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We Are Dancing In The Club Analysis

Decent Essays

This essay “We are Dancing in the Club, Not on the Berlin Wall” by Damani James Partridge, explores the fetishization of Black males in Germany after the fall of the Berlin Wall. Partridge examines the phenomenon of ‘White’ German women desiring Black men through the settings of nightclubs in Berlin. She justifies this phenomenon to be the result of the rejection of Germany’s racist history through her acknowledgement of “the realities of patriarchy, Nazi genocide and German guilt, “African American” military occupation, and the success of “African American” popular culture have led to a situation in which “white” German women openly desire black men.” (Partridge, 680) Though they were once regarded to be like a “forbidden fruit,” the end of WWII allowed women to openly and actively pursue them. (Partridge, 664) However, this new relationship between ‘White’ German women and Black men, was not just a unilateral beneficiary. One used the other for sexual desire, while …show more content…

Selby, we are introduced to the struggles between secularism and culture. Selby explores the effects of French secularism on the freedom of religion of Muslim women by examining the relationship between gender, race, and freedom. The idea of feminine sexuality in relation to freedom has resulted in the decision by France and Canada to consider women wearing the hijab and niqab in public to be “unacceptable.” While Western ideas of female sexuality are described in one way, the veils and covering of Muslim women designate the beliefs of their culture. Selby challenges the argument made by the French politicians to be racist and sexist excuses. This article was very insightful as Selby eloquently brings attention to the reality that female sexuality is defined differently across the world, so we should be more open-minded and respectful of other cultures and their

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