Most scholars think "The Wanderer" first appeared as a piece of oral poetry during the 5th or 6th century, a time when the Germanic Pagan culture of Anglo-Saxon England was undergoing a conversion to Christianity. It contains traces of both traditional Germanic warrior culture and of a Christian value system. The speaker for much of the poem is a warrior who has had to go into exile after the slaughter of his lord and relatives in battle. Now, he contemplates what the experience of the exile teaches him about life.
For most of the poem, the speaker expresses traditional Germanic beliefs about how a wise man should act, the inevitability of death, and mankind's inability to change his fate. The poem is bookended, though, by the Christian idea of the possibility of God's favor and grace, which the speaker holds up as the only possible refuge from all the misery he witnesses. The relationship between fate – in Old English, wyrd – and God's grace is not clear in the poem; the presence of both might be evidence of "The Wanderer's" position at the meeting point of Christianity and Paganism.
"The Wanderer" is both a lament for all the things the speaker – and people more generally – have lost, and also a reflection on what wise men learn from their life experiences. With this dynamic duo, "The Wanderer" combines parts of two traditional genres of Old English poetry: the elegy, or lament, and the wisdom poem. These two genres aren't unrelated, since Anglo-Saxon poets believed that
The language used in both poems is selected to focus on the isolation of the characters. In Horse Whisperer, for example, when describing how they escaped from the place they kept the horses in; they joined ‘others of [the horse whisperer’s] kind’. Although this hints that the whisperer had other people like them, and therefore was not totally excluded, the acceptance of them self as another ‘kind’ signifies how their difference separates them from general society.
When isolated from society, loneliness becomes a part of you. In the poems, The Wife’s Lament translated by Ann Stanford and The Seafarer translated by Burton Raffel, are two similar and different poems. The characters in these poems handle their exiles in different ways. The way the two characters reflect from their exile is based off Anglo-Saxon values and beliefs. These poems compare and contrast the exile between men and women.
The Seafarer, The Wanderer, and The Wife’s Lament all contains faith verses fate. The three poems are very similar and very different. The three poems ranging from a lonely man, to a lost soldier, to a wife’s bedrail. The medieval poems show hurt, confusion, and loneliness.
The second stanza is addressed to ‘wise men’ who know they cannot hide from death and it’s inevitability. Poetic techniques used in this stanza are metaphors, rhyme, symbols and repetition. The line “words had forked no lightning” is a metaphor because words cannot actually fork lightning. This line suggests that the men hadn’t made an impact on the world, nor accomplished all they wanted to in life. Rhyming is also a technique used in every line, ‘right’ and ‘night’ are rhyming words used, and ‘they’ in the second line rhymes with ‘day’ in the previous stanza. So ‘night’, ‘light’ and ‘right’ rhyme, and ‘day’ and ‘they’ rhyme, hence the ABA ABA rhyming pattern. The third poetic device used in the second stanza is symbolism of ‘dark’ in the first line, which represents death. Repetition of “do not go gentle into that good night” is repeated every second stanza as the ending line, ‘night’ in the final line also symbolises death.
In “The Wanderer” there is a theme of the inevitably of death and deaths appearance all around us. The wanderer’s grievance of the death he has faced is seen through the authors' use of ubi sunt:
The idea of the Judeo-Christian and the Pagan differentiates greatly from each other. The pagans believe in the idea of dualism, which views the world as distinctly divided into two principles of good and evil. Primordial forms of evil that human experienced were suffering and death. Suffering and death were rooted from change of youth to old or health to sick; therefore, anything experience change was perceived as evil. Nonetheless, human and the earth who experience changes every splits of second were perceived as evil. Gods who are in heaven do not wish directly interact with the human life because it can lower the dignity of gods who are extrinsic to changes; however, Judeo-Christian view is the opposite from this. God does concern about humanity and this can be seen in the first creation narrative. On Day Four, God created the sun, the moon, and
In my interview I was fortunate to talk with a student from Pfeiffer, her name was Taylor. During this interview, I learned many new things about the Pagan Religion, also known as Wiccan. At the start of the conversation I was completely in the dark about the beliefs and acts of a Pagan.. I had never paid any attention, much less try to learn about other religions until starting this class. It definitely challenged me to empathize with the beliefs of others. The Pagan Beliefs are completely different from my religion, Christianity. Christianity places more of an importance on a figure, Jesus Christ. Unorthodoxly, Pagan’s place more emphasis in nature than in any one Godly figure.
There are some things that we do know about this poem. It is most often referred to as an elegy because of the mood of mourning and regret. Upon further reading I discovered that this poem is like others of its time period. Many
The Poem begins with a personification of death as "kindly" (3). By doing this, the speaker introduces a portrayal on death that might have conflictions. Most of the times, death has a negative connotation. Whether it is an inevitable or tragic view, it opposes to what is seen in the poem. The speaker accepts death as a friendly invitation when the time is right, rather than something that is bound to happen. The speaker then joins immortality, personified as a passenger in a carriage. Immortality simply cannot be a passenger as it is a non-living thing. The reasoning for this could be that immortality ties together the link between the speaker and death, ultimately introducing the voyage to come. The first stanza sets a precedent of a meter to follow throughout most of the poem. The first line contains eight
"The Wanderer" also deals with the same themes. This poem portrays a "lost" character that needs to find his way back into society but can't. It shows his feelings of loneliness and hopelessness. It also gives an impression of his loss: "So have I also, often in wretchedness fettered my feelings, far from my kin, homeless and hapless, since the days of old, When the dark earth covered my dear lord's face, And I sailed away with sorrowful heart, Over wintry seas, seeking a gold-lord, If far or near lived one to befriend me." (18-24). The author is saying that this character just experienced a loss of his king and it forced him to go out and search for another. The use of the image of the earth covering his lord's face gives the reader an exact look at what is happening. The poem contains two speakers that convey the
In the poems “The Wanderer” and “The Dream of the Rood,” anonymous authors give way to the idea that an Almighty God will solve every problem a person has by doing two things: 1) drawing upon the memories of a warrior who has lost everything near and dear to him due to war, and 2) entering the dream of a man who has been exiled and isolated. Each piece takes its reader through the trials and tribulations that one may not relate to in this era, yet the reader is still there alongside the character wanting them to find peace with their world and themselves. Initially, it is believed that the characters will overcome their hardships and achieve the happiness they seek. However, as the reader delves deeper into the character’s story, there is an overwhelming sense of incompleteness. What actually happens at the end of each piece is not written in stone - telling us the story is not whole - nor has a conclusion been reached. The intrapersonal thoughts being shared with the reader reveal the obstacles that keep an overall wholeness from occurring.
In the three poems “The Wife’s Lament”, “The Wanderer”, and “The Seafarer” from The Exeter Book, it’s clear that travel and exile are recurring and important themes. Is there a possibility that these themes and elements have a significance that goes above and beyond their literal meaning? Though they may experience it differently, all three of the speakers from these poems in The Exeter Book deal with the great pain of exile, or being driven out, resulting in the need or desire for travel. This takes place due to the fact exile was one of the most tragic fates that an anglo-saxon man or woman could endure at the time. It makes sense that these themes would play a huge part in these poems because during this time period, exile was the
When I was young, I always knew magick exists in our world. I dabble with a spell that will help me stop bleeding, which comes in handy when hiding a scar from my parents or prevent blood loss. However, as I gotten older weird phenomenon would happen. Such as, seeing events before it happens, being able to drain someone's car batteries while I’m in the car, and of course obtaining luck while having a silver dollar coin in my possession. Although, some religious people may argue that Pagans are devil worshipers in considering what they believed they are provoking evil demons. Which in, Paganism is in fact an Earth-Centered religion that believes in all religion, and magick.
The poem “The Wanderer” speaks of a man who has been exiled from his clan, and is now forced to roam the land alone. Separation from his fellow kinsmen and lord seems to be the worst fate imaginable. The man speaks of his great loss, remembering the time when he was happy with his liege,
While “The Seafarer” and “The Wanderer” have similar key themes, there are also quite a few unique differences between one another. Both men struggle in their lives, but the seafarer chooses to live the kind of life he wants, yet the wanderer does not have a choice. The seafarer claims to continue travelling since the sea gives him an adrenaline rush and embraces the sea. He feels that it is his duty to travel the sea. The wanderer has no choice in experiencing what he is experiencing as he has been forced into exile, which makes others feel even worse for him. It says in line 9 of “The Wanderer” that “[being] lonely and wretched, [he] wailed [his] woe,” which very much implies that he currently hates his life and would never wish it upon anyone else. A second difference between the two poems are the poems’ individual opinions on time. The seafarer believes that life gets increasingly difficult as time goes on due to the loss of glory and honor overtime. The seafarer also believes this could be due to one being closer to eternal life with God as time goes on. The wanderer, however, has an opposite opinion. Towards the end of the poem, he looks optimistic on life and knows that life can and will always get better. He himself is the only