Judith Jarvis Thomson, author of one of the most famous philosophical articles on abortion discusses the distinction between “the right to life” and “the right to be given at least the bare minimum one needs for continued life.” Thomson uses these terms as well as her famous violinist story and other examples to illustrate the morality and righteousness of abortion. Contradictory to most ethical writings on abortion, Thomson deviates from the argument regarding the fetus development and when/if a fetus becomes a person. For purposes of Thomson’s article, a fetus is a person from conception.
Thomson defines ‘the right to life’ by stating “the right to life consists not in the right not to be killed, but rather in the right not to be killed unjustly.”(441) Unjustly is defined as “depriving someone of what he/she has the right to.” Thomson elucidates this by showing an example of two brothers jointly given a box of chocolates for Christmas. If the older brother takes the chocolates and denies his brother the right to any then he is unjust to him because he has taken away his right to the chocolate. If the box of chocolates was only given to the older brother and not jointly given to both, we would say he ought to share but is not acting unjustly because
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Contradictory to a rape; a man and a woman fully aware of the consequences of intercourse have given the right to life to the unborn person, therefor an abortion would result in a morally impermissible action. In conclusion to Thomson’s definition of the ‘right to life’, abortion is morally acceptable in cases that do not result in “unjust” killing, including rape and failed contraception. It can be concluded that abortion is morally impermissible in situations where the right to the use of the woman’s body has been granted and then taken away by
In Judith A. Thomson’s article, ‘A defense of abortion’ Thomson defends her view that in some cases abortion is morally permissible. She takes this stance even with the premise that fetuses upon the moment of conception are in fact regarded as persons. However one criticism of her argument would be that there is a biological relationship between mother and fetus however there is no biological relationship between you and the violinist. Having this biological relationship therefore entails special responsibility upon the mother however there is no responsibility in the case of the violinist. Thomson argues against those who are opposed to abortion with her violinist thought experiment.
In her article, “The Defense of Abortion”, Judith Jarvis Thomson states an analogy involving a violinist. She first states that you are allowed to unplug yourself in the violinist scenario, second abortion after rape is analogous to the violinist scenario, therefore, you should be allowed to unplug yourself and be allowed to abort after rape (Chwang, Abortion slide 12). In this paper, I will argue that abortion is morally acceptable even if the fetus is considered a person. This paper will criticize premise two from the traditional argument against abortion string that killing innocent persons is wrong (Chwang, Abortion slide 9). Following the violinist analogy will be an objection to this analogy and my respons to them. One of the
Thomson’s argument, “A Defense on Abortion,” is a piece written to point out the issues in many arguments made against abortion. She points out specific issues in arguments made, for example, about life beginning at conception and if that truly matters as an argument against abortion. Thomson uses multiple analogies when making her points against the arguments made against abortion. These analogies are used to show that the arguments made do not really make sense in saying it is immoral to have an abortion. These analogies do not work in all cases, and sometimes they only work in very atypical cases, but still make a strong argument. There are also objections made to Thomson’s argument, which she then replies to, which makes her argument even stronger. Her replies to these arguments are very strong, saying biology does not always equate responsibility, and that reasonable precaution is an important factor in the morality of abortion. There are some major issues in her responses to these objections.
There are many factors that are taken into consideration when determining if abortion is morally permissible, or wrong including; sentience of the fetus, the fetuses right to life, the difference between adult human beings and fetuses, the autonomy of the pregnant woman, and the legality of abortion. Don Marquis argues that abortion is always morally wrong, excluding cases in which the woman is threatened by pregnancy, or abortion after rape, because fetuses have a valuable future. Mary Anne Warren contends that late term abortions are morally permissible because birth is the most significant event for a fetus, and a woman’s autonomy should never be suspended.
Now on a different note, Thomson's main argument is set out to undermine the anti-abortionist argument. The anti-abortionist argument states: Every person has a right to life, the fetus is a person and hence has a right to life. The mother has the right to control her own body, but the fetuses' right to life is stronger than her right to control her body. Therefore, abortion is wrong. How Thomson goes about this is through analogies, and her main argument is through her violinist argument. Thomson asks you imagine that you find yourself hooked up to a famous unconscious violinist. If he can't use your kidneys for nine months, he'll die.
In this argument it has been established then, that a fetus is a person from the moment of conception. Thompson now introduces her “violinist analogy.” This is a key term in her argument. In this analogy she asks the reader to imagine you wake one morning and find yourself in bed with an unconscious violinist. He has been found to have a fatal kidney ailment, and you alone have the right blood type to save him. You have been kidnapped in the middle of the night, and the violinist’s circulatory system is now plugged into yours. The director of the Hospital is now telling you “Sorry, the Society of Music Lovers did this to you – we would never have permitted it if we had known.” To get unplugged from the violinist will kill him, but in nine months he will be totally recovered from his ailment and you can be safely unplugged from one another. Thompson then asks, “Is it a moral responsibility for the kidnapped person to agree to this situation?” This situation she has concocted is comparable to that of a woman being raped. Pro – lifers say every person has a right to life and that right to life is stronger than the mothers right to decide what happens in her body. Thompson then goes on to say that instead of being plugged to the violinist’s body for nine months – its changed to your whole life. According to the pro –life
The next issue is, in Thomson’s opinion, the most important question in the abortion debate; that is, what exactly does a right to life bring about? The premise that “everyone has a right to life, so the unborn person has a right to life” suggests that the right to life is “unproblematic,” or straight-forward. We know that isn’t true. Thomson gives an analogy involving Henry Fonda. You are sick and dying and the touch of Henry Fonda’s hand will heal you. Even if his touch with save your life, you have no right to be “given the touch of Henry Fonda’s cool hand.” A stricter view sees the right to life as more of a right to not be killed by anybody. Here too troubles arise. In the case of the violinist, if we are to “refrain from killing the violinist,” then we must basically allow him to kill you. This contradicts the stricter view. The conclusion Thomson draws from this analogy is “that having a right to life does not guarantee having either a right to be given the use of or a right to be allowed continued use of another person’s body—even if one needs it for life itself.” This argument again proves the basic argument wrong. The right to life isn’t as clear of an argument as I’m sure opponents of abortion would like it to be or believe it is.
Thompson counters this by saying that the right to life does not give yourself the right to use someone else unwillingly as a means to stay alive, however I would argue that a more appropriate way to illustrate why Thompson is incorrect here would be to adjust the coat analogy. Say Smith has a bed with a warm blanket in which he is laying. The world has entered an icy era and will remain deadly cold for 9 months without the help of his blanket. Suddenly one-night Smith wakes up with Jones in the bed, Jones needing to do so to stay alive. Is it morally acceptable for Smith to kick Jones out of his bed since he is the rightful owner? I would argue that it is not, as I suspect Thompson would argue, outside his minimal obligation, as your minimal obligation is to be a minimally decent Samaritan. This brings me to the final argument I would make, which is that the example of Kitty Genovese is a terrible one to prove that citizens are only required to be minimally decent. Instead I think that the case of Kitty Genovese acts as a showing of how if any of them had followed through with what is morally expected, a life could have been easily
In disagreement many people say that one person's right to life always outweighs another person's right to autonomy. However Thomson's argument makes a very interesting unwanted pregnancies resulting in permissible abortions. To counteract her claims I'm going to use a hypothetical situation as she did. Let's say a mother gives birth to a set of conjoined twins. The twins grow up having a somewhat troublesome life considering the fact that neither one has the opportunity to achieve autonomy. Once they get older, lets say age 18, twin A obtains the information that twin B's survival depends on the use of twin A's vital organ's. However twin A would survive if twin B was too be separated from him thus granting twin A his right to autonomy. It seems that it is obvious that it not permissible for twin A to kill twin B. The following argument shows a more concrete view of the situation. It is morally impermissible for twin A to kill twin B if he has the right to life and the right to twin A's body. Twin B does have a right to life. Twin B prima facie has
In Thomson’s defence of abortion she argues that abortion is permissible when a mother’s life is not at risk. Working on her interpretation of the secular conservative argument, she first assumes that the premise of a foetus being a person is true, then moves onto the second premise, that a person has the right to life. Analysing what the right to life means, she first looks at the idea that the right to life is the right to have the bare minimum a person needs in order to survive. She quickly rebuts this by providing the Henry Fonda analogy and the violinist analogy. Both of these show that just because a person needs something to survive, like Henry Fonda’s cool hand or another person’s kidneys, a person doesn’t have the right to take it. With this in mind she modifies the argument so that the right to life is the right not to be killed. This she rebuffs with the violin analogy, noting that by pulling the plugs you would in effect be killing the violinist. While the violinist didn’t have the right to your kidneys, it could be argued that he does have the right for you not to intervene. However these are your kidneys, and you should not be forced to allow him continued use. Having ascertained that the right to life is not the right to the bare minimum needed to survive, nor the right not to be killed, she concludes that the right to life is the right not to be killed unjustly, or the
Thompson’s first account of the right to life follows a scenario where a woman is pregnant but will die if she carries the baby to term. Thompson makes it clear that for the sake of argument she will consider a fetus a human from the point of conception, therefore giving the fetus a right to life equivalent to that of the mother. In the scenario given, however, Thompson argues that the mother is logically able to make an act of self-defence in order to save herself, and since both her and the baby are innocent, bystanders may not intervene to stop the killing of the fetus. Thompson reasons that perhaps the extreme view of abortion may be reduced to state that abortion is permissible to save the mother’s life, but the mother must perform the abortion on herself in order for it to count as an act of self-defence. However, by leveraging the coat analogy, Thompson proves that it is logically
Judith Jarvis Thomson and Don Marquis both have different views on abortion. Thomson believes that in some cases, abortion is morally permissible, due to the life of the mother. Marquis believes that abortion is almost always morally impermissible, except in extreme circumstances, because the fetus has a future life. I will simply evaluate each of the authors reasoning’s that defend their belief, and give my argument for why I believe Judith Thomson’s essay is more convincing.
Judith Jarvis Thomson, like many philosophers, was interested in not only talking about war, self-defense, and other issues about the rights of women. Thomson in A Defense of Abortion stated that everyone has the right to life. She did not personally believe that this was the case, but she wanted to set it so that the passage would not focus on whether or not a fetus has a right at conception or at birth. Thomson’s definition of one’s right to life is the right not to be killed “unjustly.” This view can be controversial due to the fact that the definition of unjust may differ among others.
To begin with, Thomson uses a thought experiment about a hypothetical famous violinist, to further her argument that abortion is morally permissible. In this thought experiment, you are kidnapped and unconsciously plugged to a famous violinist so that your kidney can remove toxins from the violinist’s kidney and ultimately save his life. Thomson argues that you are not required to stay plugged to the famous violinist even if unplugging yourself from the violinist would result in his death. Thomson argues that while everyone has the right to life, no one has the right to dictate what happens to another person 's body.
The medical director states that you are not morally obligated to stay connected to the violinist, but it would be nice if you did. The violinist is a person and therefore has the right to life. This would entail that the violinist’s right to life outweighs your ability to choose what happens in and to your body (based on this premise). For the sake of argument Thomson grant’s the fetus the same rights as a moral person: the right to live and the right to not be killed by another person. But by this sole premise she argues that the fetus’s right to life cannot outweigh the mother’s decision to choose what happens in or to her body. Just like the violinist’s rights do not outweigh your rights. In this argument I will argue that Thomson’s violinist theory is not a valid one. I will evaluate Thomson’s premise and draw attention to the false analogy that her premise