A fabliau is aptly categorized as a scandalous tale meant to satirize the bourgeois through the depiction of bourgeois characters. This is the genre Chaucer writes “The Miller’s Tale,” from his The Canterbury Tales, in so he can distinguish the social class levels of the people on the pilgrimage. Chaucer shows us the differences by paralleling then transforming certain aspects of this fabliau with the same elements of the chivalric romance of the “Knight’s Tale.”
Fabliaux are salacious tales driven by elements such as deception to acquire money or possessions, to get sexual gratification, or to get revenge on somebody for a past wrong. The fabliau hinges upon an elaborate trick, set up with huge care in the story, contains the climax of the tale, and ends abruptly as the story itself ends. It is actually unknown whether the initial purpose of such a tale was for the nobility to mock the non-aristocrats with whom they competed for status, or whether the bourgeois told fabliaux as an act of self-mockery, to show how much the middle class has risen.
In the Miller’s prologue, we can infer that the Host wants the chronology of the storytelling to follow the levels of class; thus the reason why he solicits the Monk to tell a story after the noble Knight. The Host wants the Monk “repay the Knight a little for his tale,” but the inebriated Miller volunteers to “pay the Knight his wages.” (86, 87) From the context, it appears that the Miller interprets the Host’s request to “repay
In the late 1300s Geoffrey Chaucer began wrote The Canterbury Tales, a story which follows the religious journey of twenty-nine people, who represent many aspects of Medieval society, to the Canterbury Cathedral in southeast England. While on the pilgrimage the host of the tavern, where all the pilgrims meet, suggests that the pilgrims each tell a story for the group’s entertainment. Chaucer intended for all the voyagers to tell two stories, but he unfortunately died before he could finish the book and only got to write one story apiece. However, the goal of the storytelling contest is to tell the most moral story possible, and the one who wins receives a free meal, which the rest of the pilgrims will pay for. Although some of the other stories have good moral messages, “The Pardoner’s Tale” and “The Wife of Bath’s Tale” are on different ends of the moral spectrum. “The Pardoner’s Tale” focuses on a pardoner who preaches against greed. While “The Wife of Bath’s Tale” exemplifies what all women want in their relationships: power. Although both “The Pardoner’s Tale” and “The Wife of Bath’s Tale” demonstrate the value of the opinion of elders, the stories differ in their moral values and their storyteller’s values.
Throughout the Canterbury Tales, various characters are introduced and tell a tale, each of which tells a different story. All of the tales are unique and address different issues. “The Miller’s Tale” is the second of the many stories and varies from all of the rest. As seen from the “General Prologue,” Chaucer clearly depicts the Miller as a crude, slobbish man who will say anything. This reputation is held true as the Miller drunkenly tells a story full of adultery and bickering. Despite the scandalous nature of “The Miller’s Tale,” the story also displays some of Chaucer’s prominent beliefs. As “The Miller’s Prologue” and “The Miller’s Tale” are told, it becomes evident that Chaucer is challenging the common roles and behaviors of women, and he is also questioning the effectiveness of social class.
Geoffrey Chaucer’s Canterbury Tales are some of the most widely read and anthologized pieces of medieval poetry. These tales are generally celebrated and enjoyed because of the author’s use of wit and satire, as Chaucer often uses word play and characterization to deliver hard-hitting, yet entertaining truths about his time period. This is the case in “The Miller’s Tale,” which portrays the story of a carpenter with an adulterous wife and the shenanigans that take place during and after one of her affairs. After closely examining “Absalom’s Revenge,” the last section of this tale, it is clear to see that Chaucer uses language, puns, and other writing techniques to provide a commentary on the lewdness of some who lived during the Middle Ages.
Geoffrey Chaucer’s Canterbury Tales became one of the first ever works that began to approach the standards of modern literature. It was probably one of the first books to offer the readers entertainment, and not just another set of boring morals. However, the morals, cleverly disguised, are present in almost every story. Besides, the book offers the descriptions of the most common aspects of the human nature. The books points out both the good and the bad qualities of the people, however, the most obvious descriptions are those of the sinful flaws of humans, such as greed and lust.
There is no question that contradictory values make up a major component of The Canterbury Tales. Fate vs. Fortuna, knowledge vs. experience and love vs. hate all embody Chaucer's famous work. These contrasting themes are an integral part of the complexity and sophistication of the book, as they provide for an ironic dichotomy to the creative plot development and undermine the superficial assumptions that might be made. The combination of completely contradictory motifs leads to the unusual stories and outcomes that come to play out in the tales. And these outcomes draw focus on the larger universal issues that in many cases transcend the boundaries of vernacular periods to all of
It is clear that Geoffrey Chaucer was acutely aware of the strict classist system in which he lived; indeed the very subject matter of his Canterbury Tales (CT) is a commentary on this system: its shortcomings and its benefits regarding English society. In fact, Chaucer is particularly adept at portraying each of his pilgrims as an example of various strata within 14th century English society. And upon first reading the CT, one might mistake Chaucer's acute social awareness and insightful characterizations as accurate portrayals of British society in the late 1300s and early 1400s. Further, one might mistake his analysis, criticism, and his sardonic condemnation of many elements of British culture for genuine attempts to alter the
The Medieval Period in history brought along scores of fables about everything from knights engaging in courtly love to corruption in the Catholic Church. The Canterbury Tales written by Geoffrey Chaucer expertly encapsulates many of the great motifs of the era. The Tales are a series of stories and descriptions of characters of all social classes that were composed in the late 1300’s. Chaucer utilizes a multitude of literary techniques to convey his personal views of people, and ultimately, what they represent in society. The author uses such devices when depicting two morally contrasting characters, the Parson and the Summoner, that are documented in the Prologue.
The Canterbury Tales, the most famous and revolutionary work of Geoffrey Chaucer, is a collection of twenty-four tales presented in the form of a story-telling contest by pilgrims who are traveling from London to Canterbury. In my viewpoint, The Canterbury Tales can be understood as a representation of the English society at Chaucer's time as it documents several of the social tensions of life in the late Middle Age. The choice of setting the tales as part of a pilgrimage allowed the author to cover a wide range of social roles with varying hierarchical positions and occupations. Therefore, the tales depict a number of the evolving themes by that time in many segments of the society, such as the ones presented in The Wife of Bath tale: the
In the General Prologue to the Canterbury Tales, Chaucer describes the men and women of the Church in extreme forms; most of these holy pilgrims, such as the Monk, the Friar, and Pardoner, are caricatures of objectionable parts of Catholic society. At a time when the power-hungry Catholic Church used the misery of peasants in order to obtain wealth, it is no wonder that one of the greatest writers of the Middle Ages used his works to comment on the religious politics of the day.
Noted earlier, the Miller’s tale is enjoyable due to its qualities of both entertainment and the idea of learning a lesson. In the prologue, the miller is defined as a filterless, rowdy drunk who speaks whatever comes to his mind. Because of this, he is portrayed as very vulgar and a nuisance since he easily offends others. The Reeve introduces the Miller at the beginning of the story as a drunk, impulsive, bully as he
Written by Geoffrey Chaucer at the end of the fourteenth century, The Canterbury Tales and more specifically it’s prologue, shed a great deal of light on the rising middle class in (fourteenth century) England. Despite the fact that some readers may not know a lot about the time period today, Chaucer’s writing in the prologue elaborates on topics such as occupations, wealth, education, and political power. Scholar Barbara Nolan writes of the prologue, “it is more complex than most…It raises expectations in just the areas the handbooks propose, promising to take up important matters of natural and social order, moral character, and religion and outlining the organization the work will follow” (Nolan 154). In other words, while noting the
Despite this unflattering introduction, however, the Miller cannot be considered a loathsome person because his purpose is to provide comic relief. The Miller's appearance after the more solemn Knight creates a contrast in mood and provides the reader with a more relaxed feeling going into the remainder of the tales.
In Chaucer’s famous novel: The Canterbury Tales, he describes many characters in a satirical way, while others he describes with complete admiration. The narrator (a constructed version of Chaucer himself) is staying at the Tabard Inn in London, when a large group of about twenty-nine people enter the inn, preparing to go on a pilgrimage to Canterbury. After the narrator talks to them, he agrees to join them on their pilgrimage. Although, before the narrator progresses any further in the tale, he describes the circumstances and the social rank of each pilgrim. There are two characters in these tales of the same social class, but Chaucer’s opinion on them vary greatly. These two characters are the beloved Parson, and the loathed Pardoner.
In a society in which hierarchical structures determined the types of interactions between individuals of different classes, there would be limited opportunity for oppositional values and attitudes to directly engage. One of the distinct features of Geoffrey Chaucer’s work The Canterbury Tales is that the author creates a situation in which vastly different types of individuals can engage with one another. This illuminates their most polarizing differences and allows for their contradictory attitudes to engage. Under this pretense, Chaucer allows for the spirit of the carnivalesque to be contrasted with the religious and social structures to which it responds. This can be seen in the characters of the Wife of Bath and the Miller, and their respective stories, both displaying different incarnations of the carnivalesque, and their contraposition to the ideologies associated with Christianity. Amongst the hierarchical structures of their society, the carnivalesque attitudes of the Wife of Bath and the Miller allow for them to seize a freedom which might be denied to them by those in higher positions. This is
In the Canterbury Tales, Chaucer gives a detailed description of what life was like in Medieval times . In the “Prologue”, the reader comes to better understand the people of the time period through the characters words and actions. Chaucer uses a variety of groups of society to give the reader a deeper insight into the fourteenth century Pilgrims customs and values. Through the Court, Common people and the Church, Gregory Chaucer gives a detailed description of ordinary life in the medieval times.