Romeo Montague is characterized by his passion and his tendency to beget rash decisions. Throughout Romeo and Juliet, Shakespeare provides examples of these two of Romeo’s qualities, and, ultimately, they are what define him as a tragic hero.
From the beginning of the play, it is a palpable declaration that Romeo is a dreadfully passionate being. In Act I, Romeo is in an excessively depressive element as a consequence to succumbing to love with an elusive woman named Rosaline. Amidst a tirade, Romeo divulges how he felt somber due to love or, perhaps, in his case lack thereof. Furthermore, how attitudes on love have the ability to dismantle one into immeasurable distraught and perturb them to no end. In reaction to Rosalind’s denial to love,
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There are several key examples of this trait throughout the play. The first decision Romeo hastily makes is near the beginning of the play when he quickly transitions from a state of being hopelessly in love with Rosaline to feeling the same way about Juliet in the course of one night. Friar Lawrence articulates the speed of this transition when he says to Romeo,”Holy Saint Francis, what a change is here! Is Rosaline, whom thou didst love so dear, so soon forsaken?” Soon after Romeo’s marriage to Juliet (a result of the previous decision), Romeo is challenged to a fight by Tybalt, Juliet’s cousin. At first, Romeo refuses to fight because he loves Tybalt and claims to have done him no harm, saying, “I do protest I never injured thee, but love thee better than thou canst devise, till thou shalt know the reason of my love.” (3.1 L. 64-66). However, Romeo contradicts this statement with his actions when he quickly decides to fight Tybalt after Mercutio becomes the victim of the Capulet’s wrath. He throws aside his claimed love for Tybalt, and without thinking carefully, kills him. All of these incidents exemplify this flaw in Romeo’s
One of Romeo’s main traits in Romeo and Juliet was impulsiveness. For example, when Tybalt confronted Romeo for attending the Capulet party, a fight broke out and Romeo’s best friend, Mercutio, was killed by Tybalt. Romeo was furious and screamed, “Away to heaven, respective lenity, and fire-eyed fury be my conduct now” (Act 3, Scene 1). When Romeo said this, he showed how he acts based simply on emotions
Romeo’s character shows deep emotion and extemporaneous actions, even if it was for his youth and immaturity. He was sure of his infatuation with Rosaline at the time, but he quickly turns around and proclaims his love for Juliet. Romeo says, “My name, dear saint, is hateful to myself/ Because it is an enemy to thee. / Had I it written, I would tear the word” (2-2 [55-57]). Romeo’s not thinking about the consequences of his actions or what he’s saying; all he cares about is
Romeo has an impulsive habit; it is clearly seen throughout his time in this piece of art. The events leading up to the time spent with Juliet were quick, even quicker to unlove Rosaline. Ending Tybalt's life also Paris's was another example of his impulse decisions. Romeo could have communicated with these people
Romeo, the star-crossed lover of Shakespeare's tragedy, is a young man consumed by passion and impulsiveness. Raised in the midst of a bitter feud between the Montagues and Capulets, Romeo's life is shaped by the violence and hatred that surrounds him. Despite his noble intentions and romantic idealism, his rash decisions and inability to control his emotions ultimately lead to his tragic downfall. Romeo's character is defined by his intense emotions and impulsive nature. From the very beginning of the play, he is depicted as a lovesick teenager, pining for Rosaline.
The first time that love is explored during the play is when Romeo first speaks of Rosaline and his passion for her, even though he is ‘Out of her favour’ (I.i.159) which is a powerful statement as it shows that Romeo still has these feelings for Rosaline even though he knows she doesn’t feel the same. This is also the first occasion where love and hate coincide as Romeo is speaking about Rosaline when he hears of the duel and comments ‘Here’s much to do with hate, but more with love’ (I.i.166). The fact that the conversation switches from love to hate and visa versa so quickly shows that the two themes are closely linked and that one has an effect on the other. In this passage of speech Romeo speaks as a ‘Petrachan Lover’ as he elevates Rosaline in his language. He uses oxymorons such as ‘O loving hate’ (I.i.167) and ‘Feather of lead, bright smoke, cold fire, sick health’ (I.i.171) to add effect and drama to his speech, and his language is so exagerated it makes the audience believe that he really is in love.
In the play, “Romeo and Juliet” by William Shakespeare, the protagonist, Romeo Montague qualifies as a tragic hero, because the main elements needed for a tragic hero are seen in Romeo. Shakespeare’s definition of a tragic hero perfectly applies to Romeo, because of hamartia, catharsis, and tragic waste are all seen in the play and all of them involve Romeo. Romeo’s death was caused by a fatal character flaw, which is his impetuosity and his rashness of actions before thinking thoroughly. In “Romeo and Juliet”, hamartia is a major part of Romeo’s tragic death.
Moreover, Romeo through his infatuation with Rosaline learned valuable lessons that help him come to appreciate and understand the feelings he experiences with Juliet. Romeo felt rejection, sorrow, and misery from his infatuation with Rosaline which is seen when he is talking to Benvolio, “In sadness, cousin, I do love a woman” this particular quote shows the sadness or sorrow he feels from the feelings for Rosaline (1.1.201). Also when he says “She hath forsworn to love”, the words Romeo speaks allow it to be inferred that his feelings for her have been rejected (1.1.220). “At the opening of the play [Romeo] is maundering about like an erotic woman novelist, sighing and groaning because Rosaline will not listen to his tenders of affection” revealing that Romeo’s love was rejected and was upset because of this, allowing him to learn these feelings and what it is like to be rejected by the one he had feelings for (Northwood 19). Due to having felt these emotions from his infatuation, when he finds his love for Juliet and receives love and acceptance from her. Since he went so long, feeling sorrow and rejection when he finally finds Juliet, he can fully appreciate the love and acceptance he is given which intensifies his love for her and does the opposite of weakening the credibility of his love. Through his infatuation with Rosaline, he was able to grow as a person and become able to fully commit to his love for Juliet.
The first example is when he meets Juliet for the first time he goes crazy and falls in love. I think he acted to quick because in no time at all they were already married. It was also an irrational decision because she is a capulet and the two families and in the middle of a feud. The second example is when the families meetup and Tybalt and Mercutio start fighting and Mercutio ends up dead. Then Romeo goes out and finds Tybalt and kills him to avenge Mercutio. That was a stupid choice because now Romeo is banished from Verona. Romeo says that he would rather die than leave Verona and not see Juliet again.
In William Shakespeare’s Romeo and Juliet, Romeo is "a tragic hero.” This is according to Aristotle’s definition, a tragic hero is a character “who is neither completely good nor completely bad, but also a member of royalty.” Romeo is a tragic hero because he does many good things, but many bad things, as well. For example, he is a Montague and he marries Juliet, who is a Capulet. This is prohibited, so Romeo is bad. However, Romeo does everything he can to keep Juliet happy and risks his life for her, which makes him good. Romeo is also a man of royalty because he is Montague’s son. Romeo’s character has many contradictions, which makes the audience think, “is he good or bad?” Asking these questions and not knowing the answer leads
omeo and Juliet “For never was a story more woe Than this of Juliet and her Romeo.” (Shakespeare 1145). In the famous play written by William Shakespeare called The Tragedy of Romeo and Juliet, Romeo is depicted as a tragic hero. Aristotle defines a tragic hero as someone who is looked highly upon and seen as great but is not perfect. According to Aristotle’s definition Shakespeare gives Romeo many of these tragic hero qualities throughout his play.
Romeo is faced with similar oppositions as Juliet. His family, being sworn enemies to the Capulets, are kept in the dark about his romance with Juliet. Also, when the Capulets begin to perceive of the close relationship between Romeo and Juliet, it makes him a greater target to Capulet men such as Tybalt. There is no doubt as to Romeo’s faithfulness towards Juliet and his desire to do all that is needed in order to have her love, but because of his lack of experience in life, Romeo is not at all faultless. Perhaps the most notable act that sabotaged his relationship with Juliet was his slaying of Tybalt. However honorable and necessary it may have seemed to him at the time, Romeo’s rashness once again rears its ugly head after Mercutio foolishly brings about his own demise. Of course, Romeo immediately regrets his impetuous actions after the grave mistake had already been done as he does many times throughout the story.
Romeo seems to be miserable as he is in love with Rosaline yet Rosaline is not in love with him. Once Romeo learns that the Capulet’s are holding a party at which Rosaline is attending he risks his life just to be with the one he loves. Romeo is passionate for love.
William Shakespeare is an English poet and play right. His plays mainly consisted of comedies, history, and tragedies. The Tragedy of Romeo and Juliet is a play written by William Shakespeare. For a play to be a tragedy there must be a tragic hero. In Shakespeare plays, tragedy is identified as a story that ends unhappily due to the fall of the protagonist, which is the tragic. In this play there are two tragic heroes. Romeo and Juliet are both the tragic heroes. To be a tragic hero they must be from a high estate, have a tragic flaw, and the tragic flaw is the cause of their downfall.
From the moment we first hear about Romeo, it is in the context of his suffering at the hands of love. Romeo’s father, Montague, perplexed by his son’s behavior states that, “Many a morning hath he there been seen, / With tears augmenting the fresh morning’s dew, / Adding to clouds more clouds with his deep sighs” (1.1.124-26). While this may be the first time we encounter Romeo’s melancholy humour, it certainly isn’t the last. In fact, one of the primary sources of our infatuation with Romeo rests in our sympathy for him. From the very start this poor boy is plagued by affections for girls that fate, it seems, will not let him be with. At first, it’s Rosaline, a girl who has “sworn that she will still live chaste” (1.1.210), a vow that sets Romeo reeling and complaining because “from love’s weak childish bow she lives unharmed” (1.1.204). His depression over Rosaline is enough to draw the attention of his father, Montague, who has observed that Romeo shuts himself up in his room all day in order to wallow in the darkness. These are the actions of someone who is undeniably quite
William Shakespeare, born in the year 1564, is often considered to be one of the greatest, if not the greatest, writer in the English language. His works range from ingenious poems, such as Fear No More, to plays, such as The Tragedy of Othello. In The Tragedy of Othello, Shakespeare details the story of a celebrated military hero who falls victim to the machinations of a conniving villain who goes by the name of Iago. In his play, he portrays Othello like a tragic hero, a type of literary character. A tragic hero has many characteristics, 3 of them being that they must have an error in judgement, they must have a reversal of fortune, and they must recognize that the reversal of fortune was brought about by their own actions. Furthermore, they must also have a fatal flaw, that eventually leads to their downfall. Othello demonstrates all of these characteristics in the play, proving him to be a tragic hero. Othello makes an error in judgement, which leads to his change in fortune, and later realizes that his actions are what caused said change in fortune.