The film Edward Scissorhands is a contemporary archetype of the gothic genre exploring themes such as unrequited love, social rejection and human creation as defined by Tim Burton. Feature films explore different ideals that can be categorized into different genres that create expectations among audiences about characters, settings, plots and themes. Edward Scisscorhands directed by Tim Burton in the year 1990 is described as both a dark romantic fantasy and a gothic horror film. The film tells a story about Edward Scissorhands, the creation of an elderly inventor who dies before he can give Edward his normal hands in place of his scissor hands. Edward is taken from the mansion he lives in by a suburban family in an attempt to live a …show more content…
Another example from the movie is when Edward is introduced into this brand new style of living where he is the new ‘toy’ and uses his creative side to make people’s lives more enjoyable and fulfilling by cutting neighbours hair and turning a hedge into art. Tim Burton makes us think to look beneath the surface and not too just leave out someone who doesn’t look normal, he makes us think about our everyday life how we can be ignorant, rude and reject people who don’t look like us and have a disability. In Edward Scissorhands Edward isn’t always seen as the good guy from the town’s perspective. In the opening seen when we are given a bird’s eye view of the cars moving in and out of the town, this gives us the thought that the town is bright, bubbly and organized to the split second that the cars come out of the drive way but really as the movie goes on they seem to take the tag of being the ‘bad town’. In the movie the town thinks he is the bad guy because of what people have been gossiping about. Edward becomes the ‘bad guy’ as he is being betrayed/forced into the role of the town devil when he is the town hero as he has bought something to the town that will
Edward Scissorhands is one of the most curios and anticipating oviesive seen and it all starts off with A man named edward scissorhands is living in a dark mansion up on the mountain towering over the little town. Then an Avon representative drives up to the mansion and realizes the Edward is the only one living up in this mansion and decides to take him home to her house. Then then the peg the Avon representative took edward on a tour of the house and they get to her daughter kim's room and right when you see it you can tell edward like kim but Jim edwards boyfriend does not like Edward every much because he's different. If i was that person i would not bring edward home because who knows what he is capable with those scissorhands.
In contrast, by appearance of a horny sexual character, Joyce, viewers are positioned to see the danger of a woman as she rallies support which turns into a mob after she fails to proceed what she wants – sexual intercourse. However, the actions of main character, Edward, and the clothes worn him and more importantly, an awkward looks of him with scissors for hands positions the viewers to see him as a person who can't and never will fit in ordinary suburbia. Burton’s use of these characters is to convince viewer that whether conformity is good or bad, distinct individual is always to be left behind.
‘Edward Scissorhands’ is a film directed by Tim Burton. It is a modern-day fairy tale focused on Edward, a person with scissors instead of hands, who is brought to live with a family after spending years in seclusion. Although the film is made for entertainment, it is not the sole purpose of it. There are many messages and themes rooted throughout the film, which are directed towards the audience. These give the film a deeper meaning. Some of the messages include that looks can be deceiving, the significance of individuality, as well as isolation.
Nathaniel Brandon once said “The first step toward change is awareness. The second step is acceptance”. In Edward Scissorhands directed by Tim Burton, society individualises Edward because he is “deformed” and only some accept him. The film reveals how society takes advantage of Edwards unique abilities and then was distinguished when society’s view turned to danger, he was then discarded by the people. Society takes advantage of those who are distinctive or have unique capabilities but are instantaneous to neglect them too.
In my essay I am going to reference two films, Edward Scissorhands (1990) and Vincent (1982), directed by Tim Burton. Edward Scissorhands, is Tim Burton’s take on the Frankenstein story. We can clearly see the influences that have appealed to Tim Burton in the classic Frankenstein (1931) was not the character’s monstrousness appeal but the sense of sad sorrow that audiences sympathized to in Boris Karloff’s performance. Whereas in Tim Burton’s vision, we see a “Special” character as the Frankenstein Monster, in the similar way that we call people with disabilities Special. And then we have Vincent, a short stop-motion animation. The short film itself is an entertaining aspect of a suburban boy named Vincent who recites Edgar Ellen Poe and categorizes with Horror film star, Vincent Price. With similarities to Edward Scissorhands, the main character is a chance for Tim Burton to represent himself on the screen as a tortured boy, outsider and artist. I am going to discuss how cultural and psychological concerns are represented through characterization, art direction, cinematography, and sound. I will support my discussion by analyzing a reflection on both the similarities and differences between the two films, and whether a distinctive “Burton” signature (aesthetics, cultural and psychological concerns) is evident.
The movie Edward Scissorhands starts off with an unusual character named Edward who was very different to the others. At the start, everyone seems to like Edward because he is able to do things others can’t, which means he has something different to give. The film shows that people who are different are treated differently for example when Edward was deemed interesting by the town but as soon he's done something wrong he is not liked.
Tim Burton utilizes editing to connect and amplify his story plot and present a significant and important moment with the characters. Burton accomplishes this with flashbacks. Burton uses a flashback smoothly in Edward Scissorhands. When Edward hesitates to hug Kim, but finally has the courage to do so, a flashback intrudes the scene to signal the audience the reason as to why Edward is so shy. The flashback sets a sorrowful and heartbroken mood after Edward’s father, The Inventor, dies suddenly. The audience experiences the grief Edward has, through a dark flashback and conveys Edward’s connection and affection to Kim. During the flashback, Burton also uses eye-line match when Edward looks at the broken hands on the floor after The Inventor dies. The broken hands demonstrate the damage that Edward has received. Edward’s reaction to his ruined present reveals his innocence to the tragedy. Because Edward could not comprehend what has taken place, the audience feels sympathy for Edward’s
Edward Scissorhands, written by Tim Burton, tells the tale of a young man who is lovable, childlike and sensitive, bewildered by the humanity around him, yet is terrifying- someone who has scissors, the deadly weaponry, for hands. Many viewers may read this film as a “Tim Burton” type of fairytale which includes both an alternative aspect and romance. However, through the presentation of mise-en-scene in this film, Burton drives in a much more serious subject of social criticism by establishing two different understandings of life in the movie.
Tim Burton’s gothic drama film Edward Scissorhands explores what is immoral with our society. A present issue with humanity is people who are different are encouraged to conform. In addition, society plays by the rules and follow societal norms rather than listening to their hearts. Most importantly, humans are cruel and exploit those who are vulnerable for their own benefit. Through the use of film techniques, Burton proposes the faults in humanity and the brutal nature of humans.
The film ‘Edward Scissorhands’ by Tim Burton, is a modern day fairy tale which follows the story of Edward, a young man that is taken out of isolation and introduced into a new way of life. Although the film is for entertainment, that is not its sole purpose. The film has deep and rich themes, which convey many important messages to the audience. Some themes of the film include; conformity, appearances versus reality and individuality.
Tim Burton, the director of Edward Scissorhands, draws inspiration for his work from fairytales and children’s stories. He has always had an affinity for the darker elements of these stories, which is made evident in the film Edward Scissorhands. The film’s main character is a man named Edward who has scissors for hands. Later, it is shown that he was a metal figure brought to life by his inventor, an elderly man who dies before he is able to give Edward human hands. Edward lives in a mansion on a hill on the edge of town, all alone, until a woman named Peg finds him and bring him to live with her family. Edward immediately develops an attraction to Peg’s daughter, Kim, though she has a boyfriend. Towards the end of the film, Kim tells Edward that she loves him, and Edward seems to be completed. However, Edward struggles to conform to society, and eventually is forced by the members of the community to return to his mansion, isolated from any human interaction. The film combines a make-believe character, as often found in children’s books, with elements of a horror film, like suspicion and violence. The film features several flashbacks throughout that elaborate on Edward’s past and show how he came to be. Burton uses these flashbacks to grow the audience’s understanding of Edward, explain events, and emphasize themes.
In Tim Burton’s movie, “Edward Scissorhands,” he claims that when one seems different from the other, then people do not accept them for who they are because they are not like them and they are not willing to accept a new change that has come to their life. He illustrates this by making Edward stand out,so he has him only wearing black and white whereas all the other people are wearing colourful clothes; he says that Jim is mad at Edward because Edward stole his girlfriend from, then he makes fun of him for not being human behind his back because he is a machine; he moreover implies that Edward looks dark and scary when really he is sweet, nice, and unique, however, the town is colourful but the people are not, they are just bland and cruel people. Burton exaggerates the fact that Edward is different from the others by adding scissors for hands and making him wear all black and have pale skin making him look like he has a scary look even though he is sweet like candy, while the townspeople are colourful but cruel like villains; he additionally points out that people have to tolerate him but Kim has accepted him for he is, he demonstrates that by letting people know that even though Edward is different, he can still love. Although the author has advised that everyone should be treated fairly, he has more suggested that some people are not used the change that Edward has brought to this town; Burton has advanced that everyone is different and everyone should be treated fairly no matter what they look like or what problems they have.
The film ‘Edward Scissorhands’ by Tim Burton can be seen as a modern day fairytale. However, there are many important themes that make the film richer and deeper in meaning. The film is not simply entertaining, because the director examines the importance of individuality, love and appearance and reality.
The most appealing films are those that keep audiences guessing, surprise them at the most unexpected times and break conventional film boundaries. Edward Scissorhands (1990) directed by Tim Burton, is a feature film that does exactly that. It blends a fairy tale story with a gothic horror film, to engage the viewer right from beginning until the resolution. It tells the tale of Edward, who was the creation of an inventor who died before he could give Edward proper hands, and was left with scissors as hands. When he was taken from his gothic mansion, into a “normal” suburban community, he was at first welcomed, but then heartbreakingly rejected when things went wrong. The character of the “monster” is an
In the films of Tim Burton, the antagonists are always troublesome, self-absorbed, and ill-mannered, while the protagonists are always the outsiders. Burton, director of many movies such as Charlie and the Chocolate Factory, Edward Scissorhands, Frankenweenie and much more, makes the protagonists outcasts because “‘It’s important to feel like you live or understand the character.’ [...] Like young Victor, Burton grew up feeling isolated in the suburbs, with emotionally-distant parents and a beloved dog, bullied in school and probably a bit depressed…”(Hollywood Reporter). The great contrast between the protagonists and the antagonists convey the tone for how he perceives the world and the people in it. In the films Edward Scissorhands and