Vengeance In In The Count Of Monte Cristo By Alexandre Dumas

Edgar Allan Poe’s “The Cask of Amontillado” is a frightening and entertaining short story about the severe consequences that result from persistent mockery and an unforgiving heart. Poe’s excellent use of Gothicism within the story sets the perfect tone for a dark and sinister plot of murder to unfold. “The Cask of Amontillado” simply overflows with various themes and other literary elements that result from Poe’s Gothic style of writing. Of these various themes, one that tends to dominant the story as a whole is the theme of revenge, which Poe supports with his sophisticated use of direct and indirect factors, irony, and symbolism.

In this day and age the term “murder” is coined as a word used in everyday language, albeit fifty years ago in the [rural] heartland of America, that word evoked emotion out of the entire town’s population. Prior to writing In Cold Blood, Truman Capote had written several pieces that lead him to writing a piece of literature that would infuse fiction and nonfiction, thus In Cold Blood was created, albeit after six years of research (“Truman” 84). "Truman Capote is one of the more fascinating figures on the American literary landscape, being one of the country's few writers to cross the border between celebrity and literary acclaim…He contributed both to fiction and nonfiction literary genres and redefined what it meant to join the

Dumas, Alexandre. The Count of Monte Cristo. Trans. Lowell Bair. New York: Bantam Edition, 1956. Print.

The main theme that is presented within The Count of Monte Cristo is that revenge and manipulation is easily able to hurt someone, but also benefit another. In this case, Edmond Dantès takes the side of benefit and those brought underneath his vengeance had been ruined. After a plan carefully schemed by three of his false friends, Dantes was thrown into prison and placed under a situation of betrayal and resentment. This long wait in the chateau d’If had put a need for revenge into Dantès head which had transformed him into the Count of Monte Cristo. Although the Count was considered bitter and cold, his seek for revenge had only benefitted him into a more creatively malicious character. Furthermore, this manipulation that Dantès had been put

The concept of revenge is one very known to human nature. Most people are familiar with the desire to get payback, though often individuals choose not to act on it as it is often a more fleeting emotion than lasting fascination. Being such a relatable and commonplace affliction, this feeling is also central in many works of fiction. The Cask of Amontillado by Edgar Allan Poe and The Count of Monte Cristo by Alexandre Dumas both share a common plotline as they explore themes of betrayal, deception, and revenge. The protagonists, Montresor and Edmond respectively, both set out to seek revenge against those who they feel have done them wrong. The writing styles share a similar dark tone as the ideas of justice and deservingness are challenged through the characters’ actions.

Vengeance is the act of recovering justice by forcing the opposing individual to endure same punishment or exceed a far more harsh consequence than the victim. People often try to obtain revenge upon others for the wrong reasons due to fact that they believe the actions or sins of another person have affected the victim in a negative way. The Scarlet Letter, written by Nathaniel Hawthorne, uses the relentless character, Mr. Roger Chillingworth, to describe the result of being resentful and unforgiving to his wifes secret lover, Reverend Dimmesdale. The Scarlet Letter also vividly describes how Chillingworth became self absorbed with vengeance and how vengeance changes his physical appearance.

A common theme in many great works of literature is that of forgiveness. Through studying some of these classics, we can learn the lesson that forgiving others, lets you to let go of hate and anger, and to draw nearer to God; this helps people to be happier and to obtain peace, even in terrible circumstances. First, in Left to Tell, Immaculée was able to find comfort and peace, when she found it in her heart to forgive. Second, in Blood Brothers, Elias found comfort and strength in the understanding that Christ loves and forgives all. Third, in Les Miserables, we see the results of being selfless and choosing to forgive. In this essay, we will examine this fundamental theme in the books Left to Tell by Immaculée Ilibagiza, Blood Brothers by Elias Chacour, and Les Miserables by Victor Hugo.

The perverse isn’t just an act, it is a grand process. It can long and drawn out or it can be relatively short. But, it is always starts and ends the same. It starts with an idea, in the case of The Imp of the Perverse the idea was simple, he wanted to tell someone about what he did. But, in the story of The Cask of Amontillado, Montresor’s idea was one of vengeance. Even though they both progressed through the steps a bit differently, they both came to the end the same. They regretted and had some guilt about what they did. Just like you would regret eating a whole cheesecake by yourself, because you are lactose intolerant and you’ll felt guilty about not sharing with your wife. Thus, we come to understand that we can all fall victim to the

Not only does revenge bring up past pain, but it also creates unnecessary suffering and problems. The article, “Revenge: Will You Feel Better?”, explains that,“While the anticipation may feel pleasurable, the actual carrying out of revenge … may create more problems and suffering” (Hall 3). This is seen in the novel when Fernand kills himself after finding out the Count of Monte Cristo is really Edmond Dantes. The Count did not want to drive Fernand that far but he did anyways. Now, the Count has to deal with the guilt of hurting Fernand’s family who Mercedes is apart of. Mercedes states, “Mercedes is still alive, and she was the only one who

In the world today, it seems as if a mistaken glance, a change of plans, or even an insufficient amount of exclamation points is enough to get someone mad at you. And not just a couple of days of the cold shoulder, but grudges full of petty revenge schemes. A mean comment on their photo, tripping them in the hallway, blocking their account… pretty stupid decisions can come from a misunderstood argument. Michael Punke’s book talks about the same things; animosity and bitterness, vengeance and outbreak. Except Fitzgerald didn’t ghost Glass, and Bridger didn’t send him the wrong emoji. They stole his survival supplies and left him alone to be killed by Native Americans, right after Glass was attacked by a bear. It’s pretty clear that Glass didn’t take the high road. And this wasn’t some half-attempted scheme for vengeance. No, Hugh Glass crawled on his hands and knees for miles in pursuit of killing the two who betrayed him. And though other characters in the book show hints of revenge, Glass is the character who shows the most radically clear signs of it, and his undying pursuit is what most clearly develops the theme. In The Revenant, the author Michael Punke uses the character Hugh Glass’s hunt for revenge to show that strong emotions and the desire for revenge can blind us from the most basic logic, and cause us to make irrational decisions.

Although the author did not specify that the King had feelings of vengeance, this quote suggests that the world was taking revenge on him. This means that as a King, he was never truthful and the world is trying to pay him back by letting him feel these feelings of regret. The Count of Monte Cristo and Viva La Vida both successfully used diction to create the idea that vengeance is enduring until it is

Black Vengeance from Hollow Hell Darkness. Deception. Demise. Othello, the moor is an outcast in Venetian society though he is a valiant warrior, he becomes entangled in Iago’s web of lies and deceit. In the play, The Tragedy of the Moor of Venice, by William Shakespeare, the titular character.

In Treasure and Vengeance, Justin Kaplan speaks about The Count of Monte Cristo in the highest regard. After a brief back story on himself, he quickly transitions into connecting it with the book itself. Kaplan claims that “in a singular sense, [Edmond’s] motive was disinterested: not the means to anything else and with no purpose other than its own fulfillment” (Kaplan). This is a key aspect in Kaplan’s criticism. He adds that his “revenge, driven by the festering sense of injustice” is what drives Edmond throughout the story (Kaplan). The whole story revolves around Dantès’ dire need to get revenge on Fernand, as well as others who have crossed him. In fact, the Count himself says that “for all evils there are two remedies - time and silence” (Dumas 523). His sole mission is to retaliate against Mondego, who was the cause of his wrongful conviction. He intends to get his revenge for his own needs

Sometimes friends can get into an argument and some things can hurt them, but not to a point where they want to hurt each other physically. Vengeance can bring justice to someone, but as well bring pain to the other. Revenge is a horrible emotion which can lead someone to do horrible things. Two companions, Montresor and Fortunato, destinies are controlled by one thing only, vengeance and murder. In the story, the narrator seeks revenge on Fortunato because he mortally insulted him. Montresor succeeds in luring Fortunato to his death without raising any suspicion. A horrible revenge made significantly more awful by the way that the retribution is being taken when no genuine offense had been given. In the short tale, “The Cask of Amontillado” by Edgar A. Poe, the major conflict of revenge is between Montresor and Fortunato, but it is interesting because Montresor is the only one who is aware of the conflict. The author uses the conflict to build suspense and to change the mood of the reader.

Everyday people seem change themselves in one way or another, but sometimes people change their appearance and personality to the point where those who were close to them, can not even recognize them in a crowd. The Count of Monte Cristo, by Alexandre Dumas, is a story of a sailor, Edmond Dantes, who was betrayed during his prime time of his life by the jealousy of his friends. Dantes is sent to prison where he spends countless years planning an escape with the help of a fellow prisoner. The prisoner informs Dantes that he knows where a treasure is that one man can not even dream about. Dantes friend then happens to die, leaving Dantes with the information of where the treasure is.