The Yellow Wallpaper Essay

People with mental health issues have been viewed and treated in a variety of ways within western society throughout time. Historically if an individual displayed behaviours which disrupted their function in society and defied social norms they were viewed as lunatics, insane or even cursed (Cowan, 2008; Elder & Evans & Nizette, 2009). It is from these past issues that many people still have unreasonable thoughts about mental illness; their misconceptions have created unreasonable fears and negative attitudes toward those who experience it. This negativity brings for many the barriers of not only

In the short story, the reader gets the sense that the narrator feels like the wallpaper is a text she must interpret, that it symbolizes something that affects her directly. Its symbolism progresses throughout the story. At first, it is just ugly and unappealing to look at because it is ripped, soiled, and an “unclean yellow.” It eventually captivates the narrator as she tries to figure out the seemingly formless pattern. The narrator eventually begins to hallucinate an eerie sub-pattern behind the main pattern. Ultimately, the sub-pattern comes into focus as a frantic woman, continually crawling and hunched,

Perkins Gilman’s ‘The Yellow Wallpaper’ and Edgar Allen Poe’s ‘The Fall of The House of Usher’ both serve a highly horrific purpose which is both good examples for the gothic. The strongest example of gothic is ‘The Fall of The House of Usher’ as it established the extreme horror intense and shows the gothic scene of the house.

The vivid descriptions in “The Yellow Wallpaper” help to bring the reader along in the narrators decent into a kind of psychosis. It starts mildly, with her describing the color of wallpaper as “repellant, almost revolting; a smoldering unclean yellow” (Gilman 528). As more time passes she begins to see more things in the paper such as “a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes start at you,” and for it have “so much expression in an inanimate thing” (Gilman 592). As the pattern and descriptions get more twisted, we get visual clues of the madness that is slowly consuming the narrator. The color of the paper even begins to become a physical thing she can smell descried as, “creep[ing] all over the house...sulking...hiding...lying in wait for me…It gets into my hair” (Gilman 534). In the end we get a graphic visual representation of her full psychosis

In “The Yellow Wallpaper,” written by Charlotte Perkins Gilman, the idea of “true womanhood” is challenged. The white woman portrayed in the story is prescribed what is known as the “rest cure” due to the overwhelming pressure of being the perfect woman, wife, and mother. Driven mad by the smothering of her husband and her inability to do anything for herself, the woman in this story goes crazy attempting to free herself from the constraints. In stark contrast to the woman in “The Yellow Wallpaper,” Sojourner Truth, a former slave, delivers a speech titled, “Ain’t I a Woman,” in 1851 that shakes people to their very core. A little before “The Yellow Wallpaper” was released, Truth shares a message that is astoundingly different from the

Charlotte Perkin Gilman’s short story, “The Yellow Wallpaper” depicts a female narrator descending into insanity as the story progresses. By analyzing the narrator’s decline in health as a direct result of her physician’s actions we can see that Gillman argues that by working with their patients to construct a joint narrative regarding treatment can a physician provide better and more effective care, and that consequences arise when a patient’s claims and concerns are dismissed.

All throughout history there has been a stigma around mental illness and feminism. “The Yellow Wallpaper” was written by Charlotte Perkins Gilman in the 1900’s. “The Yellow Wallpaper” has many hidden truths within the story. The story was an embellished version her own struggle with what was most likely post-partum depression. As the story progresses, one can see that she is not receiving proper treatment for her depression and thus it is getting worse. Gilman uses the wallpaper and what she sees in it to symbolize her desire to escape her depression and the controlling nature of the patriarchal society of the twentieth century. The story shows an inside look into the thoughts and feelings of a person with a mental illness such as depression. Gilman also uses symbolism to showcase how the male figures in her life had control over her well-being more than she did. Both her husband and doctor hindered her from healing by not listening to her when she expressed what she felt would help her. She does not clearly say that she feels overwhelmed by the patriarchal society of the 1900’s; however, one can infer this by her wording and actions throughout the course of the story. Charlotte Perkins Gilman uses “The Yellow Wallpaper” to reveal the truths of a woman’s everyday struggles in a patriarchal society and also the deeper struggles of a woman with depression.

Shunning and ignoring mental health patients comes under the umbrella of stigmatization. Recent interpretations of the term stigma have become somewhat confused and, at times, blur with those of social exclusion and discrimination (Jorm & Oh, 2009). To attempt to clarify the meaning of stigma, Goffman's seminal work is very useful. Goffman's (1963) monograph contributes to the potential lack of clarity by stating that stigma involves a combination of personal attributes and social stereotypes related to societal access to and endorsement of well-known "unacceptable" or "inferior" human characteristics. Technically therefore, a person may not be mentally ill, but others may attribute this condition to her or him, draw on entrenched stereotypes, and interact with the person in a manner arising from the observers'

However, the most important aspect of this room is the yellow wallpaper. The narrator despises it, loathing the colour and it’s pattern. She writes that it is “. . .dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide--plunge off at outrageous angles, destroy themselves in unheard of contradictions.” (Gilman). This description of the wallpaper serves the purpose to show the reader the unjust restrictions of society that the narrator is subjected to; “. . .commentators have seen in this description of the wallpaper a general representation of “the oppressive structures of society in which [the narrator] finds herself” (Madwoman 90), . . .” (Haney-Peritz 116). The statement of “dull enough to confuse the eye” and “constantly irritating and provoking study” are alluding to the narrator’s sense of inferiority and burden while the “lame and uncertain curves” are referencing the absurd suggestions that her husband is providing. Finally the “suicide” is the unfortunate fate that is destined to occur if his counsel is followed. When describing the wallpaper the narrator writes that “The color is repellent, almost

While stigma may not necessarily be a cause of a person’s mental disorder, it can certainly contribute to the complication and perpetuation of their illness. The effect of stigma goes well beyond just the patient and provides a commentary on society’s overall level of intolerance of those who are considered different from the majority. By recognizing the level of stigma that exists, perhaps we can alter that behavior and gravitate towards a more productive attitude towards mental illness.

Throughout history and cultures today, women have been beaten, verbally abused, and taught to believe they have no purpose in life other than pleasing a man. Charlotte Perkins Gillam uses her short story, "The Yellow Wallpaper" as a weapon to help break down the walls surrounding women, society has put up. This story depicts the life of a young woman struggling with postpartum depression, whose serious illness is overlooked, by her physician husband, because of her gender. Gillman 's writing expresses the feelings of isolation, disregarded, and unworthiness the main character Jane feels regularly. This analysis will dive into the daily struggles women face through oppression, neglect, and physical distinction; by investigating each section

Maybe one of the bigger underlying messages in this short story is confinement, which is represented by one of the bigger symbols,the yellow wallpaper. When Jane begins to first describe the wallpaper she says,”The color is repellent, almost revolting; a smouldering unclean yellow,strangely faded by the slow-turning sunlight’(Gilman 3). Jane doesn’t seem to understand what is truly eating at her and causing her depression because she feels suppressed but because it is a social norm she continues to go along with it. The yellow wallpaper is weird at first, it repels her, is revolting to her and it is strange because it seems to represent freement of confinement. Continuing on in the story Jane states, ‘There are things in that paper that nobody knows but me, or ever will’(Gilman 4). Proving that the wallpaper is

Stigma has been said to be “a feeling of being negatively differentiated owing to a particular condition, group membership or state in life”(Arboleda-Florez & Stuart, 2012, p. 458). There are typically two types of mental illness stigma that are discussed. Public stigma, also known as societal stigma, is the stigma associated with the prejudicial attitudes the public holds towards those people who suffer from mental illness (Arboleda-Florez & Stuart, 2012; Corrigan, Markowitz, Watson, Rowan & Kubiak, 2003). Self-stigma, also known as internalized stigma, is the loss of self-esteem, withdrawal, and personal shame that some with mental illness will experience. Self-stigma is usually developed when those who suffer from mental illness associate the negative stereotypes the public holds with themselves (Chronister, Chou, & Lieo, 2013; Corrigan et al., 2003).

Common stigmas with mental illness include feeling as though you will somehow be threatened by the individual whose mind is not well. It is also thought that someone with mental illness may be obviously identifiable, such as someone who is unkempt, or does not exercise good hygiene. The media does its fair share of perpetuating and instilling these images that many of us have of someone who is mentally ill. Another stigma is that the person on the corner who may be talking or mumbling to himself and is wearing torn, tattered, and dirty clothing must be a drug addict and couldn’t possibly be very intelligent. We do not stop to think that his mind may be in the process of being tortured by voices and magnified sounds.