we learned is work written as absolute music written for a specific combination

He began to write preludes for organs but did not cover large- scale organization, when two melodies interact at the same time. A few years after playing for the church, Bach made a visit to Dieterich Buxtehude in Lubeck. This visit reinforced Bach’s style in music with the works he has made.

“He (Beethoven) was a pivotal figure in the transition from 18th century musical classicism to 19th century romanticism, and his influence on subsequent generations of composers was profound” Kerman and Tyson. Beethoven’s sixth symphony (also known as the pastoral symphony) has qualities of both the classical and romantic periods and illustrates Beethoven’s revolutionary ideas as well as highlights his classical influences. The programmatic nature of the piece is the dominant romantic feature although the use of brass and percussion as well as the dramatic dynamic changes are also characteristics from this era. However there are many classical influences in Beethoven’s work such as the balanced phrasing, the

Plantiga, Leon. "Beethoven's Concertos: History, Style and Performance. " New York: W.W.Norton, inc., 1999. pp.3-21, 113-158

The court orchestra consisted of twenty-two players. Bach’s function was mainly a violinist, however he also played harpsichord. Bach, on occasion, wrote some of the music that was played. During this period he wrote strictly for the organ, and he was rapidly becoming known throughout the country. As time went on, people were coming to see him far and wide.

There were a total of four music pieces performed. They were “Overture from the Singspiel”, “Concerto in e minor”, “Concerto on b minor,opus 104”, and “Symphony#2 in b minor, opus 5”. I think pieces were performed belong to classical style.

Bach’s Toccata and Fugue in D Minor, BWV 565, is a two-part musical composition for organ, written by Johann Sebastian Bach (1685 – 1750), a German composer, and musician of Baroque period, is known for its magnificent sound, classic, state-of-the-art rhythm having methodological command, with artistic splendor and intellectual gravity. Bach's abilities as an organist were respected throughout Europe during his lifetime but at that time he was not recognized as a great composer until a revival of interest and performances of his music in the first half of the 19thcentury. Nowadays he’s regarded as one of the greatest composers of all time. (Blanning, 2008)