Tom Brennan Speech Outline

Daniel Brennan is the main character of the story,' Tom Brennan'. He plays an 18 year old son, who makes a decision that completely ruins his life and his reputation. Before the accident, Daniel had the dream life any teenage boy could ever want. He was five-eight and his brother Tom was half-back, they worked as a team. All that is over now.

Flashbacks to Tom’s previous rugby games with his brother re-affirm the loss he feels towards his old life. Tom feels the need to have everything the way it once was, and Coghill can’t replicate the joy he found in the endless afternoon training sessions with Daniel and his father, nor the adulation of the local community.

In some plays the experience of an important character changes him or her. In others the experiences of an important character leaves him or her almost completely unchanged. In Lorraine Hansberry’s A Raisin in the Sun, Walter Lee Younger goes from being selfish to being the man his family needs. The road to becoming the man they needed was very rocky and difficult at times.

Experienced writers integrate language forms and features to establish the difficulties of transition. A striking example of this is J. C. Burke's 2005 "The Story of Tom Brennan," award winner of Australia's Book of the Year for older readers. The novel follows 17-year-old rugby prodigy Tom Brennan as he transitions to a new life resulting from a life-changing car accident that his brother Daniel caused. It explores the difficulties faced by youth in Australian society today. Through skillful language and structure, the narrative uncovers insightful ideas about challenges and sheds light on the growth potential in transitions, evoking reader responses.

J.C. Burke’s coming of age novel The Story of Tom Brennan construes the evolving life of Tom Brennan after a tragic accident. Narrating in a first-person point of view, Tom guides the reader through the raw details of his inner conflict and finding his way back to being a better version of himself. This essay aims to analyse the author’s portrayal of mental health, internal conflict and the effects of grief, loss and tragedy that are presented through each of the characters’ troubled perspectives.

This powerful characteristic that transitional phases possess have the potential to be a rewarding experience, as they provide an individual with the opportunity for growth and knowledge development through newfound relationships. In ‘The Story of Tom Brennan’, Tom exhibits this through his bond with Chrissy following the dark trauma he endures caused by his brother Daniel. Initially, Tom feels detached from his own identity as he refers to himself in third person “I missed…simple Tom Brennan”, emphasising his deteriorated mental state. However, the relationship he forms with Chrissy is instrumental in his recovery as he begins to find himself again. His passionate tone in “Today I kissed Chrissy Tulake, I felt like Tom Brennan” epitomizes how this bond empowers him to assert a stronger sense of personal identity. Burke, therefore, is able to reveal how transitional

The pain and grief of traumatic road accidents can complicate and severely damage many relationships, especially those in small, close knit communities. The line becomes blurred between perpetrators and victims, as beliefs become doubted, and sympathy arises for those who sadly lost their lives, and those who “move on from a moment that threatens to define them forever” (‘Shattered’, 2011). Viewers respond to compassion and remorse shown in the stories, typical views of perpetrators and victims become challenged, demonstrating the enormous influence of a person’s attitude on other’s perspective and opinion of them. The Story of Tom Brennan is an award winning Australian novel written by Jane Burke, published by Random House during 2005.

“Peak” shows strong signs of family, love, and survival themes throughout the story. By the end of the book Peak had changed his point of view and left the mountain a completely different

Individuals respond in various ways to transitioning into a new phase of life and society, these transitions can be challenging and confronting. They can also be transformative and thus some individuals accept and others reject because it’ll often initiate a series of consequences that may accelerate one’s personal growth and involuntarily change one’s perspective and/or attitude. These ideas are manifested in J.C Burke’s, ‘The story of Tom Brennan,' a move about the transitions that characters face after an indelible accident. In correspondence to the short story, ‘Neighbours’ by Tim Winton and is about a young couple moving from the city to the village and finding it difficult to reside with the European migrants.

The Changeable nature of life affects us all somehow. Whether it be moving to a new city, having children, or losing people that we love, it can affect people in many different ways. For example, in the novel, the main character

This change is a positive and uplifting change of self for the protagonist in this novel.

The experience of moving into the world can challenge individuals attitudes and beliefs. Into the world explores the aspects of growth, transition and change. The novel ' The Story of Tom Brennan' by J.C Burke explores the different ways individuals grow when they are taken out of their comfort zones and venture into new experiences. This concept is also conveyed within the song 'Fast Car' By Tracy Chapman and the film 'Charlie st Cloud' Directed by Burr Steers. 'The Story of Tom Brennan' follows the lives of the Brennan family after the events of a fatal car accident, it shows how Tom the protagonist struggles to cope with his past, similarly the song 'Fast Car' is a representation of an escape, a women seeking to flee a life she finds

In ‘The Story of Tom Brennan’, the protagonist confronts a traumatic incident which compels him to undergo a physical relocation and sudden emotional change. The transition Tom predominantly faces is sudden as moving into the town of Coghill where he has to deal with social alienation and the horrific trauma inflicted through past events including Daniel’s anger and selfishness which hinders his physical and mentally growth and development. Tom experiences flashbacks of the ‘usual’ Australia Day with his family showing the complete paradox with what is now their reality and horror juxtaposed towards his flashback of the tragic accident of his older brother Daniel: “Running towards the car. Running into the headlights. Running into the silence of death.” The anaphora and repetition of ‘running’ highlights his emotional and physical devastation which emphasises the initial stages of the novel and negative connotations of ‘death’ assumes the setting. As a result of the crisis, Tom responds rather opposing towards transferring to a new setting of Coghill. Depressing motifs are frequently implied throughout the novel to express the feeling of despair and sadness: “There aren’t words to say how black and empty pain felt. It was deeper than the

People change and grow through their experiences and conflicts. For example, just 2 years ago I was a sixth grader. There was a lot more homework than I ever had in my non-accelerated / magnet elementary school. I had to work harder and for longer hours, but as a result, I was much more mature and knowledgeable. I improved my work habits and increased my concentration. In Judith Ortiz Cofer’s “First Love”, a 14 year old girl is in love with a high school senior. She does everything she can to try to see him more often. At the end, she thinks she learns the true meaning of love. In Richard Wright’s “The Street”, a boy has to go shopping for food, but he is constantly stopped by a gang who beats him up. At the end, he beats up the gang with a stick his mother gave him because he had to to return home. In both “The Street” by Richard Wright and “First Love” by Judith Ortiz Cofer, the characters start out as shy and naive, but end up as aware and wiser as a result of their respective conflicts.

One’s inner metamorphosis begins with the general disillusionment with one’s surrounding environment. Such a disillusionment can come in quick succession, as with that of Esther Greenwood in The Bell Jar, or more gradually, as that of Antoine Roquentin in Nausea. The Bell Jar begins with the reader experiencing this subconscious disappointment along with Esther as she struggles along her dream internship at a fashion magazine in New York City. “I was supposed to be having the time of my life,” (Plath 2) she quips at one point. Her ideal cosmopolitan life began to reveal its rotten insides to her as she spends her summer in the fashion sphere of New York. Her disdain for this lifestyle begins as she witnesses her fellow interns’ gratuitous exploits, “When I woke up… I think I still expected to see Doreen’s body lying there in the pool of vomit like an ugly, concrete testimony to my own dirty nature,” (24) continues with her sexual experiences that fall far short of her expectations, “…he just stood there in front of me and I kept on staring at