The Yellow Wallpaper Research Paper

Likewise, the woman in "The Yellow Wallpaper" was confined because of her mental illness. She, most likely, was suffering from post-partum depression, after the birth of her child. Instead of getting love and attention, and being able to see her child, she was sent to live in a room in a foreign house. She was not allowed out of the one room that her husband picked out. Although she yearned to see the gardens and the rest of the house, her husband would not let her. It was as though she was being punished for her illness. I believe that her confinement had an effect on the progression of her

Berenji, Fahimeh Q. "Time and Gender in Charlotte Perkins Gilman’s “The Yellow Wall-Paper” and Kate Chopin’s “The Story of an Hour”." Journal of History Culture and Art Research, vol. 2, no. 2, 1 Jan. 2013, pp. 221-234, Database: MLA International Bibliography -- Publications. kutaksam.karabuk.edu.tr/index.php. Accessed 18 Nov. 2017.

Perkins Gilman’s ‘The Yellow Wallpaper’ and Edgar Allen Poe’s ‘The Fall of The House of Usher’ both serve a highly horrific purpose which is both good examples for the gothic. The strongest example of gothic is ‘The Fall of The House of Usher’ as it established the extreme horror intense and shows the gothic scene of the house.

After a while of staying at the house she started to get lazier and rest most of the time. During the day when John and his sister think that the narrator is resting she is actually study the wallpaper in the room. She is starting to feel uneasy in the room once more and wish that John would take her away from the house but John would not listen and he would say that the house was doing her good. The only way that John would leave is if he believe that she was in any

When people think of normal ghost stories they think of stories told around the campfire. Like a ghost of a one handed axe murder that kills kids that venture out into the woods, or the ghost of a kid who drowned in the lake and seeks vengeance on every camper that comes there. Many people don’t associate ghost stories with tales like Macbeth and Hamlet by Shakespeare. Or other works of literature like the Yellow Wallpaper by Charlotte Perkins Gilman and the Things they Carried by Tim O’Brien. Both tales are great examples of a unconventional ghost story not normally told around the campfire, because of the hidden underlying “ghost”.

In either case, she grows increasingly obsessed with it, believing the woman to be a tangible person. When she starts to see all around the house she grows convinced that she must free the woman, resulting in an insane attempt to pull all the wallpaper off the walls. John, ever the concerned husband, is either way or asleep for most of this endeavor. Leaving the narrator completely alone in her room with the wallpaper that started the insanity in the first place. Her tone takes a drastic turn just before the end.

Another significant theme displayed in the short story is the oppression of women and the role of women in society. This is shown in an article which is an analysis of the short story, it is called “Escaping the Sentence: Diagnosis and Discourse in The Yellow Wallpaper”. In the article, it shows how the narrator was oppressed because of the role of women in society. For example, it shows that John expects her to be a certain type of woman, that certain type of woman is a woman that doesn’t cry and shout/scream. Mostly, John wants to dominate the narrator, he wants her to follow his orders and he wants the narrator to be under his controls.

Charlotte Perkins Stetson’s short story, “The Yellow Wallpaper” is about a woman who progressed to insanity due to how she was treated. Her passion was withheld from her. The story of “The Yellow Wallpaper” is based on the author’s purpose. The author’s purpose is the reason an author writes about a specific topic. Stetson wanted to convey to her readers what happens to an individual when one’s purpose or passion are being withheld. Even the environment within the setting proved to be a factor in achieving the desired results, and the evolution of the main character throughout the story.

Charlotte Perkins Gilman’s story of, “The Yellow Wallpaper,” seems to be about a woman suffering from postpartum depression at first glance, but as the reader looks deeper into the text, can notice that this only scratches the surface. The protagonist, confined to a small room with yellow wallpaper under her husband’s direction, starts to go a bit mad. Her projection of her shadow grows into an imaginary woman that embodies the conflicts she experiences throughout the story, leading her to become more and more unstable and break down the boundaries of her and her shadow’s identity.

Her suspicions about the house has her husband worried about her and thinks she might be suffering from “nervous depression”. In order to cure this, her husband believes that locking her in a room for the entirety of the vacation will work. While being locked in the this room, she grows intensely focused on this yellow wallpaper. This drives her crazy trying to figure out the unorthodox pattern of the wall that doesn’t have a real pattern. Only when she is about to leave for home does she see that the pattern on the wall was a picture of her behind bars trying to escape from a trapped

It is not her husband’s dominating ways she ends up succumbing to. Her own metal prison is what she decides to reside in. Johnson points out “who willingly accepts madness over repression, refusing a life of ‘unhappy silent acceptance’ ” (). The narrator would rather be mad than remaining under her husband’s control.

Freedom is a right all people have but women who are imprisoned in a domestic marriage lose that right and are unable to convey themselves the way they should. In the story, The Yellow Wallpaper, by Charlotte Gilman a woman and her husband move into a large secluded house. The husband, being an intelligent physician, informs his wife that this would be the best cure for her illness. The wife wanting to please her husband does as he says. She becomes fascinated and oddly obsessed with the wallpaper in the bedroom. This fascination causes her to become even more insane then she was in the beginning. Charlotte Gilman’s story The Yellow Wallpaper and other works express the idea that women forced to remain in a domestic

Also, we can relate the woman in the wallpaper to the narrator because she is free to do what she wants because John is not there, but during the night she is locked up in her room much like the woman in the wallpaper. These circumstances in which the narrator was put under during the late 1800's would not have been an oddity, and therefore I believe many women just as the narrator did would have had problems go undiagnosed.

According to Edmund Leach, taboos “serve to order the world [by] forbidding ambiguity” (Leach 1). It would explain how Charlotte Perkins Gilman’s “The Yellow Wallpaper” wrote it from Jane’s perspective, an oppressed wife to a well-known physician dealing with postpartum depression and is treated as deviant individual. An unfortunate time for Jane to be a woman, she manifests into an individual empowered in being one with the yellow wallpaper knowing that being a taboo will only drive her into madness. Nevertheless, to be born during the Victorian era as a woman, social order required her to be one thing and the very essence of her existence denied due to men’s fear of being equal to woman. Jane’s deviant behavior and internal

The short story, “The Yellow Wallpaper” starts off by describing the house John had rented for the summer to the reader. John is the narrator’s husband and a physician. The narrator is believed to be ill. John believes her illness is no big deal and says she just has “nervous depression”. To treat this “nervous depression”, she is not allowed to write or go outside.