Vija Celmins

The Starry Night by Vincent Van Gogh is consistent of his typical artwork. He uses the lines free and loose making it an expression of his contour lines. The spacing between the stars and the curving contours making it a dot to dot effect. Van Gogh’s, The Starry Night” portrays his personal emotion. He writes to his brother about his painting almost as if he would be confused himself about the painting. The village is dark but at the same time it is peaceful compared to the dramatic sky life. In Sol Le Witts, Wall Drawing it uses an ordered form and symmetrical form called classical lines. The line Sol Le Witts uses is considered a connection between two separate points. Although

The appreciation of art: taking in what is in front of oneself by analyzing the many facets that are intricately placed in a sculpture, painting or anything that is to be considered art; within this paper will be explained the three subjects, analysis, content, and function of Volaire’s work on The Eruption of Mount Vesuvius that allow one to have a true appreciation for the arts. It is through these three subjects that one can see how valuable art truly is. Without these subjects all is lost and the woman without a grasp of them is ignorant of a great chunk of the world around her for it is indeed true that art is all around us. The artists that paint, and sculpt, see this natural beauty and replicate it through the many mediums available to them, giving us eternal beauty that can be held onto forever. Volaire has done that with his piece dealing with Mount Vesuvius.

First thing that I noticed about this gorgeous oil and tempera on panel painting was the precise emotional aspect: romantic and simple, yet so exceptionally lifelike. This work surely shows a development from the powerfully

Ms. Luna, is an artist from the “Cuban Golden Generation” and lives in Miami since 1980. She graduated from San Alejandro School of the Arts. The artist, after graduated, was trained in sculptural ceramics by some of the most importants Cuban painter and sculpture like, Amelia Pelaez, Rene Portocarrero and Wilfredo Lam. Laura’s works goes through the paint and sculpture with a solid theorical and technical background.

Art is one aspect of the past that has carried on for decades. Art in any form may it be poetry, novels, and playwright, sculpting as well as painting, has been an outlet for generations and continues to be an outlet and a means for expression. This paper will discuss “ The Mona Lisa” one of Da Vinci’s most famous paintings, as well as another great painting, Antonio Veneziano’s

The title of the exhibition is called “Intersection: World Arts, Local Lives.” This exhibition opened on September 30, 2006. Some of the pieces displayed on this exhibition were not new, since Professor Brown had already gone over them. The exhibition contained a divination board, vessels, male and female figures, masks, headdresses, staffs, textiles, among others things. The art pieces were from different parts of the world. The exhibition is divided into four different sections, each with its own theme. The different themes were Art and Action, Art and Knowledge, Art and Power, and Art and Transformation. The art found in the museum seemed like it didn’t have any crack, dents, or breaks on them. Professor Brown showed the class some pictures of art pieces that had some broken

It showcases the dense, extensive and delicate connections in the artist’s experimental practices, which includes performance, installations, prints, photographs, films and paintings. The show reveals the transgression with the thematically structured six main galleries with an impressive display of Parr’s diaries in the foyer, films in the theatre and the artist’s archive, ‘Information Centre’. According to Parr, he said, “But in the foyer, I must say, there’s this rather beautiful pop-up space, which is nearly confined entirely to language pieces, and outside this space on the curved wall we’ve got 40 beautiful vitrines..and I’ve displayed 45 years of diaries. So the foyer’s got all of this text, and it’s very intimate.” The diaries were a very clever idea that gave a lot of help to the audience in terms of better understanding of the

I first became attracted to Yayoi Kusama’s work when I came upon a 1966 photograph of Kusama modeling on her own installation with painted dots covering her body. The photograph communicated what seemed to be a special message that fascinated me; I was curious about what symbolism the polka dots express and what connotations Kusama was intending to reveal by painting repetitive tessellations. I was instantly drawn to the manner in which Kusama dresses in the fashion of her own endless imagination; it seemed that Kusama’s body and art have merged into one creative entity, softening the variance between the artist and the art piece. In short, the photograph inspired me in discovering Kusuma’s history, analyzing her art pieces, and contemplating my

While walking through the Aboriginal Arts Exhibition, my eye being drawn to the diversity of works that filled the rooms, one piece stood out to me above the rest. Troy Firebrace’s “A Galaxy Swirl” is an explosion of bright colours and patterns against a black canvas representing the dark, vast emptiness of space.

Vija Celmins, for all of her statements about the meaning of her prints lying in their processes, has missed what can be called her unconscious influences. The true intent of her print piece Untitled (Web 3), cannot be garnered by her words alone but must be analyzed in order to uncover the childhood impact of war and immigration and how they have played a vital role in how she thinks about her printed works. By digging further into her work an underlying sense of a loss of control can be seen as a concurrent theme in the shift of processes and mediums that she undergoes both willingly and as a forcible change throughout. Contrary to Vija Cemins own beliefs about her work it can be surmised that her work is not as isolated as many of her peers seem to believe because a loss of control in early childhood and on effects both the way that she creates her art as well as her obsession with processes.

Upon entering the galleries reception you are immediately greeted with three of Ruscha’s Acrylic on Museum board paper pieces. Picturesque Art works with great relationship between landscape and text that really invite you to further explore the gallery and what it has to offer. The Gallery itself feels vast due to its high ceilings and white walls that really open the space

This dissertation attempts to explore the last vision, both in real life and artistic expression. According to John Berger when he sat beside his father's coffin,” People talk of freshness of vision, of the intensity of seeing for the first time, but the intensity of seeing the for the last time is, I believe that greater”. Seeing for the last time here is between viewer and corpse, however, this article wants to explore, the so-called richer last vision it contains various situations. In my opinion, the last vision is not only for the dead people, but it should also exist in between the object and the viewer. Through the first chapter I will discuss the possibility of the existence of viewing between people and objects, based on Lacan’s theory.

This masterpiece was painted by Van Gogh in 1889 while he was receiving treatment in Saint-Paul-de-Mausole, a mental asylum. The beautiful painting that many people have come to love today was never appreciated during its own time. Various art critics thought that the large brush strokes Van Gogh had made in Starry Night seemed “messy” and “childlike”. The strokes also convinced people that Van Gogh was truly crazy and that he was not as talented as other artists. Yet the pencil thick lines are what made the painting look hyper-realistic and eye-catching. They have a calming, consistent effect on people whose eyes want to follow the swirls and lines. The brush strokes that Van Gogh added more texture, detail, and blended the colors easily to one another in Starry Night. The realistic details make it feel as if the painting is trying to get a message across to the public. With every line that Vincent van Gogh had made he put as much feelings into them as he did with effort.

One of Vincent Van Gogh’s most world renowned paintings is his landscape oil painting Starry Night. The painting displays a small town underneath an unusual yet still extremely beautiful night sky. In this night sky, Van Gogh utilizes an array of colors that blend well together in order to enhance the sky as a whole. The town is clearly a small one due to the amount of buildings that are present in the painting itself. In this small town most of the buildings have lights on which symbolize life in a community. Another visual in Starry Night is the mountain like figures that appear in the background of the illustrious painting. Several things contribute to the beauty of Van Gogh’s painting which are the painting’s function, context, style, and design. Van Gogh’s utilization of these elements help bring further emphasis to his work in Starry Night.

The first thing I notice in The Starry Night is the sky in the background because it stands out the most. There are many shining stars, the big bright crescent moon and wind swirls painted throughout the blue sky using contrasting colours like orange, yellow and white. Through the swirling wind, thick curve lines are flowing across the sky to form this spiral-like formation. Eleven yellow stars which look like huge fireballs lighten the whole art piece by contrasting with the cool blue, dark night sky that contains a variety of shades of blue and grey. There is also the crescent moon at the top right-hand corner that is bigger and emits an even brighter light compared to the rest of the stars. Next, I notice the giant cypress tree on the left side because of how its proportion is a lot bigger than everything else in the rest of the painting. It blocks out part of the sky and the village located at the bottom. The village houses are tiny and painted in the shade. It is compact and is close to the hills and its surrounding objects which makes the houses blend in and become unnoticeable.