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Use of Parody, Foreshadowing and Figurative Language in Jane Yolen's Fat is Not a Fairy Tale

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People are born with different facial structures, heights, and shapes. But in our current society, most people imagine the ideal woman to be tall and slender. In the poem “Fat Is Not a Fairy Tale” by Jane Yolen, the speaker expresses her view through parody, foreshadowing, and figurative language that a more full-figured image of a woman’s beauty will someday prevail.

Yolen makes use of parody to effectively state her view that fairy tale princesses shouldn’t have to be skinny to be considered beautiful. The first stanza lists Disney princesses by the names of “Cinder Elephant,/Sleeping Tubby,/[and] Snow Weight”. This suggests that if these well-known princesses were created more realistically, people would not be so harsh on …show more content…

Although Gretel is not one of the most beautiful characters, her play on words helps readers understand that larger is better. The use of parody to change the names of well known fairy tale characters to reflect some element of weightiness allows the writer to make her point in a light hearted but effective manner.

Both metaphor and figurative speech are used to describe the ideal shape of a woman. The slender model of the princess beauty is described as both “anorexic [and] wasp-waisted“. Pairing the description wasp-waisted with anorexic makes it clear to the reader that having the figure of a wasp is not to be imagined as a good thing.The negative image is further reinforced with the picture of the wasp-waisted anorexic “flinging herself down the stairs“. The more rounded version of the ideal woman is described as having “a pillowed breast”, with “fingers plump as sausages“. In a similar manner, Yolen describes the “pillowed breast” as belonging to a beauty, ensuring that the reader associates the pillowy nature with the positive of beauty. Adding the comparison of fingers to sausages is also a comforting, homey image, unlike the “wasp-waist” comparison.Figurative language is effectively used to associate plumpness with positive images and slenderness with negative ones.

Although the poem’s main message is that fat can be beautiful, the last stanza acknowledges that such a state of mind is just a possibility in the future.
The speaker states in

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