The Yellow Wallpaper Psychology

"The Yellow Wallpaper" tells the story of a woman living in the nineteenth century who suffers from postpartum depression. The true meaning implicit in Charlotte's story goes beyond a simple psychological speculation. The story consists of a series of cleverly constructed short paragraphs, in which the author illustrates, through the unnamed protagonist's experiences, the possible outcome of women's acceptance of men's supposed intellectual superiority. The rigid social norms of the nineteenth century, characterized by oppression and discrimination against women, are supposedly among the causes of the protagonist's depression. However, it is her husband's tyrannical attitude what ultimately

Charlotte Perkins Gilman’s story, The Yellow Wallpaper, portrays the life and mind of a woman suffering from post-partum depression in the late eighteenth century. Gilman uses setting to strengthen the impact of her story by allowing the distant country mansion symbolize the loneliness of her narrator, Jane. Gilman also uses flat characters to enhance the depth of Jane’s thoughts; however, Gilman’s use of narrative technique impacts her story the most. In The Yellow Wallpaper, Charlotte Perkins Gilman uses interior monologue to add impact to Jane’s progression into insanity, to add insight into the relationships in the story, and to increase the depth of Jane’s connection with the yellow wallpaper it self.

The forceful tone throughout the passage I chose, and story, shows that Gilman was forcefully trying to get her point across through the narrator of the story, that resting, and confinement were not the answers to curing mental health issues, such as postpartum depression, in the late nineteenth century, “Personally, I disagree with their ideas. Personally, I believe that congenial work, with excitement and change, would do me good. But what is one to do? I did write for a while in spite of them, but it does exhaust me a good deal- having to be so sly about it, or else meet with heavy opposition” (Gilman, P. 462). She is forceful. She does not agree with the ideas of rest and confinement as a cure. The narrator wants to be able to be free and live with the normal excitements of life. In addition, she states forcefully, that she writes in spite of her husband and brother. The narrator knows that writing helps her and wants the reader to know that she continues to do it anyways, because she knows that it is in the best interest of her health, to be able to clear her head, by writing down her

In Charlotte Perkins Gilman's "The Yellow Wallpaper," a nervous wife, an overprotective husband, and a large, dank room covered in musty wallpaper all play important parts in driving the wife insane. The husband's smothering attention, combined with the isolated environment, incites the nervous nature of the wife, causing her to plunge into insanity to the point she sees herself in the wallpaper. The author's masterful use of not only the setting (of both time and place), but also of first person point of view, allows the reader to participate in the woman's growing insanity.

Trapped in the upstairs of an old mansion with barred windows and disturbing yellow colored wallpaper, the main character is ordered by her husband, a physician, to stay in bed and isolate her mind from any outside wandering thoughts. “The Yellow Wallpaper”, written by Charlotte Perkins Gilman, describes the digression of the narrator’s mental state as she suffers from a form of depression. As the story progresses, the hatred she gains for the wallpaper amplifies and her thoughts begin to alter her perception of the room around her. The wallpaper serves as a symbol that mimics the narrator’s trapped and suffering mental state while she slips away from sanity reinforcing the argument that something as simple as wallpaper can completely

The geographical, physical, and historical settings in Charlotte Perkins Gilman's "The Yellow Wallpaper" were more than the primary character could handle. The geography would lead to think she could enjoy the environment, but she chose not to. The physical setting showed us the reader just how grotesque and unbearable it would be to live a room in which the wallpaper to over the narrators mind. Lastly, we looked at how historically women were not allowed to speak their minds about how they felt. Maybe now that John has seen his wife go completely insane for himself he will finally seek extra attention for

The Story “The Yellow Wallpaper” by Charlotte Perkins Gilman is a great expression of women’s oppression in the 19th century. The story introduces readers to a woman frustrating in her life and suffering from a nervous depression and her marriage as the yellow wallpaper is causing her a real insanity. Having a background about the timing and the setting that the story is written in helps the reader to internalize the whole meaning of the story and understand its important details. The story is told by a narrator using an anxious tone, and she is being angry and sarcastic at the same time. The woman mentions that her husband has taken her to a summer vacation. So, the story takes

By these pieces of evidence, it is accurate to conclude that her husband's presence puts pressure on her to the point of where she feels trapped and like she can’t be herself and that without those pressures she feels free and able to be herself. While this symbol shows some of the pressures she felt by her husband, the journal that she writes in is also a clue to what these pressures are.

Maybe one of the bigger underlying messages in this short story is confinement, which is represented by one of the bigger symbols,the yellow wallpaper. When Jane begins to first describe the wallpaper she says,”The color is repellent, almost revolting; a smouldering unclean yellow,strangely faded by the slow-turning sunlight’(Gilman 3). Jane doesn’t seem to understand what is truly eating at her and causing her depression because she feels suppressed but because it is a social norm she continues to go along with it. The yellow wallpaper is weird at first, it repels her, is revolting to her and it is strange because it seems to represent freement of confinement. Continuing on in the story Jane states, ‘There are things in that paper that nobody knows but me, or ever will’(Gilman 4). Proving that the wallpaper is

Jane the main character is a married woman who is placed in this situation and recounting this place and how it makes her feel. She has no ability to make choices for herself for her husband John who is a physician and taking care of her. He thinks that all she needs is fresh air, rest, and good food, along with tonics to get better; instead of talking to her and listening to her needs. “He says only myself can help me out of it”” John is away all day, and even some nights when his cases are serious.” ” John does not know how much I suffer.” “You see he does not believe I am sick!” (Gilman pg. 202) As the story gets into itself you get the picture that Jane has just had a baby that she loves yet can not stand to be around. That her frame of mind is very depressed and only just happened after the birth. She struggles with this internally which shows she still has maternal instinct and jealousy for those who are caring for him. “It is unfortunate that Mary is so good with the baby. Such a dear baby! And yet I cannot

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

In “The Yellow wallpaper”, the wallpaper is a metaphor that expresses women’s protest against the repression of the society and their personal identity at the rise of feminism. During the Victorian era, women were kept down and kept in line by their married men and other men close to them. "The Yellow Wallpaper", written By Charlotte Perkins Gilman, is a tale of a woman, her mental difficulties and her husband’s so called therapeutic treatment ‘rest cure’ of her misery during the late 1800s. The tale starts out in the summer with a young woman and her husband travelling for the healing powers of being out from writing, which only appears to aggravate her condition. His delusion gets Jane (protagonist), trapped in a room, shut up in a bed making her go psychotic. As the tale opens, she begins to imagine a woman inside ‘the yellow wallpaper’.

  "The Yellow Wallpaper," written by Charlotte Perkins Gilman in the late nineteenth century, explores the dark forbidding world of one woman's plunge into a severe post-partum depressive state. The story presents a theme of the search for self-identity. Through interacting with human beings and the environment, the protagonist creates for herself a life of her own.

Charlotte Perkins Gilman once said, ‘’There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver’’. Gilman’s belief that there’s no difference in means of mentality between men or women demonstrated through ‘’The Yellow Wallpaper’’. Gilman symbolically portrays that women suffer from psychological disorders caused by lack of love, care, and a constant pressure of secondary roles and personal unimportance in social life. The Yellow Wallpaper is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time frame where women were oppressed. The short story can be analyzed in depth by both the psycho-analytic theory and

In the story “The Yellow Wallpaper,” Gilman creates a character of a young depressed woman, on the road to a rural area with her husband, so that she can be away from writing, which appears to have a negative effect on her psychological state. Lanser says her husband “heads a litany of benevolent prescriptions that keep the narrator infantilized, immobilized, and bored literally out of her mind. Reading or writing herself upon the wallpaper allows the narrator to escape her husband’s sentence and to achieve the limited freedom of madness which constitutes a kind of sanity in the face of the insanity of male dominance” (432). In the story both theme and point of view connect and combine to establish a powerful picture of an almost prison-type of treatment for conquering depression. In the story, Jane battles with male domination, because she is informed by both her husband and brother countless brain shattering things about her own condition that she does not agree with. She makes every effort to become independent, and she desires to escape from the burdens of that domination. The Yellow Wallpaper is written from the character’s point of view in a structure similar to a diary, which explains her time spent in her home. The house is huge and old with annoying yellow wallpaper in the bedroom. The character thinks that there is a woman behind bars in the design of the wallpaper. She devotes a great deal of her