Can you imagine being a patient in an insane asylum? How about not even being aware that you are a patient in an insane asylum? Charlotte Perkins Gilman’s dramatic short story is about a woman who explains in her journal that she is in a vacation home accompanied by her husband, John, and his sister, Jennie. They are “vacationing” there because she is being treated for a case of a “slight hysterical tendency”, but by the end of the story the narrator has gone completely insane. The information given by the narrator is not completely reliable, due to her condition. In Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper”, the narrator expresses traits of a mental patient, and describes features of the other characters in the story and …show more content…
It is not a secret that the narrator in this story is in some way, shape or form mentally ill. The first clue of a mental disorder is the treatment she is going through. The narrator is on the rest cure, where she is forced to stay under isolation in a room by herself. She is not allowed to work, write, or even read. Anything that requires physical labor is prohibited while she is on this treatment. “After removing the patient from a setting in which she was surrounded by dedicated family caregivers, the patient was put into an isolated setting…” (Kelly, 20) This quote describes the rest cure created by Weir Mitchell. This treatment was used to treat female patients with many different conditions in the 1800’s. This treatment is very similar to the one that the narrator in “They Yellow Wallpaper is being treated with, because she is not allowed to have any family come and visit her and she is isolated in a …show more content…
She describes features of the house that parallel a mental institution. First, the narrator describes asylum-like features that are in her room. She writes about how she cannot move the bed, and she thinks that it is permanently bolted to the wall. This type of bed is used in insane asylums to keep the patients from hurting themselves with the furniture. The narrator also describes “metal rings and things” that are chained to the walls, and metal bars placed on the windows. These are described a lot like restraining devices that would be put into an out-of-control mental patient’s room to keep them from hurting themselves or others. Also, the narrator describes that the wallpaper on the walls is torn and scratched up. Metal patients suffering from illnesses that drive them insane are very likely to take their feelings out on the only thing in the room that is available, which would be the walls and the wallpaper on the,. The narrator seems to think that the room she is in used to be a nursery, and she thinks that the rings on the walls were toys. None of the characteristics of her room described by her would be suitable for children. Not only are there asylum-like features in the narrator’s room, but she describes them throughout the rest of the house and even outside. She mentions that there were gates that lock and people wandering around the yard. If
“The Yellow Wallpaper” tells of the journey into insanity (brought on by postpartum depression?) of a physician’s wife. Persuaded by her husband that there is nothing wrong with her, only temporary nervous depression, a diagnosis that is confirmed by her brother( Gilman, 647). What is telling is that she suspects perhaps her husband John is the reason she does not get well faster. She and/or we are led to believe that they have rented a colonial mansion for the summer for her to get well. She is however isolated in a home three miles from the village and on an island. (Gilman, 648). She wants to stay in the downstairs room with roses and pretty things, but her husband insists on the room at the top of the house ostensibly because it has room for two beds. But the room’s description of barred windows and walls with rings and things in them (Gilman, 648) could leads the reader one to conclude that this is his own private asylum, and not “a nursery first and then a playroom and gymnasium” (Gilman, 648) as the woman believes. It is this room, and more precisely the wallpaper in the room
For a long period, those suffering from disorders were not given the most adequate treatments. In fact, it was believed that those with mental illnesses were possessed by demons or were accused of witchcraft because of their abnormal behavior (Comer, 2014). Later on new solutions for these illnesses rise. Those with mental disorders would either get operations called trephinations (Comer, 2014) or were locked away in a hospital, which is exactly what happened to the protagonist of this short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. However, the protagonist was not locked up away in a hospital, but she was locked up in a room in her house because of her husband, a physician, believed this would help “cure” her depression. Unfortunately, his treatment did not the way he expected. But recently, changes have been made, and breakthroughs in the cause and treatment of mental illness have been discovered. Unfortunately, these discoveries did not come soon enough for some. Luckily, psychologists have learned from the mistakes of doctors' treatments. Her husband diagnosed her with depression, therefore he should have encouraged her to go out and do activities she highly enjoys. It would have been great if he spent more time with her or surround her with her loved ones instead of having her
Charlotte Perkins Gilman’s, “The Yellow Wallpaper,” tells the story of a woman suffering from post-partum depression, undergoing the sexist psychological treatments of mental health, that took place during the late nineteenth century. The narrator in Gilman’s story writes about being forced to do nothing, and how that she feels that is the worst possible treatment for her. In this particular scene, the narrator writes that she thinks normal work would do her some good, and that writing allows her to vent, and get across her ideas that no one seems to listen to. Gilman’s use of the rhetorical appeal pathos, first-person point of view, and forceful tone convey her message that confinement is not a good cure for mental health, and that writing,
“The Yellow Wallpaper,” by Charlotte Perkins Gilman, is a story that surrounds many different topics. The narrator is living in a time period where women were looked down upon and mental illnesses were misunderstood. The narrator of the story suffers from post-partum depression and is recording her journey in a journal. Her husband, the typical man at the time, put her on “the rest cure,” as he believed that mental illnesses should be treated like physical illnesses. He brings her to a house far away from other people and makes her stay in the nursery. The nursery had shabby yellow wallpaper which sickened her, but intrigued her at the same time. The rest cure was basically confinement, both physically and mentally. She was deprived of
In "The Yellow Wallpaper," Charlotte Perkins Gilman presents the narrator, being the main character, as an ill woman. However, she is not ill physically. She is ill in her mind. More than any chemical imbalance that may be present; the narrator's environment is what causes her to go mad.
The story "The Yellow Wallpaper" by Charlotte Perkins Gilman is a story about a woman who is very mentally ill on her vacation with her husband. She is suffering from “nervous depression", which effect her greatly on her psyche levels and reality. While she is recovering she starts imaging a woman in the wallpaper looking at her trying to escape. Her mind start to believe that the woman in the wallpaper is real to the point that she consume her very mind. The narrator illustrate that the woman in the yellow wallpaper is a representation of mind failing to the illness she has. The reason why is because she suffers from neglect, depression, and the insanity that warps her mentally.
In the late 1800's/early 1900's, when Charlotte Perkins Gilman experienced her episode of "temporary nervous depression" (Gilman 885), and wrote her autobiographical short story, "The Yellow Wallpaper," the workings of the mind were mysteries that few medical people attempted to investigate. A patient who was poor and ill-educated and exhibiting signs of mental disorder was institutionalized -- ala Bedlam. The patient who was rich, educated, and/or from a "good family" was called eccentric and given a prescription for complete mental rest and controlled physical exercise combined with the consumption of phosphorus enriched tonics. This regimen was to be followed in an environment
In Charlotte Perkins Gilman's, "The Yellow Wallpaper," the main character, Jane encounters a mental illness that would take control of her entire life. The progression of Jane's mental illness is demonstrated through the environment and how her surroundings depict her mental state. The house Jane lives in is a physical representation of her mental state. As the story progresses Jane has completely become isolated from her family and the rest of society. Jane is a prisoner in her own home.
The recurring conflict in the short story, leading to the narrator losing her insanity, can be seen in the beginning of “The Yellow Wallpaper”, with the narrator’s point of view illustrating her restricted, mundane life and the misunderstanding of her condition that causes her mental health to deteriorate. The narrator clearly depicts the heavy constraints limiting her from expressing herself through her very first diary entry, in which she says “John is a physician, and perhaps-- (I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)--perhaps that is one reason I do not get well faster. You see he does not believe I am sick! And what can one do? Personally, I disagree with
The “rest cure” was a common treatment for depression in women in the nineteenth and early twentieth century. Women were locked in a room involuntarily and forced to “rest.” The patient was locked in a room and not allowed to leave or function in any type of way. The narrator in Charlotte Perkins Gilman’s story The Yellow Wallpaper is subjected to this cure. The story is written to expose the cruelty of the “resting cure”. Gilman uses the wall paper to represent the narrators sense of entrapment, the notion of creativity gone astray, and a distraction that becomes an obsession.
In the early nineteenth century, mental illness was a mysterious and confusing disease to the general public. Charlotte Perkins Gilman's "The Yellow Wallpaper" and Roald Dahl's "Lamb to the Slaughter" are both short stories that include deranged women. Mary Maloney, the main character of "Lamb to the Slaughter," and Jane, the main character of "The Yellow Wallpaper," both experience a type of mental illness. The two characters' mental illnesses seem to be influenced by the actions and words of their husbands. Mary seems to be relatively normal at first, but after her husband, Patrick, tells her some seemingly upsetting news, Mary is overtaken by her insanity. Jane, on the other hand, has already been diagnosed with her illness at the beginning of the story, and it continues to worsen due to her husband, John's, orders. Mary and Jane's conditions of insanity occur as a result of the environment in which they live and because of the breaking points they reach at the hands of their husbands.
Mental illness, a problem mankind has had since the dawn of time. While we have not had any major breakthrough until modern times we have yet to uncover the cause and cure for the majority of them. While earlier physicians had fought with what they believed would help people to get better of their ailments. Charlotte Perkins Gillman was an author from the 1800’s that had own personal fight with a mental illness. In the story “The Yellow Wallpaper” it is said to be an autobiography of sorts even down to the fact that she uses her doctor’s name that diagnosed her with depression, Weir Mitchell (Gillman 6). Throughout the story the unnamed narrator speaks of different women who her husband John only mentions Jennie once and does not recognize her as being at the house but says "Why, how can I, dear? It is only three weeks more and then we will take a nice little trip of a few days while Jennie is getting the house ready. Really dear you are better! “(Gillman 6). He only speaks of people who are not around. This points to the narrator possibly having a dissociative identity disorder which the
In The Yellow Wallpaper, Charlotte Perkins describes the story of a woman suffering from a mental illness during the 19th century. The protagonist (an unknown narrator) is a wife and mother suffering from postpartum depression. Her husband John, who is also her doctor, diagnosed her with hysteria and he decided to move away with her to start a “rest cure,” at a mansion, isolated from the village. The narrator was powerless against her husband, and he had the authority of determining what she does, who she sees, and where she goes while she recovers from her illness. Throughout the story, the author used stylistic elements, such as strong symbolism, to show how the mental state of the narrator slowly deteriorates and ends
The Yellow Wallpaper by Charlotte Perkins Gilman is a story set in a 19th century colonial mansion, in which the narrator and her husband stay for the summer. The narrator, who is unnamed, is undergoing a rest cure for some kind of mental illness after giving birth. This mental illness is now known as postpartum depression. Rest cure involves doing absolutely nothing and this triggered the further deterioration of the narrator’s mental health. Her husband, John, monitors her condition while they stay in the mansion. She is confined in a room— supposedly a nursery room— with barred windows and scratches on the floor. The most noticeable feature of the room by the narrator is the yellow wallpaper. Each day, her description of the yellow wallpaper becomes more disturbing; from being just plain wallpaper to being a prison cell for trapped women, shaking the bars, wanting to be free from it. Instead of getting well from the rest cure, the narrator’s mental state worsened as what is depicted in her journal entries. She eventually goes mad and her husband fainted from the sight of her condition.
Charlotte Perkins Gilman once said, ‘’There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver’’. Gilman’s belief that there’s no difference in means of mentality between men or women demonstrated through ‘’The Yellow Wallpaper’’. Gilman symbolically portrays that women suffer from psychological disorders caused by lack of love, care, and a constant pressure of secondary roles and personal unimportance in social life. The Yellow Wallpaper is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time frame where women were oppressed. The short story can be analyzed in depth by both the psycho-analytic theory and