Vonnegut's Use Of Intertextuality

Elements within literature make a story unique and admirable.. In “The Jilting of Granny Weatherall”, the short story exemplifies several usages of literary elements. The author of the 1930 classic, Katherine Anne Porter, made irony very prevalent throughout the story. For instance, Porter’s masterpiece includes an immense percentage of it being written around an ironic situation. In this essay, I am going to elaborate with you, the reader, examples and the premises as to why the author used literary elements in her work.

While reading chapter five two literary devices were also present, simile and irony. Simile was used in the

In the fourth chapter of Thomas C. Foster’s How to Read Literature Like a Professor, Foster addresses the complex network of relationships amongst literary works. These relationships are further defined as intertextuality, “the ongoing interaction between poems or stories” (29). The idea of intertextuality is that no text is “wholly original” (24). Every composition in literature is a blend of previous writings, directly or indirectly conveying ideas from other published literary works. As a result of literature growing from previous literature, authors can use already established concepts to communicate their views to the reader. Foster emphasises in this chapter the importance of familiarity and pattern recognition. Because intertextuality

Thomas C. Foster utilizes various allusions and forms of symbolism to apply a multifaceted meaning or message to any piece of literature. In “How to Read Literature Like a Professor” Foster theorizes how an author can assist a reader in getting a better grip on the message or purpose of a work using figurative language including symbolism, tones, allusions, and techniques. The chapters “…Or the Bible”, “It’s Never Just Heart Disease”, and “Nice to Eat with You: Acts of Communion” all demonstrate how Foster’s theories can be applied to the way authors have written and will continue to write.

People react differently to tragedies: some mourn, some speak up, and some avoid the sorrow. In Slaughterhouse-Five, Kurt Vonnegut suggests the danger and inhumanity of turning away from the discomfort by introducing Billy Pilgrim as someone who is badly affected by the aftermath of the Dresden bombing, and the Tralfamadorians as the aliens who provide an easy solution to Billy. It is simpler to avoid something as tragic as death, but Vonnegut stresses the importance of confronting it. Vonnegut, like many artists, expresses his ideas through his creations. The significance of art is not confined to helping and inspiring the general public; the process of creating art also becomes another form of coping mechanism for artists.

There are three principal sources of interest in narratives: suspense, mystery, and irony. In the narratives “A Rose for Emily” by William Faulkner and “Lamb to the Slaughter” by Ronald Dahl, irony is a primary source of interest. Irony is defined as a state of affairs or an event that seems deliberately contrary to what one expects and is often amusing as a result. In both of these cases, the use of irony by the authors greatens the impact the pieces have on their audience. In both “A Rose for Emily” and “Lamb to the Slaughter”, the authors have numerous pieces of irony throughout their respective stories; this use of irony creates a better reading experience for the reader.

Authors use stylistic techniques to convey meaning and to bring richness and clarity to their pieces of writing. In the short story “The Celebrated Jumping Frog of Calaveras County,” a man named Smiley is cheated out of a bet after he was so confident that he was going to be victorious. In the short story “Cannibalism in the Cars,” a train full of political figures is stopped by a severe snowstorm, preventing them from continuing their journey. In “The Celebrated Jumping Frog of Calaveras County” and “Cannibalism in the Cars,” Mark Twain uses imagery, characterization, and foreshadowing in order to aid a reader's understanding of the stories.

“Fate is a misconception, it's only a cover-up for the fact you don't have control over your own life.” –Anonymous. In Kurt Vonnegut’s novel, Slaughterhouse-five, an optometrist named Billy Pilgrim becomes unstuck in time uncontrollably and constantly travels between his past, present, and future. Since Pilgrim is unable to control his time warps, he is forced to re-live agonizing moments such as watching his wartime friend Edgar Derby executed for stealing or going through the Dresden bombing repeatedly. However, he is also able to visit pleasant moments like speaking as president in front of the Lions club or his honeymoon with his wife, Valencia. Vonnegut’s use of repetition and vision of war, time and death are crucial to Pilgrim as he

It is expected for arguments to arise when writing about controversial topics. Many times the meaning of a book is not as obvious as the author intended, which may lead to problems. Other times, books are challenged because they contain sexual or inappropriate material. When Kurt Vonnegut released Slaughterhouse-Five critics were quick to judge his peculiar way of writing. Although Kurt Vonnegut’s book Slaughterhouse-Five was oftentimes misunderstood, interpreted as inappropriate, and judged for the peculiar point of view, critics seem to appreciate and accept one aspect of it: the structure of the book.

In Thomas Foster’s book, “How to Read Literature Like a Professor,” readers learn how to look past the surface of a literary work to find a deeper or hidden meaning. Writers use devices, such as symbolism, imagery, foreshadowing, irony and allusion to reveal these meanings. If these are overlooked, important aspects of the story can be lost. One literary device that Foster emphasizes in his book is allusion. Every story has elements of another story, and Foster devotes Chapters Four through Seven explaining the meaning of allusion in works by Shakespeare, the Bible, and fairy tales.

The phrase “so it goes” is repeated 106 times in Kurt Vonnegut’s Slaughterhouse Five. From “dead” champagne to the massacre at Dresden, every death in the book is seemingly equalized with the phrase “so it goes”. The continuation of this phrase ties in with the general theme on indifference in the story. If the Tralfamadorian view of time is correct, then everyone is continuously living every moment of their life and dying is not the end. However, if Vonnegut believed in this idea, then he wouldn’t have felt compelled to write about the firebombing of Dresden. It is clear that both Billy Pilgrim and Kurt Vonnegut are affected by the massacre they saw, but they have different ways of rationalizing it. Billy finds comfort in the Tralfamadorian view of life, whereas Vonnegut disagrees, and urges the reader to disagree too. The constant repetition of “so it goes” breaks the reader away from the Tralfamadorian point of view, and allows them to come to their own conclusion that although it would be nice to forget the bad parts of life, it is important to remember all of the past. Vonnegut helps the reader come to this conclusion by repeating the phrase after gruesome moments, and showing how meaningless life can be if the Tralfamadorian ideas are believed, as seen through Billy Pilgrim’s bland life..

Authors use literary elements dramatically in short stories to influence a certain feeling on the reader or to send out a certain message to the audience. Throughout the stories, “The Interlopers” and “Lamb to the Slaughter”, both authors use elements to make their story appealing to the reader. Saki, the author of “The Interlopers” uses his examples of literary elements precisely and tremendously, which makes his story better than Dahl’s “Lamb to the Slaughter”.

Slaughterhouse-Five, a novel written by Kurt Vonnegut, tells the story of the devastating effects of war on a man, Billy Pilgrim, who joins the army fight in World War II. The semi-autobiographical novel sheds light on one of history’s most tragic, yet rarely spoken of events, the 1945 fire-bombing of Dresden, Germany.

In Slaughterhouse Five, Vonnegut uses satire in the topics of war, aliens, fate and the reasons for life itself. In Slaughterhouse Five by Kurt Vonnegut, the author uses many literary devices to bring across his point including black humor, irony, wit and sarcasm. He mainly uses satire throughout the book. Satire is a literary device found in works of literature that uses irony and humor to mock social convention, another work of art, or anything its author thinks ridiculous to make a point.

Paul Auster uses the intertextuality throughout his story City of Glass to give it more depth and meaning. The story is littered with allusions from start to finish, but one of the most interesting ways in which Auster uses intertextuality is with regard to names. This allows the reader to find more meaning in the text by exploring how it relates to other texts which Auster alludes to. As Barthes said, "The text is a tissue of quotations drawn from the innumerable centers of culture" (as cited in Montgomery et al.). In this paper, I will be discussing Auster's exceptional use of intertextuality in relation to names.