Their Eyes Were Watching God Pear Tree

Janie’s home; the pear tree represents Janie's way of maturing into a woman. Whenever Janie was under the pear tree she feels like she could be herself, there’s no Nanny telling her to do the dishes or anybody interrupting her. The story's true meaning is that Janie found love and her love just went away, she found Tea Cake and he died. The three synonyms for this novel is true love, quest, and equality.

Secondly the Pomegranate tree can be seen as a symbol of Amir and Hassan friendship, childhood innocence and shelter. The tree is presented to the reader in two different states. When the tree appears in the first part of the story, in chapter 4, the tree is shown as being fruitful and blooming with ‘blood red’

In the beginning, the pear tree symbolizes Janie’s yearning to find within herself the sort of harmony and simplicity that nature embodies. However, that

In the book, the peach tree can be said to represent Jane’s identity as a woman and her budding sexuality. She compares her change to that of the pear tree blossoming. Like the tree, she could feel that she was now a grown woman and she was of age. The tree growing and blossoming represents how she transforms into a woman who wants to find and experience love as compared to the innocent girl she was earlier on. This can be seen on Page 10 where Hurston says, ‘It had called her to gaze on a mystery… from barren brown stems to glistening leaf-buds… to the snowy virginity of bloom’. As the tree blossoms, she becomes more interested in love and romance, and she even forms views towards these two affairs. Janie gets her first kiss under the pear tree, and the reader can now become aware of her maturing, and she is now a woman who is interested in kissing and romance. From the tree, she experiences sexual desires as seen here ‘…then Janie felt a remorseless pain

Tea Cake, whose real name is Vergible Woods, is Janie's soul mate, both of them being tree metaphors. He’s the only one of her husbands who haven’t been described as dead wood. Hurston writes, “looked like the love thoughts of women. He could be a bee to a blossom - a pear tree blossom in the spring. He seemed to be crushing scent out of the world with his footsteps. Crushing aromatic herbs with every step he took. Spices hung about him. He was a glance from God.” His nickname too holds significance in referring to something sweet, just as she has hope dor "things swee wid mah marriage" (24). Because Tea Cake is unconcerned with her money, for instance, in that he asks her to keep her savings aside and live from his current earnings, Tea Cake is clearly contrary to the norm of suitors who preceded him following the death of Joe, who didn’t want her for her. He is a man truly in love with Janie, a man who understands her. In instructing “Everytime Ah see uh patch uh roses uh somethin’ over sportin’ they selves makin’ out they pretty, Ah tell ‘em “ah want yuh to see mah Janie sometime.’ You must let de flowers see yuh sometimes, heah Janie?” (181), he shows that he too sees her mirroring, even competing with nature. It is with him, that Janie is pollinated to realize the meaning of the pear tree’s mysteries and

Although her marriages end for different reasons, they all lack unconditional love. Janie’s first marriage was not even her choice; Janie’s grandmother married her off when she was young because she saw Janie kissing a boy named Johnnie Taylor. "Dat’s what makes me skeered. You don’t mean no harm. You don’t even know where harm is at. Ah’m ole now. Ah can’t be always guidin’ yo’ feet from harm and danger. Ah wants to see you married right away." (31). It is impossible to give and receive unconditional love in a forced marriage. “Some people could look at a mud puddle and see an ocean with ships.” (34). Janie tries to see the good in the person she is married to. She wants the marriages to work, but they never do because of her partner. Janie’s third marriage with TeaCake is good because she finally finds someone she truly loves, but not long after they are together TeaCake becomes abusive. “Janie saw her life like a great tree in leaf with the things suffered, things enjoyed, things done and undone. Dawn and doom was in the branches” (57). Janie’s true vision of love and marriage is revealed through a pear tree in the novel. The pear tree reveals Janie’s sexual identity and helps her come to terms with what she thinks is love. Janie sees the things she enjoys within the pear

Author Zora Neale Hurston weaves many powerful symbols into her acclaimed novel, Their Eyes Were Watching God. Hurston’s use of symbols enhances the reader’s understanding of the trials and tribulations along the road of self discovery for the story’s main character, Janie. Of the many symbols used throughout the novel, one in particular - Janie’s hair - is subtle yet striking as it gives us insight into Janie’s perceived social status, oppression, self identity, and her eventual independence through her self identity as a woman despite the social norms of the time period.

We see a lot of symbolism through the book, such as the gun used at the end of the book, and the pear tree. Towards the end of the chapter we see janie having to kill her only true love with a gun, it was a tough decision because in her eyes tea cake has shown her what true love really feels like. The gun symbolized how sometimes the tough decisions are the necessary ones. In the last chapter page 185 it states “It was the meanest moment of eternity. A minute before she was a scared human being fighting for its life. Now she was sacrificing self with Tea Cake’s head in her lap. She had wanted him to live so much and he was dead. No hour is ever eternity, but it has its right to weep. Janie held his head tightly to her breast and wept and thanked him wordlessly for giving her the chance for loving service”. This is talking about how she had to kill her own true love because her own

      In Zora Neale Hurston's Their Eyes Were Watching God, the image of a pear tree reverberates throughout the novel. The pear tree is not only a representation of Janie's life - blossoming, death, metamorphosis, and rebirth - but also the spark of curiosity that sets Janie on her quest for self-discovery. Janie is essentially "rootless" at the beginning of her life, never having known her mother or father and having been raised by her grandmother, Nanny. Nanny even says to Janie, "Us colored folks is branches without roots and that makes things come round in queer ways" (Hurston, 16). Under a pear tree in Nanny's backyard, however, Janie, as a naïve

Janie’s inner self is entirely composed of her desires, needs, and true feelings. When Joe dies, Janie is internally genuinely happy; However, she can only express this inwardly because she can’t portray her husbands death as a happy aspect to society. On the outside, Janie participates in the funeral and the requisite mourning period; while inwardly, rejoicing.

Even before Joe’s death, Janie “was saving up feelings for some man she had never seen. She had an inside and an outside now and suddenly she knew not how to mix them.”(75) Joe’s influences controlled Janie to the point where she lost her independence and hope. She no longer knew how to adapt to the change brought upon her. When she finally settles and begins to gain back that independence, the outward existence of society came back into play. “Uh woman by herself is uh pitiful thing. Dey needs aid and assistance.”(90) Except this time Janie acted upon her own judgment and fell for someone out of the ordinary. Tea Cake was a refreshing change for Janie, despite the society’s disapproval. “Janie looked down on him and felt a self-crushing love. So her soul crawled out from its hiding place.”(128) This was what she had always dreamt of. When she was with Tea Cake, she no longer questioned inwardly, she simply rejected society’s opinions and acted upon her own desires.

As yet, the connection amongst Janie and Tea Cake has appeared to be unrealistic. While proceeding to exhibit that their relationship is a decent affair for Janie, bring up some mind boggling issues about Tea Cake's character. Their entry in the Everglades is a snapshot of satisfaction for Janie as she winds up encompassed by prolific nature. By and large, her experience is for the most part a satisfying one. By and by, Tea Cake controls her in unobtrusive ways, raising, by and by, the ghost of male mastery in her life.

This loneliness was supposed to be filled by another man, her second husband Joe Starks. She continued her development as a woman especially in the beginning of the new relationship when Joe “spoke for change and chance” (28). The problems Janie had to face in this marriage were that her husband did not treat her equal but rather treated her as an ornament. She found out that the love he provided to her in the beginning was rather part of the ulterior moves Joe had about becoming an important landlord and major. Joe gave only material goods to Janie who felt again as if something misses in her life.

Janie was no longer letting anything control her any longer. She was making her own decisions now by talking to Jordan and not listening to her grandmother, who told her to respect her husband. With the results of this, Janie ran from Killicks to marry Joe for numerous years while waiting for her hunger for love to be filled. However it never was with Joe. After the death of Joe, Janie soon found Tea Cake, who gave her the love she starved for: “after a long time of passive happiness, she got up and opened the window and let Tea Cake leap forth and mount to the sky on a wind” (Hurston 107). Hurston gave Janie Tea Cake to show that she was no longer going to wait around and wait for love. She was now going to find it herself. Proving that she was no longer the naive girl who sat under a tree and dreamed all day.

Symbols in literary works can express an idea, clarify meaning, or enlarge literal meaning. Symbols can appear in a novel as an event, action, or object. In Their Eyes Were Watching God, the author, Zora Neale Hurston, uses the symbols of the gate to show Janie’s transitions to womanhood, independence from oppression, and realization of what love is to Janie.