Theme Of Betrayal In The Aeneid

After she falls in love with Aeneas, Dido disregards the vow that she made to her suitors. While Aeneas and Dido go hunting, Juno sends down a storm that forces the two into a cave. In the cave, Dido makes love to Aeneas and calls the affair a marriage. Shortly after this incident, news spreads beyond her kingdom that the Carthaginian leader has abandoned her obligations as a ruler. When the news reaches Iarbas, one of Dido’s suitors, the African king expresses his anger (IV 264-274). Dido’s love for Aeneas has caused her to ignore basic agreements that she has established. Not only did Dido lie to Iarbas, but she has also forgotten to keep the promise that she made to herself to not marry another man (IV 19-35). Dido has abandoned her own reputation. Instead of taking responsibility for the choices she has made, Dido continues her pursuit of the Trojan hero.

To begin, Virgil depicts Queen Dido as an emotional person. When her lover Aeneas leaves her to build Rome, Dido curses him and prepares to burn all of his possessions, only to later kill herself. Before Dido ends her life in The Aeneid “Book IV: The Passion of the Queen,” she curses Aeneas by yelling,

In every great epic, love plays a key role in bringing people together but also destroying plenty in its way. Even though Dido is characterized as this powerful leader, she slowly starts to fall as her passion for Aeneas starts to grow. As Aeneas tells his story to all the people, Dido slowly starts falling more and more in love with Aeneas. Throughout this Book you slowly start to see the demise of Queen Dido. "Towers, half-built, rose no farther; men no longer trained in arms... Projects were broken off, laid over, and the menacing huge walls with cranes unmoving stood against the sky". Virgil provides images of how Carthage is being affected by the downfall of Queen Dido. Dido is so infatuated with love that she cannot see how she is running Carthage to the ground for the love of Aeneas. The goddess Juno, the queen of gods, saw this as an opportunity to keep Aeneas from reaching Italy. Dido even broke her vow of chastity and surrenders to her desires for Aeneas. “Dido had no further qualms as to impressions given and set abroad; She thought no longer of a secret love but called it marriage”. This statement demonstrates how she is becoming

Dido has a passionate desire and lust for Aeneas. Cupid has lit a flame in her heart, and it continually grows and desires to be with Aeneas. Dido is hesitant to pursue a meaningful relationship with Aeneas because she had vowed to never remarry upon the death of Sychaeus. Dido becomes consumed with herself and her lust for Aeneas. In her splendor, she begins to forego many of her duties, and the city of Carthage begins to see the effects. Juno sees this as an opportune time to toy with the fates. She proposes, to Venus, that they work together in order

Dido is one of the many characters who are responsible for her own death. Before the appearance of Aeneas in Carthage, Dido was married to another man, Sychaeus. However, Sychaeus was murdered by Dido’s brother who was jealous of his power and money leaving Dido a widow (Aen, 4.23-25). As a widow, Dido made a vow “Never to pledge [herself] in marriage again” showing her commitment to her first and only husband who she passionately loved (Aen,4.19). The importance of this to Dido’s death is that she broke her vow on account that Aeneas was the first man that she has loved since Sychaeus. However, this love is artificial because it is not her love but love created by Venus. Even though she has this passion for Aeneas flowing through her veins, she questions herself and whether it will be worthy to love this man and break the vow. Dido is responsible for her own death because she was unable to clear her mind and see the dangers of falling in love with Aeneas and the greater the danger of breaking her vow to Sychaeus. One reason that she decides

Dido first falls in love with Aeneas after being infected by Cupid at Venus’ command. When Cupid first arrives in Carthage, disguised as Ascanius, Dido watches him from afar as he interacts with deceived Aeneas. As she watches, she becomes entranced with the sight and “the more she looks the more the fire grows,” signaling that Cupid’s hold over her has grown stronger (853,71). Aeneas’ tale of woe only strengthens her adoration of him until she is “consumed by the fire buried in her heart” (3, 127). Tentative thoughts of remarrying after her husband Sychaeus’ death begin to cross her mind and she finally recognizes the “old flame” that is slowly consuming her, suddenly marrying Aeneas one night (30, 128). Yet this fire is short lived and, ultimately, Dido’s downfall. Jove grows anxious for Aeneas to continue on his journey and commands Mercury to pass along the message that Aeneas and the Trojans must leave Carthage. Aeneas pleads with Dido that he leaves not of his own volition and that he must obey the gods’ wishes, but Dido is furious, alternating between pleading with him to stay and cursing him should he go. Firm in his decision, Aeneas returns to his ships while Dido is brought to her chambers. Grief stricken and “fixed on dying,” Dido begins to construct a funeral pyre in her courtyard (595, 144). As she stands before her creation, she laments her choice to trust Aeneas and the Trojans when

Eventually however, Aeneas' fate catches up with him and he must leave Carthage. After idling along in Carthage, Aeneas is reminded of his duty by the God Mercury; he is required to go on to found Italy. Although he attempts to leave in secret, Dido is not a fool:

Additionally, as an oriental queen, we must remember how Dido along with the other women from the old world, held little to no place in the vision of the new Rome. I believe the way in which Aeneas treats those who are not directly included in his prophecy; particularly in this scene, raises interesting ideas about Aeneas character. It is easy for the reader to forget that he is not born a hero like the epic heroes who came before him like Odysseus, rather he becomes one as the story progresses. He is therefore forgiven any human errors of judgement, including deserting Dido in favour of fulfilling his

Dido has realized that her relationship with Aeneas is over, and that her compelling passion for him will bring her to an end, and she is still unable to change the course of events. When Dido learns about Aeneas's departure she is overcome by rage, and despair, which brings her to the decision that she will kill herself. "Then Dido prays for death at last;" (488). She has hoped that Aeneas would "fall and die, untimely, let him like unburied on the sand." (662). At this time she lies down on the funeral pyre and stabs herself with Aeneas's sword.

He perceived it more as a romantic fling; Aeneas only engaged in a relationship with Dido out of lust. Although Aeneas acts like Dido’s husband by building walls for Carthage, he never explicitly accepts the position. He only stays in Carthage because of the benefits made available to him: Dido’s love and her luxurious gifts. When he is about to leave, Dido berates him for deceiving her in their “marriage.” Adamant that he never entered upon a marriage, Aeneas replies, “Do not think/I meant to be deceitful and slip away./I never held the torches of a bridegroom,/Never entered upon the pact of marriage” (IV, 465-8). His response to Dido reveals Aeneas’s ignorance in their relationship; he never realizes her deep obsession with him. When he leaves, he wants to console her, but does not act upon it because he feels he has committed no wrong and he has obligations to fulfill. Even when he visits the underworld, he still does not understand how Dido felt or how much he was at fault for her death. He asks her, “Was I, was I the cause?” (VI, 616). His ignorance as to how she felt and what she wanted shows his inability to be cognizant of others’ feelings, which makes him look stupid. The least Aeneas could have done was to have said goodbye, but instead he excuses himself by claiming the gods forced him to leave her.

From now on dido…no longer kept her love a secret…but called it marriage…‘ [4.170-174]. It take the angry prayers of a king from another land for Jupiter to intervene ‘…this is not the man promised us by his mother…it was not for this she twice rescued him from the swords of the greeks’ [4.227-230] he sends mercury to tell aeneas ‘so now you are layign foundations for the high towers of carthage and builign a a splendid city to please your wife? Have you entirely forgotten your own kingdom and your own destiny?’ [4.267-270] Aeneas is described as ‘dumb and senseless’ at the sight of mercury [280] but it reminds him of his duty and makes the decision to leave dido and carthage despite reasoning with her that ‘it is not by my own will that I search for italy’ [361]

Conversely, Virgil depicts Aeneas as a more civilized leader. Aeneas gets detoured on his trip to Italy and finds himself in Carthage. He falls in love with Dido after being stuck with her in a cave and their relationship progress quickly. Aeneas plans to stay with Dido and help rebuild her city instead of continuing his journey to conquer his own. Mercury is sent by Jupiter to remind Aeneas what he was sent out to do in the first place. “What about your own realm, your own affairs?” Mercury asked Aeneas (Virgil, 83). Aeneas was stunned, but he knew Mercury was right. This meant that it was time for him to leave

Throughout the Aeneid there are several recurring themes that shape the story. One of the biggest themes is family. Without the idea of family Aeneas has less motivation to go on his journey. The gods use this against him when attempting to persuade Aeneas to continue embarking on the quest he has been on. Anchises, Aeneas’ father meets with Aeneas as well and gives his perspective on Aeneas’ journey and includes a lot of arguments about family. Anchises has a strong concern for family as well, and it is evident in the underworld when Aeneas and Anchises meet.

In the discourse of literature, every tale presents a story with a hero. When it comes to culture, the author displays a heroic character as someone who demonstrates ideal characteristics that are based on the story’s historical background. These ideal attributes can include heroism, honesty, selflessness, and confidence. From Virgil’s tale of The Aeneid, Aeneas is portrayed as the protagonist and hero of the tale. Within this story, Virgil shows how the Roman culture is valued through Aeneas’s actions of heroism. His example of presenting the value of Roman culture to the reader is by illustrating the concept of romanitas. In the Roman culture, romanitas can be expressed in Latin as “roman-ness.” Though it is known to be a combination of

As time goes by Aeneas and Dido fall in love. Dido neglects her territory, and Aeneas ignores his quest. However, Jupiter, King of Gods, insists that Aeneas get back to his destiny and find a new home for his people. Aeneas obeys, and Dido kills herself with his sword.