Tobias Wolff, in his short story Hunters in the Snow, creates a world where moral lines are blurred to the point of nonexistence and his characters have no real guidelines or goals. The subjects of their aimless pursuits seem to be as absent as the deer whose tracks have been covered by the snow. This colorless, pointless world fosters a sense of hopelessness, and each man’s purpose is as impossible as road signs under the fallen snow to identify. Without any moral guidelines, the men resort to aggression to assert their dominance and self-worth, associating affection with weakness and constructing friendships that are short-lived. Kenny’s accident alludes to the futility of a self-centered approach to life; however, even in the triumphs of …show more content…
The color gray not only suggests a dull quality in the men’s life, but it reflects the idea of blurred moral lines and no direction. The clouds are gray, the smoke in the farmer’s house is gray, and in the dying daylight the monochrome of the ground and sky is gray. The gray smoke in the farmer’s house reflects the men’s disorienting experiences there that lead to further destruction, such as Kenny’s wound that results from confusion over the farmer’s request for Kenny to shoot the dog and the farmer’s specific directions that only bring the men further into the gloom of the night and leave them stranded when Tub forgets the piece of paper in a tavern. The monochromatic gray color of the landscape only further represents the unkind world for these men, leaving them to create the boundaries for themselves. …show more content…
The pinnacle of the power struggle arises when Tub shoots the fatal bullet at Kenny after Kenny’s manic demonstration of his power to kill, snapping the post, shooting the tree and the farmer’s dog, and his concerning statement to Tub, “I hate you,” after which Tub immediately fires. When Kenny’s power over his surroundings reaches its peak—he begins to take lives—the power immediately switches sides to Tub, the least masculine of the three, who “[hasn’t] seen [his] balls in ten years” and immediately cries after wounding his friend. This images are traditionally more feminine than masculine, but a look at Tub’s rewards suggests that sensitivity might not be a bad thing. He carries the rifles—the weapon that holds the power to steal lives—from the farmer’s house to the car, and when Frank insults his weight he grabs him by the collar and smashes him against the fence post but hangs his head in shame afterward. When he combines assertion with sensitivity, his friend respects him as a leader and a person. Kenny, by contrast, cannot escape his old life of unpredictable circumstances and no morals. While Tub and Frank stop at taverns where warm lights glow from windows and orange jackets sit on people’s backs, Kenny must remain in the truck bed, losing
Frank acts as the connection between Tub and Kenny. He is able to be an effective middleman because while not as yielding as Tub, he is much less antagonistic than Kenny. While the men have an annual hunting tradition, Frank and Tub are the ones that appear to have a longer history together. In the beginning of the story, Frank is in the center of the pecking order, above Tub but below Kenny. Despite Frank and Tub being the closer of the three, Frank tends to go along with Kenny’s pranks and insults towards Tub because of Kenny knowledge of Frank’s secret.
Jon Krakauer had the same experience as McCandless with his family and travel to Alaska, but Krakauer knew more about survival and had company in case of any danger. Krakauer compares, “as a young man, I was unlike Mccandless in many important regard… And I suspect we had a similar intensity, a similar heedlessness, a similar agitation of the soul” (55). Acknowledging McCandless’s background, Chris left society because, in Krakauer’s point of view, of the “agitation of the soul” and the “similar heedless” of society. McCandless didn’t agree with society’s standards that being successful meant having a well paid occupation, especially when McCandless’s parents enforced it onto him. McCandless truly did not want to uphold the wishes of his parents, for Chris to go to college and get high paying career, but it wasn’t what Chris really wanted, so he left all of his conflicts with his parents and his values or “agitation of the soul” to create a new identity as Alex Supertramp and live in the wild. In today’s modern world, humanity lives in an environment where people are controlled and dependent on others. Chris’s father is someone he despises because of his characteristic of being controlling. Walter becomes controlling over Chris, who pressured him into college. As a result, Chris has an “agitation of the soul” to become independent, and a “heedlessness” for society and had an “intensity” for
Happiness is not easily achieved in this life and sometimes it will make you pay high prices for it. Into the Wild by Jon Krakauer is a book talking about an adventurer named Chris McCandless that lost his life looking for his happiness. Chris was a smart boy that had the potential to go to Harvard law school, but he left his family, friends and education to go to Alaska. Krakauer wrote about McCandless’ journey to provide clear the reasons McCandless went to Alaska and why he did it and what he went through because Krakauer saw In McCandless. Krakauer wrote about McCandless’s journey while including some detailed reasoning and excuses for McCandless actions. Krakauer’s purpose of writing Into the wild furnish to the writing style
A man having to be tough and to show no affection can sometimes take a toll on their physical self being, yet they can also still be somewhat sensitive to others emotions and feelings. In this short story by Tobias Wolff, “Hunters in the Snow”, Tub shows some situations of strength, weaknesses and hardships men endure as a friend or
Award winning journalist and author, Jon Krakauer, in his book, Into the Wild, analyzes the life of Chris McCandless as well as the events that ensued his death. Krakauer’s purpose is to inform the reader about how and why Chris McCandless decided to embark on a journey into the wilderness of Alaska. He adopts an empathetic tone in order to impart to his readers that Chris McCandless was a very misunderstood young adult.
Throughout the book, Krakauer documents the intoxicating life and death of Christopher McCandless, aka Alexander Supertramp, a young hitchhiker who embarked on an Alaskan Odyssey to explore himself and the wilderness. Like many before him, McCandless thought that he could give his life meaning by pursuing his “impractical fascination with the harsh side of nature” (Krakauer 85). At a young age, Chris lost his habitude for monotonous security and thus adopted an irrational and impulsive style of life. He believed that suppressing human relationships and deserting the materialistic world would strengthen his bond with nature. Christopher once wrote to his close friend that too many people were unwilling to change their troubling life and debatable circumstances because they were “conditioned to a life of security, and conformity, and conservatism.” Following up his conclusion he stated that this type of “secure future” brought peace to their mind, but in reality it was the most damaging thing that they ccould do to the adventurous spirit, being the very basic core of an individual’s passion (Krakauer 57). Christopher McCandless with his astounding spirit, the aspiration to succeed, and the longing to make things happen was determined to be free. He desired to live by his own moral code, without anyone putting shackles on his psyche. His plans went beyond what anyone could ever
Hunters in the Snow is a fictional short story written in 1981 by Tobias Wolff. The story takes place in the suburbs of Spokane, Washington. The story has three main characters, but the the story focuses more on a character named Tub. I got a hint earlier on in the story that Tub might be a little overweight because Kenny asks “You still on that diet?” I came to a conclusion that Tub certainly is overweight towards the resolution of the story when Tub slips and drops Kenny. He tumbles down to the bottom of the drive and yells “You fat moron, you aren’t good for diddly” Tub shows sensitivity because when Frank and Kenny make jokes about him being fat he gets upset and mouths back to them. I find that Frank and Tub are alike in a few ways. They are both thoughtful of other people’s feelings, for example, when Kenny would joke around with
Gray uses the images of an “Aboriginal, not attempting to hitch, outside town” to emphasise the discomfort and disconnection he feels with land and the environment around him. This image is very strong as it shows his disempowerment towards the environment. He feels lost in this town so he moves away from the foreign constructions.
The short story Hunters in the Snow by Tobias Wolff depicts three men that go on a hunting trip that changes the course of their lives. Each character lies to himself to accept his actions in his life. Kenny, Frank, and Tub need to successfully fool themselves before they can deceive anyone else. Each of the men are immature and selfish. They don't realize how their decisions impact other people's lives. They justify their lies with their own insecurities about their lifestyles. Their lies impact the situations they encounter and change their lives forever.
Throughout human history, there has been many horrible and tragic moments involving famine, death and war. In that long line of history, there is however one moment that can’t be challenged to none other and that is World War 2: The rise of Nazi power and the slaughtering of many Jews. Many Jewish people suffered during those times and not many survived. Few of the people who did survive however, managed to write about their experiences and morals they had during World War 2, sharing their ideas to the world. A survivor and author of one of these books, Elie Wiesel, inscribed many of his morals and ideas in his writing using many literary terms such as tone, mood, characterization, diction, and even dialogue to portray them as themes in his
In the beginning of the story is Tub, he is standing on the sidewalk. A truck comes around the corner, in the truck is Kenny, the driver, and Frank. The trio heads towards the woods where Kenny wanted to hunt. Crossing through the fences, Tub has trouble going through but Frank and Kenny offer him no help at all. On the way back, they notice obvious deer trails that lead into a no hunting zone. After getting permission from the owner, they followed the
there are 3 different types of third person point of views each with a different purpose; however, the stories provided only use two out of the three. The first method of third person point of view is omniscient which the narrator has unlimited knowledge which the narrator can choose to show as much or little. The second one used is objective which the narrator is transformed into a camera which can travel and any destination, however only see and hear. In the short story “hunters in the snow” by Tobias Wolff the third person point of view is omniscient as the narrator isn't one of the characters of the story but has knowledge that the others characters don't. However, for “The Lottery” by Shirley Jackson the third person point of view is
The novel “Into the Wild”, by Jon Krakauer, is an excruciating story about a young man facing off against the dangers of nature. The main protagonist, Chris McCandless faced off against many internal and external obstacles that stood in his way of achieving his goal of successfully surviving on his own in the wilderness of North America. McCandless clashed with many lethal and perilous obstacles as he travelled all the way across the continent. The challenges he faced varied from surviving in the harsh wilderness, the difficulties of young manhood, and also the challenge of person versus society.
This symbolizes that she knows that stealing is wrong but she is going to steal the money from her mother in order to help her father. "I looked out the window and saw only an ash-grey sky." Pg. 4. The author uses the describing term "ash-grey" to connect with the main character and her connection with her father. "In the coldness and stillness of the night,..." Pg. 4. This is the author showing that the cold is representing the fact that she knows stealing from her mother could tear her family apart even more she does it for the love and faith she has for her father. The dark sky symbolizes that she feels bad about taking the money but she has to choose between to very important things in her life, and she chooses to help her father by taking the
Though one could argue that Wolff’s “Hunter’s in the Snow” and Connell’s “The Most Dangerous Game” share an aspect of higher insight that can be classified in literary fiction, Hunter’s in the Snow allows the reader to develop a deeper understanding of human nature by presenting three dynamic characters.