Tom Wolfe Analysis

By using syntax, repetition, and evidence, Tim O’Brien builds an argument to convey the reality that the soldiers in the Vietnam War had something to carry, both physically and emotionally. In “The Things They Carried”, O’Brien uses syntax to arrange his sentences in order to show the harsh correlation between the weight of real and mental possessions. For example, O’Brien first introduces the 30 pound PRC-scrambler radio, then immediately follows with the weight of memory. Appealing to emotion by displaying that, like the heavy radio, the weight of memory also was a burden, but something that they were forced to carry.

20) O’Brien tells how these young men were drafted which were constantly in fear, they wished to be there obliviously but war takes up all of one’s attention; it played a big role in their life, changing their tactics, personality and becoming a new person. O’Brien uses this to show the stressful moments in war where one has pressure to be alive and in this case to fit in with everyone else and feel part of something, in a lonely place such as the war.

Tim O’Brien’s book, The Things They Carried, is about a platoon of soldiers fighting in the Vietnam war and the life of the alpha company. This book also talks about the experiences each soldier has during the war. This war created many lasting physiological and emotional effects on the soldiers that is shown throughout the novel in the various stories told by O’Brien. O’Brien’ purpose is that the Vietnam War created lasting emotional and physiological effects on the soldiers. My purpose is to explain how O’Brien effectively uses repetition and description to support his purpose.

The use of pathos and ethos in tandem strengthens his writing, but also leads to some parts being almost tedious. “As PFCs or Spec 4s, most of them were common grunts and carried the standard M-16 gas-operated assault rifle. The weapon weighed 75 pounds unloaded, 8.2 pounds with its full twenty-round magazine. Depending on numerous factors, such as topography and psychology, the riflemen carried anywhere from twelve to twenty magazines…” (O’Brien 1990). This paragraph almost drones on losing the reader in a myriad of technical mumbo jumbo and measurements before getting back on target with the story of the soldier’s life in the field. The organization of the text can be hard to follow when he goes on about the equipment. On the other hand O’Brien takes the role of narrator; clearly he is invested emotionally in the story. However, the drama of the moment can be diluted with too much fact and not enough emotion. Taking each character and peeling back the soldier layers to expose us to the person underneath, he also creates moments that are poignant and riveting. “For the most part they carried themselves with poise, a kind of dignity. Now and then, however, there were times of panic, when they squealed or wanted to squeal but couldn't. When they twitched and made moaning sounds and covered their heads and said Dear Jesus and flopped around on the earth and fired their weapons blindly and cringed and sobbed and begged for the noise to stop and went wild and made

There are many levels of truth in Tim O'Brien's The Things They Carried. This novel deals with story-telling as an act of communication and therapy, rather than a mere recital of fact. In the telling of war stories, and instruction in their telling, O'Brien shows that truth is unimportant in communicating human emotion through stories.

Growing up, many young boys idolized the war heroes in movies such as Saving Private Ryan and American Sniper. However, the glorified heroism that is depicted in these films is far from the reality that is war. A more realistic rendition of war is seen in Tim O’Brien’s short story, The Things They Carried. Throughout the story, O’Brien uses metafictional characters to portray the physical and emotional burdens carried by American soldiers who were forced to conform to societal expectations upon being drafted for the Vietnam War. The literary elements O’Brien uses throughout the story to convey this theme are symbolism, imagery, tone, and inner conflict of the protagonist.

            Tim O’Brien brings the characters and stories to life in The Things They Carried. He uses a writing style that brings stories to life by posing questions between the relationship of reality and fiction (Calloway 249). This is called metafiction and it exposes the truth through the literary experience. Tim O’Brien uses metafiction to make the characters and stories in The Things They Carried realistically evocative of the Vietnam War.

O'Brien's The Things They Carried O’Connor remarks “The Things They Carried” is a short story that is written “as an experience not an abstraction” and that “the meaning has been embodied in it”. These quotations are truly pure in description and interpretation of the short story as the reader, must look beyond the crude physical properties of the objects and actions chronicled and focus more upon their hidden meanings and messages. O’Brien uses the physical characteristics of weight to make an impact upon the reader to relate with the men. In emphasizing the soldier’s everyday burden, the reader can easily relate to the situation in general. As the story progresses, the main attention of the

In The Things They Carried by Tim O’Brien, O’Brien uses many short stories to describe his experience in Vietnam. The story that captured many aspects of writing was “How to Tell a True War Story” because it acts as a guide to writing a true story. O’Brien uses many different rhetorical strategies, narrative techniques, and establishes a theme in this story to help develop his characters and story line.

In this essay, I will discuss how Tim O’Brien’s works “The Things They Carried” and “If I Die in a Combat Zone” reveal the individual human stories that are lost in war. In “The Things They Carried” O’Brien reveals the war stories of Alpha Company and shows how human each soldier is. In “If I Die in a Combat Zone” O’Brien tells his story with clarity, little of the dreamlike quality of “Things They Carried” is in this earlier work, which uses more blunt language that doesn’t hold back. In “If I Die” O’Brien reveals his own personal journey through war and what he experienced. O’Brien’s works prove a point that men, humans fight wars, not ideas. Phil Klay’s novel “Redeployment” is another novel that attempts to humanize soldiers in war. “Redeployment” is an anthology series, each chapter attempts to let us in the head of a new character – set in Afghanistan or in the United States – that is struggling with the current troubles of war. With the help of Phil Klay’s novel I will show how O’Brien’s works illustrate and highlight each story that make a war.

The reader will get an increasingly detailed image of how the soldiers emotionally respond to the happenings throughout the war due to this composition.

In many respects, Tim O 'Brien 's The Things They Carried concerns the relationship between fiction and the narrator. In this novel, O 'Brien himself is the main character--he is a Vietnam veteran recounting his experiences during the war, as well as a writer who is examining the mechanics behind writing stories. These two aspects of the novel are juxtaposed to produce a work of literature that comments not only

At the closure of the Great War and the end of literary optimism, arose a new literary movement known to scholars as Modernism. This movement was derived from a conscious desire to overturn the traditional style, this was due to a diminished trust in ideas and values of the world out of which the war had derived from. Thomas Wolfe, a great American writer of the early 20th century, adapted to this writing style. Although not living a very long life , the author composed a multitude of works, of those are “The Far and the Near” and “The Child by Tiger”. The two short stories consist of characterization, conflict, and theme that contrast in many ways, but they also share some similarities.

“Tomorrow When The War Began” by John Marsden, is a novel of survival, friendship, love and war. He uses many language techniques (e.g. simile, metaphor, personification, oxymoron, irony, symbol, allusion etc.) to get across to the reader the importance of each of the themes discussed. He also uses these techniques to set the mood in each chapter and to help emphasise each major point in the novel. “We’ve learnt a lot and had to figure out what’s important- what matters, what really matters.”- Ellie

Ernest Hemingway and William Faulkner were two of the most influential writers of the twentieth century. While they lived during the same period, their writing styles differed drastically. This can be seen in texts such as Hemingway’s “Hills Like White Elephants” and “A Clean, Well-Lighted Place,” and Faulkner’s “Barn Burning”. Hemingway’s style puts little focus on specific character details, which makes his stories seem like they could be about any person, including the reader, while Faulkner’s style puts a lot of focus on specific character details, which makes every detail and every character seem important to the reader. Both authors have styles indirect to their points, which forces the readers to figure out information on their own and leaves the purposes of texts more open to interpretation.