Their Eyes Were Watching God De white man is de ruler of everything as fur as Ah been able tuh find out… de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don't tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world as fur as Ah can see (14). The white man is on the top of the social and economic hierarchy. He holds the power, and due to this power has a privilege commanding respect and performed labors. The people who comply are the African-American men. However, there is a second hierarchy for the black men under the white man's privileges. To assume some sort of position of power they use whatever influence they have, …show more content…
She completes her tasks as a mule would, thoughtlessly and trained. She passes on her passive attitude onto her granddaughter Janie. Janie works for her first husband, doing what he demands of her. Like a mule she sits when told, stands where she is told, and does exactly what she is told to do. She does not think for herself, pondering "maybe if somebody was to tell me how" (23). When a charming young man convinces her she needs a better life she follows, as a mule would. She slowly holds a better title, Mrs. Mayor, but still follows her husband. She spends endless days in her new husbands store, thankless days, following Jody's specific direction. Janie and her grandmother represent a culture of women that were stereotyped into a specific gender role, putting them as the last class in society. They received no compensation or respect for their services. Their work specifically benefited only those they worked for, and supported. Through compromising themselves in this way these women were subjected to even more maltreatment. African-American women, like mules, are property of men. They are treated without the proper human rights that should be placed on a woman doing so much for their men to survive. Janie represents black women's struggles, as her own struggle progresses in Jody's store. He buys her, through and similar to, his purchases of "new clothes of silk and wool" (33). When the two
She ended up living a life full of manipulation and mediocrity. While living with Joe, she had to tend to many different tasks as his wife. She wasn't independent with him either. She was Joe's tag-a-long. 'She went through many silent rebellions over things like that. Such a waste of life and time. But Joe kept saying that she could do it if she wanted to and he wanted her to use her privileges. That was the rock she was battered against.' (Hurston, 51) Janie always had to wear her hair a certain way, always up in a head rag, in order not to attract attention to other men and women. She was always in a state of loneliness with herself. While married to Janie, he would not allow her to attend the people's gatherings believing that she does not belong to such a group of lower class people. Joe was depriving Janie of her independence and sanity. "Naw, Ah ain't no young gal no mo' but den Ah ain't no old woman either. Ah reckon Ah looks mah age too. But Ah'm us woman every inch of me, and Ah know it. Dat's uh whole lot more'n you kin say. You big-bellies round here and put out a lot of brag, but 'tain't nothin' to it but yo' big voice. Humph! Talkin' 'bout me lookin' old! When you pull down yo' britches, you look lak de change uh life." (Hurston, 75) This quote spoken by Janie proves that she was getting sick and tired of being pushed around by Joe and his stuck-up ways. This was a slow
All through the novel Janie travels through valuable life experiences allowing her to grow as a woman. Janie at first has a difficult time understanding her needs rather than wants, but as she continues to experience new situations she realizes she values respect. Janie’s first two marriages turned out to be tragic mistakes, but with each marriage Janie gained something valuable. When Janie is disrespected in her second marriage with Joe Starks, he publicly humiliates her, disrespecting her as a wife and woman. This experience forced Janie to come out of her comfort zone and stand up for herself.
Janie’s outward appearance and her inward thoughts contrast following Joe’s death. She finally frees herself from his control only after he dies as she, “…tore off the kerchief…and let down her plentiful hair” (87). In freeing her hair, Janie begins to free herself from others’ control and social norms. However, she chooses to keep it tied up until after Jody’s funeral in order to keep appearances that she is grieving his passing in front of the townspeople. However, on the inside, Janie doesn’t really feel any sorrow and “sent her face to Joe’s funeral, and herself went rollicking with the springtime across the world” (88). It is only after Joe’s elaborate funeral that Janie shows her first act of freedom by burning “every one of her head rags and went about the house next morning with her hair in one thick braid swinging well below her waist” (89). She chose to let her hair be free from his domination, thus freeing herself from him overall and allowing herself to move onto the next journey in her life.
Janie was raised by her grandmother who she calls Nanny that had previously lived the life as a slave. The young sixteen year old girl was brought to us as a product of
Honey, de white man is de ruler of everything as fur as Ah been able tub find out. Maybe it's some place off in de ocean where de black man is in power, but we don't know nothin' but we see. So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don't tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world so far as Ah can see.
When Janie is about sixteen her grandmother finds her in the act of kissing a boy, and afraid for Janie, she arranges for Janie to be married to Logan Killicks, who is an older man with vast property to his name. Nanny, as Janie calls her, is unable to wrap her mind around the idea of marrying for love and mocks Janie saying, "So you don't want to marry off decent like, do yuh? You just wants to hug and kiss and feel around with first one man and then another, huh?" (Their Eyes Are Watching God, 13). Her grandmothers’ gift of life is different from the life that Janie wants to live. She tells Janie, “De nigger woman is de mule uh de world so fur as Ah can see.'” (Their Eyes Are Watching God, 11). Nanny doesn’t believe that trying to find love and make a better life for you will succeed, she tells Janie that marrying and older man with land to his name will bring security, and she shouldn’t want more than that. Because of this Janie agrees and goes along with the plan. She is depicted as very compliant and rarely speaks her mind, even saying “But Ah hates disagreement and confusion, so Ah better not talk. It makes it hard tuh git along” (Their Eyes Were Watching God, 90).
The plan for Janie’s future begins with her lack of having real parents. Hurston builds up a foundation for Janie that is bound to fall like a Roman Empire. Janie’s grandmother, whom she refers to as “Nanny” takes the position as Janie’s guardian. The problem begins here for Janie because her Nanny not only spoils her, but also makes life choices for her. Nanny is old, and she only wants the best for her grandchild, for she knows that the world is a cruel place. Nanny makes the mistake of not allowing Janie to learn anything on her own. When Janie was sixteen years old, Nanny wanted to see her get married. Although Janie argued at first, Nanny insisted that Janie get married. “’Yeah, Janie, youse got yo’ womanhood on yuh… Ah wants to see you married right away.’” (Page 12). Janie was not given a choice in this decision. Her Nanny even had a suitor picked out for her. Janie told herself that she would try to make the best of the situation and attempt to find love in her marriage to Logan Killicks. But, as time went by, Janie realized that she still did not have any feelings of what she had considered to be love in her husband.
Janie is not afraid to defy the expectations that her grandmother has for her life, because she realizes that her grandmother's antiquated views of women as weaklings in need of male protection even at the expense of a loving relationship, constitute limitations to her personal potential. "She hated her grandmother . . . .Nanny had taken the biggest thing God ever made, the horizon " (Their Eyes 85-86).
Janie’s Grandma plays an important outward influence from the very beginning. Her perspective on life was based off of her experience as a slave. “Ah was born back due in slavery so it wasn’t for me to fulfill my dreams of whut a woman oughta be and to do.” (16) She felt that financial security,
Love and Marriage Their Eyes Were Watching God by Zora Neale Hurston is a novel about a Southern black woman and her experiences through life. Janie, the main character, is forced at a young age by her grandmother, into an arranged marriage with a man named Logan. Janie is told to learn to love Logan, but the love never comes for Logan in Janie's heart so she leaves him. She meets a man named Joe. Soon after they are married.
Another example, where Janie struggles to find her voice is with her second husband Jody Starts, a man who starves for power and the mayor of Eatonville. Jody rarely allows Janie to speak her mind, participate in social
Nanny urges Janie to adhere to the requirements of a woman with the role of a family maker including cooking, cleaning, and bearing children. Hurston bluntly states Nanny’s views upon the role of women in her simile of a mule. There black women are below everyone else on the totem pole including black men and whites.
Erzulie is the goddess that represents the ideality of love and the sanctity of motherhood. She is the female representation of strength and creativity. She tells of woman’s ability to endure and survive adverse circumstances and she tells of their immense determination. Janie takes control of her situation as she finally calls Joe out. In front of the townspeople Janie tells Joe how ugly and controlling he is. Because of this strength and determination to humiliate Joe, Janie endures a harsh beating from him. Through this, however, she does not break down. Their marriage breaks down, but Janie keeps her dreams in focus. Instead, Joe begins to break down with their marriage and he becomes deathly sick. Erzulie has certainly captivated Janie as even on Joe’s deathbed she continues to chastise him for the way he treated her. She is no longer submissive or passive. Her strength has reached out and Erzulie has given her the power to stand up for herself. Because Hurston embodies Janie with the power of Erzulie, she creates a new African-American character. This is one that is heroic and one who masters her world and claims her place within it. This is how Janie most compares with the female goddess Erzulie.
Janie is a black woman who asserts herself beyond expectation. She has a persistence that characterizes her search for the love that she dreamed of since she was a girl. Janie understands the societal status that her life has handed her, yet she is determined to overcome this, and she is resentful toward anyone or anything that interferes with her quest for happiness. "So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don't tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world so fur as Ah can see, "(Page 14) laments Janie's grandmother as she tried to justify the marriage that she has arranged for her granddaughter with Logan Killicks. This paragraph establishes the existence of the inferior status of women in Janie's society, a status which Janie must somehow overcome in order to emerge a heroine in the end of the novel.
Symbols in literary works can express an idea, clarify meaning, or enlarge literal meaning. Symbols can appear in a novel as an event, action, or object. In Their Eyes Were Watching God, the author, Zora Neale Hurston, uses the symbols of the gate to show Janie’s transitions to womanhood, independence from oppression, and realization of what love is to Janie.