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Ways Hartley and Frayn present Childhood in The Go-Between and Spies

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In the Go-Between, Hartley presents the world of children and childhood through the first person narrative (from the viewpoints of the young and old Leo), Leo’s vivid imagination, the themes of growing up and self-awareness, the conflict between the child and adult world, and the portrayal of Leo as a school boy.

Firstly, the writer portrays the world of children through the first person narrative which encapsulates young Leo’s fresh, spontaneous optimism and hope towards the dawning of a new era, ‘My dreams for the twentieth century, and for myself, were coming true’(Chapter 1. p. 28). Therefore, this device allows the reader direct access to the intensity yet simplicity of a child’s point of view and enhances Leo’s personal …show more content…

p. 82). Therefore, the adult narrator’s ability to comment and reflect on his child-self effectively emphasizes the naïve and vulnerable nature of youth, and contributes to the mood of foreboding and suspense throughout the novel, ‘now I was over confident. I expected things to go my way’ (Chapter 1. p. 28).

In addition, the two voices in the narrative illustrate the contrasting perceptions of childhood and maturity as we can see that the younger Leo simply believes if he ‘went away…the relationship between Ted and Marian would cease’ (Chapter 16. p. 182), whereas the elder Leo is able to analyse his feelings, ‘I thought I knew what was best for myself…I was shaken and frightened’ (Chapter 16. p. 183). Consequently, the first person narrative in the past tense effectively conveys a sense of the adult narrator carefully exploring his conscious in a philosophical manner, whereas child narrator’s naïve attitude is portrayed in his black and white perception of the crisis, believing that he is solely to blame for the blossoming of the lovers’ affair, ‘I had attacked them first’ (Chapter 16. p. 182). Thus, the reader feels a certain degree of sympathy towards Leo’s predicament as he possesses a common child-like sense of misguided responsibility. However, it is evident that he is merely facilitating the relationship between Ted and Marian. Nevertheless, the writer also presents Leo as somewhat egocentric as he sees

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