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Violence In Washington Irving, Richard Matheson, And Edgar Allen Poe

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Over time, certain elements have come to present themselves in almost every gothic literature story. Washington Irving, Richard Matheson, and Edgar Allen Poe are just a few authors who use these elements to establish a sense of dread and paranoia in their works.
One gothic element that appears in all three stories is violence. Appearing in a wide spectrum of stories, violence helps to create an unsettling feeling that these authors strive for. For example, in “The Black Cat”, by Edgar Allen Poe, the narrator initially claims that there is not anything wrong with him mentally; however, he soon brutally murders his own wife for no other reason than that she stopped him from killing his second cat. As he was about to decapitate the second cat, his wife grabbed his wrist, and he then “buried the axe in her brain” (Poe 4). Such a sudden and horrible death makes the reader feel scared of what is to come. Another example of violence contributing to a gothic story is in the short story “Prey” by Richard Matheson. In it, a young adult named Amelia is being hunted down by a mysterious doll that appears to want to kill her. She manages to lock herself away from it for a moment, only to reach up and find “blood [running] between the fingers of the hand against her neck” (Mathson 5). Her realization that the doll can really hurt her, and is a tangible fear, helps create a sinister feeling because it is now a matter of life or death for the narrator. “The Devil and Tom Walker”, by

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