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Tupac Shakur Language Analysis

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There is a right way to speak. Every human being, despite their dialect and or language, knows so and practices it in their everyday speech with their respective speech community’s. The ethnography of speech can be studied through Dell Hymes’s Ways of Speaking, Roman Jakobson’s Linguistics and Poetics, and Dennis Tedlock’s Ethnography as Interaction: The Storyteller, the Audience, the Fieldworker, and the Machine. The ethnography of speaking is most salient in the action of storytelling. I argue that the phatic function of language is one of the most constant functions in conversations when the narrator can switch roles to audience, which is prevalent in my recording of Tupac Amaru Shakur’s 1995 deposition. On June 28th, 1995, Tupac Amaru Shakur was tried by the the Texas …show more content…

He states on line 22 that even iambic pentameter is rap music. He was painting a picture to the judge that rap is not what the judge thinks it is. He does not write gangster rap, he writes poetry and adds a beat to it. The formality of the conversation can be identified through the keys, which were both gestural and verbal. The witness swearing Tupac in sets the tone of this event as one of the most formal events that could occur in ones life experience. This tone and level of formality continues as the judge asks for Tupac’s name, age, and residence on lines 5 and 7 of the transcription. Despite the fact that the deposition is and was a formal event, Tupac breaks formality when he leans on his arm. In this case, he plays the role of audience member; the audience member lost as depicted by Tedlock. Shaker’s tone is more affirmative when he is on defensive mode. This is reaffirmed by his repetition that is poetic in nature, which are followed by pauses to put emphasis on the statement being made. Laying on his arm is also a sign of his more defensive mode; most people would not want to sit through the attempt at defamation of ones

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