The true protagonists of Sir Gawain and the green knight
What is the most representative element to the stories of King Arthur and his knights of rounds? Most of people may say that courtly love and chivalry of the knights. The story of Sir Gawain and the green knight may not be different with other stories. The reason can be the story also ended with praising the chivalry of Gawain. The heroic protagonist face with the antic villain with magic and finally, he survive from that trouble. It can be just read into the typical heroic story. However, when looking in deeply, there are some vague points that this story theme can be just chivalry of the knights. Though the pride of Gawain was broken so much, the story just ended with praise the
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But, the definite solution of this panic was the King Arthur’s word to Guinevere, “Dear lady, don’t be daunted by this deed today,/ it’s in keeping that such strangeness should occur at Christmas/ between sessions of banter and seasonal song,/ amid the lively pastimes of ladies and lords” (470-73). The king Arthur’s single comment for relaxing Guinevere also relaxes the whole atmosphere of the court. Though Guinevere is described as weak character, but she was the very important character for symbolize the great stability of King Arthur’s court. On the other hand, interestingly, the description of the lady of lord Bertilak is almost same with Guinevere, “tapestries from Toulouse and Turkistan/ were fixed against walls and fitted underfoot” (858-59). The same tapestries that Guinevere had been hang in Gawain’s room and tempted by the lady described as, “more glorious than Guinevere” (945). Even some critic says, “Lady is in fact a second Guinevere, albeit in the guise of the false Guinevere” (Heng 502). That may signs that the lady also has the role that symbols the nobility of Bertilak’s court. Furthermore, she was much more active woman than Guinevere. When she faced with Gawain, “She who desired to see this stranger/ came from her closet with her sisterly crew”(941-42). In the ordinary stories about courtly romance, a knight’s interest to a lady was described. But, in this case, the way for description is reversed.
Throughout history, archetypes have become increasingly common. In the medieval, chivalrous, romance narrative poem Sir Gawain and the Green Knight, archetypes are heavily displayed, particularly in the character of the Green Knight- who holds several archetypal roles himself. The Green Knight performs the most crucial archetypal roles in the reading and he plays a pivotal part in perfecting of the hero’s--Gawain’s--moral development and revealing some significant changes that occur in the hero’s character.
Medieval scholars continually inspect the particularities of Sir Gawain and the Green Knight (SGGK) within the context of the preexisting Gawain literary tradition, and the issue of Gawain’s sudden antifeminist diatribe repeatedly comes to the forefront of these textual investigations. Often, literary critics claim that Gawain’s antifeminist outburst is common for the fourteenth century and that his acceptance to wear the girdle as a sign of shame still epitomizes him as a model of knighthood. Other scholars hesitate to dismiss Gawain’s misogyny as commonplace, they note that this moment is inconsistent with his reputation as an ideal knight. Gawain’s hasty compulsion to blame women suggests ruptures within the essentiality of his chivalric identity and a closer examination of the text reveals that this moment is not isolated. Despite scholars repeated attempts to identify the essential knight within Gawain, there are several examples of Gawain’s unstable identity throughout the text. I will argue Sir Gawain’s knightly identity is performative rather than essential, and his diatribe is the culmination of his failure to perform his own expected social identity.
In most literature today, there usually can be a specific diagram for the progression of the story and it relies on Joseph Campbell’s Hero with a Thousand Faces. Many stories include characters who explore many roles and use them to continue the plot. Within Sir Gawain and the Green Knight, these character archetypes are largely occupied by the Green Knight such as, the herald, the Evil Figure Who Is Ultimately Good, the Trickster, and the Minion. This allows the Green Knight to help Sir Gawain learn his lessons and develop the moral of the story. He exploits these characteristics to formulate Sir Gawain and as a result, demonstrates how a single character in Sir Gawain and the Green Knight can play many archetypal roles.
Even in the middle ages of literature, a story such as Sir Gawain and the Green Knight had many aspects of Joseph Campbell’s view of the hero’s journey. In the story of our character Sir Gawain accepts a “Call to adventure” (Campbell 45) and goes on a quest that will go through many of the archetypes. Likewise, there lies one character, The Green Knight, that can be many of the archetypal characters in the cycle of the hero’s journey. Sir Gawain and the Green Knight dramatically demonstrates how a single character can play many archetypal roles.
Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The
In Sir Gawain and the Green Knight, by an unknown author referred to as the “Pearl Poet,” we are introduced to Sir Gawain. Gawain is a knight of the Round Table and he is also the nephew of King Arthur. As a knight, Gawain is expected to possess and abide by many chivalrous facets. Throughout the poem he portrays many of the qualities a knight should possess, such as bravery, courtesy, and honor among others. Because of his ability to possess these virtues even when tempted to stray away from them, Sir Gawain is a true knight.
In Marie De France’s poem “Lanval”, the knight Lanval faces immense cultural pressure to get married and have a male heir, as it is the norm in King Arthur’s kingdom. It may appear that “Lanval” is supporting the concept of the institution of marriage, as the story had a heavy focus on marriage, and the court nearly punished Lanval for rejecting Guinevere. On the surface, the poem could easily mislead the reader to believe this is the case, but without further analysis, the reader may miss the courting that the mystery-lady has provided Lanval, which prove why the text critiques the establishment of marriage, as her courting is very much of the inverse of a typical heterosexual relationship in the culture. This misunderstanding can be
In Sir Gawain and the Green Knight, the men and women appear to have different roles in the society. The men attempt to live a more noble life while emasculating the power of the women. Throughout the poem, women display hints of their potential through manipulation and trickery, traits that are uneasily recognized by men as growing power.
What kind of qualities do knights have during the Arthurian time period? What kind of battles do knights go through? Gawain and Lanval go through many experiences on their separate quests to develop as a character. Both of these men deal with the supernatural and fight mental battles. Both are these men are tested on their chivalry manners as a knight; However, both of these knights differ in many ways as well such as their reputation, courtly manners, and loyalty. Throughout this paper we will see each character’s flaws, how they develop as a person, and reintegrate into society. Additionally, we will also see if each character is round or flat, static or dynamic, and if they are stock characters or not.
An archetypal analysis of Gawain’s quest reveals some significant changes that occur in the hero’s character. We will analyze the progress of the hero, Gawain, as he ventures out to complete his quest. By analyzing the works of Sir Gawain and the Green Knight along with The Hero With A Thousand Faces, and how it completes the Hero’s Journey.
Society expects ultimate perfection of all people. Due to this people are pressured to act a certain way that they would otherwise not act. The journey of obtaining perfection and maintaining it leads to success and failure. But what is considered failing while trying to become a different person? This topic is addressed in the poem, Sir Gawain and the Green Knight, written by Pearl Poet. The main character Sir Gawain finds himself on a journey that will test his knightly integrity and the true nature of his personality. Sir Gawain fails his quest when he responds to the challenge in an aggressive way; by doing so he shows his lack of concern for human life, he fails to uphold his agreement with Lord Bertilak, and succumbs to fear when the
“Sir Gawain and the Green Knight” is an excellent work to reference when examining different relationships within Arthurian legends. The author of “Sir Gawain and the Green Knight” is unknown, but he is sometimes referred to as the “Gawain Poet” or “Pearl Poet” because of his additional works: “Pearl,” “Purity,” and “Patience.” All four poems were part of the Alliterative Revival of the Middle Ages of Northern England, containing mostly religious content. This may be the origin of Gawain’s exaggeratedly religious portrayal in “Sir Gawain and the Green Knight.” “Sir Gawain and the Green Knight” is organized in a stanza arrangement. Each stanza ends with one short line and four longer lines, called the bob and wheel, which “knits” the story together. It may important to note that the work was most likely written in the fourteenth century. The work is set in sixth-seventh centuries, but includes modern advances in armory, dress, and décor from the time the poem was written. “Sir Gawain and the Green Knight” exhibits many different types of love and relationships in which they are demonstrated. Familial love, spiritual love, erotic love, and courtly love are demonstrated within families, friendships, marriages, and Godly relationships.
From Sir Gawain and the Green Knight, the hero of the story, Sir Gawain, represents a lot of the characteristics of a chivalric knight/hero, among them: modesty for himself, honesty to everyone around, as well as commitment and courage to complete his agreement made. He also engages in the activities that define heroes: starting out with a journey and completing challenges along the way, all trying to prove his worthiness to not only himself, but to King Arthur and his people back home. The most chivalric thing about Sir Gawain was probably when he knew he had the option to let King Arthur chop off the Green Knight’s head, but instead, he volunteered himself to do what he thought was the smartest thing. He also had the choice to stay in his home when he should have been out and going to find the Green Knight, but he owned what he had done and completed his journey all the way to what he was thinking was his death. His only downfall was when he lied about his magical girdle, which was given to him by a lady, but did not return to the host after they had made a deal. The Green Knight
In the poem, Sir Gawain and the Green Knight, Morgan le Fay only appears in the last two FITTs and there is only a little description about her. However, she is actually the initiator of the whole story: it was Morgan who sent Green Knight to Arthur’s hall “to put pride on trial” and “to test what distinction and trust the Round Table deserves” (2455-2458), and then Sir Agway’s adventure began. As we know, Morgan was always described as an antagonist to Arthur in the legends of King Arthur. However, when Morgan tried to combat against Arthur, why did she choose to “test” him? What was Morgan’s purpose to test the knighthood spirit of the Round Table?