Hysterics in The Yellow Wallpaper
Hysteria is mentioned almost immediately in Charlotte Perkins Gilman’s semi- autobiographical short story, The Yellow Wallpaper. We encounter the narrator through epistolary-like entries that she tells us is in a journal. The main character is a well off, married woman who is suffering from, what we now know to be, post-partum depression. She is taken by her husband to an isolated country house where she can rest, and upon their arrival to the house she is placed in a former nursery covered in a hideous, yellow wallpaper; which slowly drives her insane.
In The Yellow Wallpaper the main character is remanded to rest, so she can ‘recover’ from her “temporary nervous depression” (Gilman 25), which can be attributed to her postpartum depression after the birth of her child. The early appearance of the disease in the narrative shows how much of a prevailing theme it is for women living in the late Victorian era, as this was written in 1892. The narrator has been diagnosed with a “slight hysterical tendency” and prescribed confinement to her room by her husband, a doctor. This ‘hysterical tendency’ is referring to the depression she is going through but is mainly diagnosed because of her refusal/inability to care for her child, the staple of womanhood. She notes “If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression-a slight
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has
The story, "The Yellow Wallpaper", by Charlotte Perkins Gilman reflects society's attitude and treatment of mental health issues in the late 1800s. As the story begins, the narrator chronicles her mental health deterioration after the birth of her baby. Her writings reflect her husband’s attitude about her condition, which represents society’s ignorance of women’s medical issues. As the story progresses, the wallpaper itself becomes personified as a prison warden, who oppresses her freedom. As the narrator peels away the wallpaper, Gilman uses setting and imagery to draw readers into the narrator’s world of confusion, anxiety, and depression to share her experience with what we now know to be post-partum depression (PPD).
During the late 19th century women, as history demonstrates, were to remain confined to their societal expectations and roles. Women were thought of as the weaker sex, emotional, and fully dependent on their male counterparts, child-like. She was to be a pious woman, living a life of true domesticity. If a woman was not able to function in her role as a mother and submissive wife, then she was thought of to be simply undergoing hysteria. In “The Yellow Wallpaper” by Charlotte Perkins Gilman, written in 1892, we are introduced to an unnamed woman suffering from this “nervous depression” (1). This woman and her husband John, who is a “physician of high standing” (1), are taking a three-month vacation in an old colonial mansion. It is in this haunted house that the reader is able to see the psychological deterioration of the woman as she lives under a demanding patriarchal society.
The “Yellow Wallpaper” by Charlotte Perkins Gilman is an evolutionary piece of literature that is not only significant for the contents of its writing but moreover, for the effects that the contents of writing had on women during the 1890-1920s era. Within the text, Gilman illustrates a scene of delusions, and the involuntary thoughts that come with being isolated. The woman in “The Yellow Wallpaper” is going through postpartum depression, a disorder that happens after a woman gives birth to a child, with which she is told by physicians that it is just a short term nervous depression. However, this turns into a long term condition that eventually makes waves all through the medical field, and brings light to depression within women. The narrative
In the story, “The Yellow Wallpaper”, written by Charlotte Perkins Gillman, the reader observes as a seemingly mentally stable woman, Jane, slowly loses her sanity due to the isolation she experiences. The reader sees firsthand what happens when someone is deprived of social interaction. The Yellow Wallpaper explores ideas of post-partum psychosis and white-room torture; both of these concepts elude to the idea that the story is
The Yellow Wallpaper is a short story by Charlotte Gilman about an oppressive husband and his treatment towards his mentally ill wife. Gilman based her story on her own experience with the rest cure for mental illness. She received a lot of criticism from the average person as well as physicians since she was speaking about the controversial treatment of women during the late 1800’s. She defended her work with this statement, “It was not intended to drive people crazy, but to save people from being driven crazy.” (Gilman, 1913)
Depression or Schizophrenia within “The Yellow Wallpaper” Charlotte Perkins Gilman’s “The Yellow Wallpaper” is essentially a diary of the life of a woman who suffered from a nervous breakdown and was ordered Rest Therapy by which to cure her mental illness. The reality off the wallpaper is not only her obsession but it is transposed from the diagnosis of her husband and the wallpaper represents the criteria which women are supposed to fit into and Gilman was not able to adapt to who society thought she should be and therefore she perceived as a lunatic. “The Yellow Wallpaper”, although perceived as fictional is partially Gilman’s own autobiographical portrayal of her own fight to regain herself as a woman who has been dominated and oppressed by her environment and thus, the wallpaper is the way women were expected to be like.
treats her like a child and just like a child she is kept in this
The nineteenth century was a time where men had a certain amount of control over women’s lives, to the point where they defined their roles in society. Women at this time suffered greatly because of this and in ways that lead them to depression, anxiety, who knows what else. In the story “The Yellow Wallpaper” by Charlotte Perkins Gilman the main character, Jane, faces those terrible things that eventually lead her to becoming insane. The traits that make up who Jane is, provides the readers with the importance of her identity throughout the story and they also make up the context of “The Yellow Wallpaper”. Trying to free herself from her nervous depression, Jane is propelled into insanity.
Madness is what essentially haunts humans. Whether they are born with it or it is brought upon, it leaves a blurred rush of lunacy in its habitants minds. Competently so, a handful of these beings can write and express these tangled minds into compositions that leave the reader cognized and fascinated. Respectably, an author that always seems to come along any viewer’s mind is Charlotte Perkins Gilman, known especially for her controversial short story, The Yellow Wallpaper. The piece deals with a woman who is on a forced vacation from her conventional role as a wife and a mother, diagnosed and treated by her doctor as well as her husband for a slight case of depression. Her primary “treatment” for this is predominantly a week-long stay in an ugly, yellow wallpaper-covered secluded room where she sits and “rests” mostly alone for an extended period of time. In the story, Gilman confronts ideas of isolation from her main character’s world, drawing out attributes from wallpaper and its designs to represent the escape from the society in which she lives in. Alike, she also ties the ideas of loneliness into this character’s stream-of-consciousness by discussing her situation in a passive mindset. Moreover, by using different symbols and stream-of-consciousness, Charlotte Perkins Gilman illustrates the deterioration of a female’s mental health when forced into isolation in her short story, The Yellow Wallpaper.
The protagonist of the fable The Yellow Wallpaper is suffering from mental disorder calked as ‘Hysteria’. The story begins with “if a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression- a slight hysterical tendency- what one is to do? ... So I take phosphates or phosphites- whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to ‘work’ until I am well again. Personally, I disagree with their ideas... (Gilman, 1684).” These lines gave a complete idea of the height societal oppression reached and the way it was effecting the lives of women. The authoritative opinions
Learning about how an author lived/lives their life can really change the way that a story is seen. Without the background knowledge of the author’s life all the reader has to rely on is imagination to fill in the blanks between the story and writer. Wither or not the story is based off the writer’s imagination or not can really change the perceptive that a story is seen. Take for example my reactions to the tale “The Yellow Wallpaper” by Charlotte Perkins Gilman. My reaction to reading the story “The Yellow Wallpaper” before knowing anything about Gilman is the first thing that will be discussed. Followed by some information I found during the research process and then how my views of work changed with the information I found. Ending with how I think that knowing the authors life can change the perspective which their writing is seen.
Hysteria was the “go-to, catchall diagnosis” for all women, consisting of any “problem” including, but not limited to, nervousness, faintness, loss of appetite, (lack of) sexual desire, headaches, insomnia, muscle spasms, and trouble-making. For centuries, literature portrayed as submissive and obedient to men and oppressed by society, culture, and even men. In The Yellow Wallpaper, Gilman presents readers with a story of a woman suffering from depression, possibly post-partum, but whose remedy is “rest cure,” a treatment invented by Silas Weir Mitchell for neurasthenia involving isolation and rest as a cure for hysteria in all its forms. The Yellow Wallpaper is a narrative concerning the gradual demise of the mental stability of an unnamed, newly married upper-middle class woman in late nineteenth century rural America. Gilman uses psychological terror to not only portray the narrator’s fall to insanity, but also to shed light on the rather unfortunate role of women in the institution of marriage. The narrator’s husband, John, is a physician who firmly expresses disbelief in his wife’s claims of depression. From the beginning of the story, the reader can tell immediately that the narrator has absolutely no voice. John assures her and others that nothing is wrong but “temporary nervous
“The Yellow Wallpaper” is written from the perspective of a woman who is diagnosed by her physician-husband as having “a slight hysterical tendency.” The story is from her first-person perspective of this “temporary nervous depression.” Her husband John loves her, but is condescending: “He is very careful and loving and hardly lets me stir without special direction” (648). He calls her
The female narrator in “The Yellow Wallpaper” was led to madness by her postpartum depression and premature diagnosis by a family member. After reading “The Yellow Wallpaper”, it is easy to see that the male physician in the story as well as the husband had very little knowledge on women’s health. In an article written years after the publication of the short story, Gillman explained her reason for writing the story and how it was “not intended to drive people crazy, but to save people being driven crazy” (Gillman). She explained how a specialist told her to live a least normal life which only drove her further into her madness. Gillman’s original publication brought awareness to the issues associated with isolation and forced withdrawal which ultimately saved other women from reaching the end. Another significant article “Beyond the Yellow Paper” by Ann Oakley, analyzed the impacts of pregnancy on depression. This article introduced the idea that “the woman [became] increasingly obsessed with the yellow wallpaper since [she was] deprived of companionship” (Oakley 31). She was often alone in the room thinking to herself about the woman in the wall rather than being in the company of her husband and children. The female narrator transitions from being involved in wifehood and motherhood to being forced into isolation which took a toll on her