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Toni Morrison's Beloved: Not a Story to be Passed On Essay example

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Toni Morrison's Beloved: Not a Story to be Passed On

Beloved, Toni Morrison's Nobel Prize winning novel, is a masterfully written book in which the characters must deal with a past that perpetually haunts them. This haunting, in the form of a twenty year old ghost named Beloved, not only stalks them in the spirit, but also in the flesh. Beloved, both in story and in character hides the truth in simple ways and convinces those involved that the past never leaves, it only becomes part of who they are. This contortion of truth does not allow any character to escape. Each one hides and runs from the brutality of slavery, yet cannot escape it's heritage. Set in the post-Civil War era of the rural Ohio back roads, each protagonist …show more content…

She succeeded in killing one; she tried to kill two others. She hit them in the head with a shovel and they were wounded but they didn't die. And there was a smaller one she had at her breast. She had placed all of the value of her life in something outside herself. That the woman who killed her children loved her children so much; they were the best part of her and she would not see them sullied. She would not see them hurt. She would rather kill them, have them die. (Taylor-Guthrie, 207-208).

The same publication that leads Morrison to conjuring up the characters and the story of Beloved also surveys the horrors of slavery in the mid 1800's. Morrison dedicates the book to "Sixty Million and more"(Morrison, i) slaves and acknowledges the freedom that each slave yearned for. This freedom constitutes having the ability to chose one's own responsibilities and loving other people more than you love yourself. (Taylor-Guthrie, 195-196). Morrison's characters stand in for all those slaves and former slaves who were 'unceremoniously buried' without tribute or recognition. As she feels chosen by these slaves to attend to their burial 'properly, artistically', Beloved becomes her effort to accomplish that. It is an act of recovering the past in narrative, to 'insert this memory that was unbearable and unspeakable into the literature. (Furman, 80). Even Morrison finds it hard to

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