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Those Who Save Us Literary Analysis

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Fairytales are always black and white. The knight in shining armour is clear to spot, and the story always displays the villain in ways that invariably point to evil, however; this is not the case in reality. Loved ones can cause torment and misery, yet as dark and twisted as it is, letting go may not be an option because sometimes, pain manifests itself as butterflies in the stomach. In Jenna Blum’s Those Who Save Us, Anna Schlemmer is in a state of hopelessness, when Horst, a Nazi officer, comes into her life. Despite his violent and bestial nature, Horst saves Anna in her time of desperation, which prevents her from letting him go, and mentally destroys her. Similarly, In Scott F. Fitzgerald's The Great Gatsby, Daisy involuntarily marries …show more content…

Although both men partake in abusing women, Horst abuses Anna often without reason, whereas Tom takes out his violence on his mistress when he is angry. In addition to being abusive to the people they supposedly love, both Tom and Horst are outwardly racist. With a rise in the immigration rates in America, Tom believes that civilization is deteriorating and makes reference to “ 'The Rise of the Colored Empires' by...Goddard” (Fitzgerald, 18). This novel revolves around the false notion that coloured individuals are inferior to their Caucasian counterparts, which, as repugnant and unequivocally racist as it may be, is something that Tom believes and promotes. By the same token, Horst being a Nazi officer, truly practices what he preaches - racism and discrimination. To Horst, “...his murderous work is merely a job...affording power and advancement” (Blum, 140). Although there are obvious issues with the persecution of Jews, Horst is indifferent as opposed to guilty, not only due to the monetary benefits, but because his racism justifies his actions. Both Tom and Horst look down upon other races, and although Horst is far more brutal in expressing this, racism still …show more content…

Whether it is a product of time or thought, Daisy and Anna both link parts of their own identities with their partners’. Although Daisy has the potential to be more than just Tom’s beautiful, rich wife, all roads always lead back to the fact that “They [are] careless people… they smash up things...and let other people clean up the mess they had made...” (Fitzgerald, 170). Although Daisy is her own person, she takes up Tom’s habits, and always goes back to him in the end. Similarly, Horst takes advantage of Anna so often that she becomes untethered from herself and familiar to Horst in ways that disgust her, unlike Daisy, who does not hate the parts of her that are like those of Tom. Horst rapes Anna on multiple occasions, and Anna feels “..that perhaps it is at these moments that she hates him the most, for robbing her of her own familiar flesh...as though it is no longer hers...” (Blum, 92). Although she is self-aware, Anna comes to the realization that Horst takes away small pieces of her every time he takes advantage of her. Furthermore, both Daisy and Anna constantly think of their partners, even when things are going great. When Daisy reunites with Gatsby, she admits that “‘Even alone [she] can’t say [she] never loved Tom...’” (Fitzgerald, 126). Not only does Daisy

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