Human Nature In The Bacchae

In Euripides’ the Bacchae, the city of Thebes is shown to have a system of political inheritance as Pentheus is given control over the city by his grandfather Cadmus, the founder of the city. The god Dionysus is also a grandson of Cadmus, yet is not chosen to be the heir to Thebes, which creates a rivalry between Dionysus and Pentheus. Pentheus does not allow Dionysus into the city of Thebes or give recognition to Dionysus at all. Dionysus and Pentheus both wish to establish their own political rule over the city of Thebes. Pentheus attempts to rule Thebes in an Apollonian fashion. The women brought to Thebes by Dionysus are put under arrest at the order of Pentheus, due to the drunken partying they were having due to Dionysus’ powers. The women’s party went against the social order enforced by the city of Thebes, and Dionysus

At first the Roman Bacchanalia was held in secret for three days out of the year and only women attended. In 188 BC, shortly after Bacchanalia spread in Rome, Paculla Annia changed the method of celebration entirely when pretending to act under the influence of Bacchus. She admitted men into the initiation and increased the celebrations from three days a year to five nights a month. It’s believed the real reason behind the change was so she could allow her sons, Minucius and Herrenius (both surnamed Cerrinius) in the rites. Soon after, the celebrations became overly debauch and the rites started to symbolize a frightening and sexually traumatic interpretation of the death and rebirth of Bacchus. These new initiations involved wine-fueled violent

In the myth of Dionysus there isn’t exactly a conflict between two sides of people battling for good or evil, its more as a battle between the two sides of Dionysus’ inner self. Unlike most examples of good versus evil, there isn’t a triumphant side. Just the personality switches between Dionysus being the joy-god or the heartless, savage, brutal-god. The reason for this change is due to the fact that he is the vine god; Wine is bad as well as good. He’d bring up peoples hopes and make them believe that they were capable of anything, but once they were sober again

Euripides’ play, The Bacchae, brings into perspective the Greek god, Dionysus. The play focuses on Dionysus wanting to establish his divinity in the city of Thebes, “Therefore I shall prove to him [Pentheus] and everyone in Thebes that I am god indeed” (47-49). As it can be seen here, Dionysus seeks to substantiate his divinity in the city that originally rejected him right from the get-go. He demonstrates this divinity through a very unique pathway, that pathway being vengeance. This course of vengeance leads him to manipulate various character's repressed desires. Dionysus uses these repressed desires in Thebes to enact his revenge on the city, but more specifically his own family. Albeit, repressed desires are not an actually character in The Bacchae, they arguably play one of the most important roles in the play. Dionysus brings out the repressed desires within Agave and Pentheus, and this ultimately shows their true character. He manipulates the two character’s repressed desires to fit his own agenda, which was mentioned earlier, and this is ultimately why he succeeds in his conquest for vengeance and the manifestation of his divinity to the city of Thebes. It also provides an explanation for why the two character’s behave the way that they do. It’s important to know your own desires so you cannot be easily manipulated and tricked like Agave and Pentheus were by Dionysus. If the two character’s would have known their own repressed desires, then arguably they would have

Pentheus and Dionysus represent a factor of duality. For example, they both battle against each other to prove their point as leaders. Pentheus has just become the new king of Thebes and would like to gain power of his people. He seeks to rule over with rationality and social order. Whereas Dionysus is the youngest of all Olympians and wishes to prove to the world that he is an all-powerful god. However, he is also known as the god of wine and believes that everyone should wind down once in a while and celebrate with self-intoxication. His irrational ideas and objectives are the opposite of Pentheus. The ultimate conflict between the two characters is that Pentheus is in denial of Dionysus’ existence because he refuses to believe in irrationality. For example in lines 471-480 in the Bacchae, Pentheus is speaking to Dionysus about Dionysus and is in denial of his existence. Pentheus is so oblivious that he does not even recognize his presence. This relates to duality because Dionysus is the opposite force working against Pentheus or vice versa. Pentheus is devoted to living with

Dionysos is defined as the god of wine, festivity, vegetation, pleasure, and divine intoxication. In the Hope Dionysos, he is depicted as a peaceful and joyful figure that represent happiness in Greek mythology. The statue is sculpted from marble as its medium and is classified as a stone

The essence of this mystery tradition was the embrace of one’s whole self through ecstatic ritual. Sexual longings were summoned and embraced as inherent parts of our inner self. The Cult of Dionysus were worshippers who held rites and initiations to bring them in close contact with this God. These secret rites of initiation were the other essential part of the Dionysian Mysteries. The Cult of Dionysus held the secret rites on Mount Parnassus in the winter, and these rites were exclusively for its cult members. An individual had to make the decision to enter the mystery cult through initiation. These rites celebrated Dionysus’s emergence from the underworld with orgies. They focused on the exhilaration wine produced and used intoxicants and other trance-inducing techniques like music and dance as part of the rituals. It’s believed that at first the songs and dances were designed to stimulate plant growth, and that the orgies were introduced to induce fertility in the vegetation fields. This cult was originally believed to be a wine cult concerned with the cultivation, life-cycle, fermentation, and disinhibiting effects of wine. These rites had a group approach, “which manifests its collective energy through the throbbing patterns of song, dance, and orgiastic sex among its individual participants” (Evans,

Dionysus is an important figure of Greek mythology. He is the Olympian god of wine, vegetation, festivity and pleasure. He represents humanity’s longing for pleasure and desire to celebrate. Dionysus is also the god of hallucination, theatre, reincarnation and homosexuality. He is called: “the youthful, beautiful, but effeminate god of wine. He is also called both by Greeks and Romans Bacchus (Bakchos), that is, the noisy or riotous god…” (Roman 201).

Man above woman, or woman above man? For the entirety of human civilization, this question of gender hierarchy has been divisive issue. Regardless, Milton does not hesitate to join the heat of the battle, and project his thoughts to the world. Since the publication of Paradise Lost, many of Milton’s readers have detected in his illustration of the prelapsarian couple, particularly of Adam, a powerful patriarchal sentiment: “he for God only, and she for God in him” (Milton, IV.299). In essence, this idea declares that Adam and Eve possess unequal roles – Adam is better than Eve, as men are better than women, in accordance to the deeply conventional reading of the relations between the sexes. Eve’s purpose for Adam makes her less

In terms of Dionysus’ followers, woman were a significant component to the rituals had to be possessed by himself. His female followers are called Maenads and Bacchaents. In Dionysus’ rituals, there are two evident acts, which show the devotion to this God taken part by only the females. There is ‘Sparagmos’ which means ripping or tearing apart, and ‘Omophagia’ meaning eating of the raw flesh. Under the influence of the wine, the Maenads would take part in their rites and become overwhelmed in a hyperactive deed of strength and madness which lead to uprooting trees, and participating on ‘Oreabasia’ which means mountain roaming. They continued to be in this mode of complete fervor, and their souls were temporarily freed from their bodies and were able to gain

Dionysus was a wanderer. During these journeys he explored the world. On these journeys he came across many different people and taught them how to keep their vines healthy. On one of his journeys he was captured by pirates. While he was in bondage of these pirates they tried to tie him down. Wherever the rope would touch him it would fall apart. In

Though both genres of theatre are closely tied to religion, Greek theatre and medieval drama have different religious motivations that impact the ways in which the theatrical event is utilized. In Greece, theatre was used to entertain or please the Gods, more specifically the God Dionysus, during the most important of the four Athenian festivals: the Great Dionysia. The first known Greek playwrights, such as Thespis and Euripides, were chosen to compete in the festival and submit three tragedies and one satyr play to be performed in front of approximately 15,000 spectators. In classical Greece, theatre was the center of citizenship and society; religious ideologies towards Dionysus were not only realized by performances, but strongly encouraged by the state. For example, if a citizen could not afford to attend the

The Dionysian, named for Dionysus, is marked by chaos, drunkenness, madness, and instinctive emotions (Kreis, “Nietzsche, Dionysus and Apollo”). It is excess, dismemberment, and rebirth; the dark, earth-bound force of suffering (Jenkins). The Dionysian alienates figures from social, political, and familial bonds, destroying those who refuse to succumb to its power (McClure). Nietzsche says that the

Dionysus, on the other hand, invents the timbrel, it is a drum beaten to furious, erratic rhythms that express his compulsive nature. Apollo retains abstract intellect, he is an educator of young men, and promotes logical and rational thought. Dionysus desires irrational power, he liberates humans to explore there potential for emotional and behavioral extremes, he allows his unconscious to flourish, and he is embodied by spontaneous emotion. Greek tradition said that each year Apollo left his sanctuary at Delphi to live with the Hyperboreans, a mythical tribe inhabiting the extreme north. When he did that, Dionysus reigned in Delphi for the 3 winter months. During these months a noticeable change would come over people. Spontaneity came over everyone, and the concept of rational thought would be lost until Apollo's return. Obviously Dionysus was much more liberal when compared to Apollo.

Adam and Eve were the first man and woman to ever be created by God’s image. In the story of Adam and Eve is to believe that God created two human beings to live in a Paradise on earth, called the Garden of Eden, although they had fell from that state it said to be in history that they began humanity, and the loss of innocence.