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Theme Of Hunters In The Snow By Tobias Wolff

Decent Essays

Tobias Wolff, in his short story Hunters in the Snow, creates a world where moral lines are blurred to the point of nonexistence and his characters have no real guidelines or goals. The subjects of their aimless pursuits seem to be as absent as the deer whose tracks have been covered by the snow. This colorless, pointless world fosters a sense of hopelessness, and each man’s purpose is as impossible as road signs under the fallen snow to identify. Without any moral guidelines, the men resort to aggression to assert their dominance and self-worth, associating affection with weakness and constructing friendships that are short-lived. Kenny’s accident alludes to the futility of a self-centered approach to life; however, even in the triumphs of …show more content…

The color gray not only suggests a dull quality in the men’s life, but it reflects the idea of blurred moral lines and no direction. The clouds are gray, the smoke in the farmer’s house is gray, and in the dying daylight the monochrome of the ground and sky is gray. The gray smoke in the farmer’s house reflects the men’s disorienting experiences there that lead to further destruction, such as Kenny’s wound that results from confusion over the farmer’s request for Kenny to shoot the dog and the farmer’s specific directions that only bring the men further into the gloom of the night and leave them stranded when Tub forgets the piece of paper in a tavern. The monochromatic gray color of the landscape only further represents the unkind world for these men, leaving them to create the boundaries for themselves. …show more content…

The pinnacle of the power struggle arises when Tub shoots the fatal bullet at Kenny after Kenny’s manic demonstration of his power to kill, snapping the post, shooting the tree and the farmer’s dog, and his concerning statement to Tub, “I hate you,” after which Tub immediately fires. When Kenny’s power over his surroundings reaches its peak—he begins to take lives—the power immediately switches sides to Tub, the least masculine of the three, who “[hasn’t] seen [his] balls in ten years” and immediately cries after wounding his friend. This images are traditionally more feminine than masculine, but a look at Tub’s rewards suggests that sensitivity might not be a bad thing. He carries the rifles—the weapon that holds the power to steal lives—from the farmer’s house to the car, and when Frank insults his weight he grabs him by the collar and smashes him against the fence post but hangs his head in shame afterward. When he combines assertion with sensitivity, his friend respects him as a leader and a person. Kenny, by contrast, cannot escape his old life of unpredictable circumstances and no morals. While Tub and Frank stop at taverns where warm lights glow from windows and orange jackets sit on people’s backs, Kenny must remain in the truck bed, losing

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