Ever since the entertainment industry began to capture animals for the enjoyment of others, activists who believe animals can only subsist in the wild have been protesting against this monstrous act, using powerful propaganda to entice others to join their cause. The critically acclaimed film Blackfish, which highlights SeaWorld’s treatment of killer whales, apparently reveals shocking and appalling insight on accidental deaths caused by captive killer whales. One of the highest grossing documentaries of all time, as stated on director Gabriela Cowperthwaite’s website, Blackfish has captivated millions of viewers, causing them to reevaluate their values and advocating against SeaWorld. Although Cowperthwaite has stated in an interview that the “film is not at all advocating for anything,” and that she attempted to take a “journalistic approach” to documenting these phenomena, it is clear that the events depicted in the film reflect opposition to SeaWorld and its captivity of whales. Although Blackfish extensively applies human emotion and concepts to the animal kingdom to solicit sympathy from the viewers and provides misleading information to add to the sense of credibility, further research contradicts the points made in the film, rendering the conveyance of the film’s admonition against the captivity of killer whales ineffective. The weight of the film lies in the deep emotional underpinnings that convince viewers to feel compassion for the captive whales. The film
David Kirby’s book describes the complex issues of whales in captivity. The death of a SeaWorld trainer brought up many objective reasons of the training practices of this business were not effective at keeping trainers safe in the water. Currently this debate is still being tested in a court of law. OSHA claims that even with the precautions that SeaWorld tries to use, it still cannot guarantee the safety of trainers in the water. This cultural topic has been gaining ground, and recently prompted a movie based off this book titled, Blackfish. The audience of this book includes animal activists, followers of David Kirby, and people that are interested in the topic of killer whales in captivity. Rob Grom was contracted to create a book
The documentary “Blackfish” uses the rhetorical device of logos to condemn animal entertainment facilities such as Sea World for their treatment of animals in captivity. For instance, killer whales stay in the same pod all their lives until they are captured. The speakers in “Blackfish” pointed this out because it tells us that whales have a strong family bond. Also, whales do not do well when they are separated from their families. In addition, if one whale gets stranded, the rest of the whales willingly get stranded with it.
The documentary, Blackfish, proves that there was and still is quite a bit of controversy over whether it is ethical to keep Orcas in captivity. Some people believe that it is acceptable since the Orcas are being treated and fed well. Other people, however, believe that this is not ethical because being kept in a tank for twenty years leads to aggression and therefore is too dangerous for humans. The documentary proves that there are many incidents, in the past, where a whale has harmed their trainer. One example of this, that made people more aware of the danger, was the death of Dawn Brancheau in 2010 (Cowperthwaite & Oteyza, 2013). The incidence has led to many different debates over the years and Sea World has had to try to refute the claims that were made about them. The claims were regarding their treatment of the whales and other issues. However, Sea World was not
“I think that in 50 years, we’ll look back and go ‘My God, what a barbaric time’” (Jett). Blackfish is a 2013 controversial documentary that uses the life story of a particular orca whale to depict the theme park SeaWorld in a negative light. Blackfish proves SeaWorld is an immoral and cruel institution despite SeaWorld’s defense. The film accomplishes this by showing how SeaWorld illegally steals Orcas from the wild and separates pods, disregards the safety of trainers, provides inadequate homes for the Orcas, and blames trainers for its own failures.
Blackfish (2013) directed by Gabriela Cowperthwaite argues that orcas in captivity, including entertainment aquariums such as Sea World live in abusive situations and poor conditions that can lead to mental problems. She argues this through the films use of interviews, video, and statistics.
Blackfish, a documentary by Gabriela Cowperthwaite, analyzes the horrific treatment, containment, and use of Orca whales within entertainment facilities. The discussion of treatment began in 2010, when Dawn Brancheau was killed and drowned by the whale, Tilikum. Since this incident, there have been multiple investigations into SeaWorld and similar facilities. It is argued that the whales should be released from these facilities due to the posed dangers they have to humans, and themselves.
Documentaries and feature articles are both enjoyed and criticised by the public, because they often provide controversial opinions and shocking evidence. Both documentaries and articles are created with the same purpose; to educate the reader or viewer on a topic and convince them that their particular view is correct. This is done through the use of inclusive language, statistics, anecdotes, bias, clichés and other persuasive techniques. In this case, both The Cove and “Stop Killing Our Dolphins” are similar because they both use emotive language, such as “shameful, all-too-frequent slaughter” and “She was really depressed. I could feel it. I could see it. And she committed suicide in my arms. That's a very strong word, suicide”. Both Topfer
Popular attractions like zoos and aquariums have been a popular tourist hub for countless years. Whether it is feeding the giraffes over the railing or spotting the elephants during feeding time, there are numerous endeavors for human amusement in these types of attractions. However, the lives of the living animals on the other side of the railing or aquarium glass seems to be widely overlooked by the corporations themselves. No matter how intensive the efforts of these companies are to make the exhibits of these wild animals “wild-like”, living in captivity will never add up to a true, natural lifestyle. Any place that is selling souvenir cups with little lion heads on them, or plush dolls of favorite animals in the exhibits, have their ranking of profit and revenue before the health and welfare of their animals. The film Blackfish takes an all-inclusive look into the lucrative company of SeaWorld, and focus’ solely on the capture and treatment of their killer whales, revealing the truths of the poor treatment of these ocean loving creatures. Additionally, Jurassic World is a fictional movie that has an overlying theme of animals raised in captivity, and the uncontrollable traits of wild animals, whether they are captive or wild. By looking at the movies “Blackfish” and “Jurassic World” we can see the business side of animal entertainment corporations are naïve to the welfare of the animals who are having their lives cut short, natural instincts released, and offspring
Blackfish Lori Marino, a neuroscientist says “All Whales in captivity have a bade life. They’re all emotionally destroyed. They’re all psychologically destroyed.” The documentary Blackfish focuses on the fatal effects of taking orcas out of their natural habitat and the tragic deaths that have given a new perspective to what can happen to animals in captivity. Since I’m a big lover of animals, this documentary immediately grabbed my attention.
Animals are held captive against their will every day, all around the world. They’re deprived of the life they could have in their society or the wild. Animals have tolerated cruelty from humans over the centuries. They have been subjected to pain from humans for several reasons other than self-defense. Most of the cases show that they have even been maltreated for someone’s own personal amusement or personal benefit or financial profit. The 2013 documentary, Blackfish is a response to this animal dehumanization and illegal treatment meted out to all the animals but specifically the killer whales. Blackfish was created by Gabriela Cowperthwaite, a documentary filmmaker who for more than 12 years has directed, produced and
The universal image of the dolphin portrays the illusion that dolphins are always happy because they consistently appear to be smiling. This, however, is nature’s greatest deception as it is simply the shape of their mouth. Throughout the film the juxtaposition of the beauty of nature is harshly contrasted with the ugliness of the underlying secrets of the industry in Japan and around the world. The fishing industry is largest in Japan therefore that is where this movie was filmed. The captive industry has become a lucrative billion-dollar worldwide trade, with all money made from the exploitation, imprisonment and lifelong suffering of these living beings. A live dolphin captured for a marine mammal park can be valued up to $200,000. The most shocking fact is that this is legal. The International Whaling Commission outlawed commercial whaling in 1986, but dolphin hunts remain legal. The film’s impact was largely due to the emotional ties between O’Barry and dolphins. Although the filmmakers are extremely biased, his convincing pleads for our help are strategically made at the most emotional moments. He believes that bottlenose dolphins are being hunted the most “The fishermen are searching for bottlenose dolphins like flipper”. Luckily this type of dolphin is not yet endangered but this
Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.
In 2013 Gabriela Cowperthwaite produced and directed the documentary “Blackfish”. This documentary mainly focused on the issues behind killer whales being held in captivity such as at the famous amusement park Sea World, instead of the open ocean. Some negative outcomes of these animals being confined to such small spaces is, many accounts have been documented of the whales being agitated and having an aggressive tone with other whales and the trainers as well that work with them. A handful of these are human deaths caused by the orca whales. Throughout the documentary the director uses the Rhetorical strategies ethos, pathos, and logos to persuade the audience and try to convince them that her argument has a valid point and can be
The director of the documentary “The Cove” positions and influences the viewer to think a certain way about captivity and slaughtering dolphins. Overall director Lois Phihoyos potions the audience to view the capture and slaughter of dolphins as a horrific unspeakable act that no person should ever commit. In particular Phihoyos positions us to view Japanese fisherman as horrible murders who are committing a disgusting crime against humanity and nature itself and when they show us how and what happens to the dolphins while being killed.
“Blackfish” the documentary film was created to reveal how confinement of killer whales can lead to dangerous behavior toward human trainers. The main claim this film displayed is how the captivity of Killer Whales triggers aggression and is unsafe for humans and other marine mammals. Blackfish uses the story of Tilikum (most aggressive killer whale who killed the most amount of Sea World trainers), interviews of previous trainers, and court hearings regarding OSHA and Sea World to support their claim.