The Wars by Timothy Findley Essay

Throughout the story, the narrator perceives Robert as an inadequate person, pathetic, needing help to find his way around and simply not being able to provide for himself. “But he didn’t use a cane and he didn’t

Parallels are drawn between the protagonist, Robert Ross, and many of the animals that appear throughout the novel. Robert appears to have a strong kinship with his animal counterparts. After enlisting in the army, Robert takes a run out on the prairie, where he encounters a coyote. He instinctively begins to follow the creature, and it leads him to a valley where it stops to drink at a small pond. As it drinks, "the sound . . . [crosses] the distance between them and . . . [seems] to satisfy his own thirst" (The Wars 28). Before the coyote leaves, it turns and "[looks] directly at him . . . and [barks] . . .The coyote had known he was there the whole time: maybe the whole of the run across the prairie. Now it was telling Robert that the valley was vacant: safe-and Robert could proceed to the water's edge and drink" (28). Later that night, as he sits alone, Robert finds himself "wishing that someone would howl" (28). Robert also seems to have a special bond with birds, which often appear in the novel, frequently at times of crisis for Robert. After unwittingly leading his men through the fog onto a collapsing dike, the air is suddenly "filled with the shock waves of wings . . . [and] the sound of their motion [sends] a shiver down Robert's back" (81). Subsequently, Robert steps into the sinking mud and is nearly sucked down to his death beneath the earth. Later in the novel, Robert again encounters a bird, and it is at the same

Many of the symbols in the novel remind Robert of his troubled past. Some of the symbols in the book appeal to both the reader and Robert, exacerbating his struggles. After finishing his training, Robert boards a ship headed for the war zone. When tasked horse injured onboard the ship, he is clearly troubled; as he is unsuccessful in killing the horse the first time, “[a] chair [falls] over in his mind” (Findley 60). The horse is a symbol of Rowena, an innocent person who dies because of her disability. During training, he feels socially obliged to go to a brothel with his peers, and experiences shame associated with the death of Rowena. Instead of watching over her, Robert was “[m]aking love to his pillows” (Findley 16). As a result, he is very insecure about his sexuality and his private life in general. The scene where he is sitting in the bathtub after Rowena’s death is symbolic of Robert giving up his childhood, concomitant with his innocence. The tub represents the womb; his mother tells him a story of his childhood one last time before he joins the army, becoming an adult in some sense. Through symbolism, one can make the connection between Robert’s troubled past, the cruel world he lives in, and his experiences in the war.

Robert's ethics return to him and take priority over military obedience when he tries to rescue horses from the cruelties of war. Robert disobeys Captain Leather's orders and tries to free the horses from the barn that is threatened by falling shells. Unfortunately, the horses die before he can save them all and Robert is filled with anger, shooting Captain Leather between the eyes for causing their death. From this moment on, he rebels against anyone who does not respect his love for animals. This rebellion continues when he barricades himself in a barn with the horses and shouts, "[w]e shall not be taken" (212). It is Robert's strong connection with the horses that leads to his downfall, because the "we" implies to Major Mickle that Robert has an accomplice, and for that reason an attack is ordered. Robert burns

"His assailants, who he'd thought were crazies, had been his fellow soldiers. Maybe even his brother officers. He'd never know. He never saw their faces." (Findley, P 193) This is just one of the many examples which make the reader feel sorry for Robert Ross. Because the reader feels sorrow, there is more chance that the reader believes everything that is being said by or about him, although there is more that one perspective to the whole of World War I.

First, the main character, Robert Ross, was an innocent child at the beginning of the novel. He loved his sister, Rowena, and felt guilty not being able to save her. He then decided to enlist the army because he wanted to protect innocents in order to redeem himself to the death of Rowena. He got beaten up the night before he enlisted the army, “That night, Robert was lying in the bathtub, smoothing his aches and bruises with water…”(23). If he was in the army, he would have to fight people much stronger than Teddy Budge. Robert would not be able to fight them since the fight between him and Teddy was one sided already. However, Robert was only thinking about how he could redeem himself, but not his own capability to be a soldier. This showed how naive Robert was, he didn’t see the danger he was stepping into. Also, when Mrs Ross told

The rabbits reminded him of Rowena because she shares the same characteristics as her rabbits such as fragility and innocence. Therefore he risks "a blow on [his] head...to help the helpless [animals]" (Quenneville 1). He even helps a rat, an animal associated with disease and death, escape a muddy grave. His conduct greatly contrasts that of the soldiers who kill and torture cats and vermin. This only further exemplifies his compassion for the lives of even of the smallest of creatures.

Despite the fact that the German has let the rest of the soldiers escape unharmed, Robert’s innate violence triggers the death of an innocent soldier. Thus, Robert’s actions reveal the inherent savage nature of humankind.

In an effort to redeem himself from Rowena’s death, Robert’s goal is to save life, any life, even if it is the life of an animal. To Robert, animals symbolize innocence. He views them as innocent bystanders in a world full of violence and madness. He feels a special connection to them, especially to his totems of horses and dogs. So when Robert is forced to put down the ill horses, this is utterly emotionally heart-breaking. Again he is faced with the murder of innocence. This time, he is the one responsible for such a horrid action. This kind of situation can shape anyone’s character

She attached herself to young men that she thought would take her away from the place where she didn’t belong. She fell in love with Robert because he was the one who started the awakening. “It was you who awoke me last summer out of a life-long, stupid dream”(620). She imagined that he would take her away to a place where they could be happy and she could be who she wanted.

As for him killing the sniper, Captain Leather, and others, and his experience of his own sexual assault, was insufferable for Robert and felt as if it was a burden to carry all of the things that happened to him. This drove him to the end result of madness, and his demise. The skull in this sense is where Robert does try to preserve himself through the actions in the war. The skull is a symbol of Robert because it was he who was fighting death every singling day and fighting for his right to stay sane and keep his humanity together. However, towards the end of the novel Robert loses all of humanity because of the burning barn where all of the horses were kept, and eventually died due to the fire. That led Robert to kill Captain Leather and Cassles without thinking or having a conscience like before when he did not want to kill Rowena's rabbits and the horse on the ship. This is because he loved something so dearly and felt too much pain when losing a loved one. "the spaces between the perceived and the thing perceived can… be closed with a shout of recognition. One form of a shout is a shout. Nothing so completely verifies our perception of a thing as our killing of it." The citation shown above can be seen when ‘nothing so completely verifies our perception of a thing as our killing of it' is where the skull that is held so gently in Robert Ross hands ‘as

His mom didn’t really want Robert at first and Vincent was very, very supportive about whether she wanted to bring Robert home or not. She said no until one night, when Mary and Vincent went home to their other children, Micheal, Gary, Paula, and Catherine and asked what they thought about bringing hime. All of Robert’s soon-to-be siblings said yes. While at first, Vincent and Mary were a little weirded out at first, their love for Robert grew stronger and stronger. Especially his mom’s, her love grew fast and fierce. His parents got over their “weird” feeling, they decided to take Robert out in the real world without getting

Robert Ross, the protagonist of Timothy Findley’s novel The Wars undergoes a disturbing violation when his fellow soldiers rape him; this is a significant turning point for Robert’s character and a section of the book Findley uses to address many themes. Throughout the book we witness Robert maturing and experiencing many hardships that will help create the man he becomes. The most significant of these trials is the scene at the insane asylum because it is where Robert looses the last connection to his innocence and his faith in humanity’s virtuousness. Findley also uses this scene to address the topic of homophobia in that era, and

Once Robert is back in the battle, there is another, worse attack on the Canadian lines by the Germans. They are being rained on by shells, and Robert fears for the lives of the horses in a nearby barn that is being hit by the shelling, and which Robert fears will collapse at any moment. Over the course of the war, Robert has grown more and more attached to horses, and it’s in his benevolent nature to care for other animals. When Robert tells Captain Leather that he will go back to the barn to save the horses, Leather refuses, saying that it is not necessary. Robert, thinking back to the last time he wanted to go against Captain Leather’s orders, and what arose when he didn’t, realizes that he must go against his orders and free the horses. As Robert is running back to the barn to free the horses, Leather screams at him to stop what he is doing and to follow his orders, but Robert is determined. When Leather pulls his gun on Robert, Robert stops to shoot him, killing Leather. In this time, the barn has been hit by a shell, and is burning, but Robert still runs inside to try to save the horses moments before the roof of the barn collapses on Robert, burning him

Throughout the book, Robert Ross was dependent on his sister, Rowena, and the animals he felt so connected to. Robert more than anything becomes a person who relies more on animals, than he does people. Robert’s reliance on animals starts because of his sister’s love for her rabbits: “ ‘Can the rabbits stay forever, too?’ ‘Yes, Rowena.’ ”(18) His dependence on animals only strengthens as the book goes on, and when Rowena dies, he turns to the animals for guidance and as a replacement for Rowena. On many different occasions, Robert displays his love for animals and disconnection from the real world: “Robert soon became completely disengaged from the other life on the upper decks. He even went below off duty.” (56) Robert shows his lack of connection with the other soldiers on board, and demonstrates his relationship he developed with the animals in the army. Robert’s connection strengthens with animals so much, that towards the end of the book he is willing to break military rules and attempt to save them: “I’m going to break ranks and save these animals.” (183) The heroes, we are custom to today, would not go against the rules to save a bunch of horses. Even though, most would not see Robert as being heroic, because he broke the rules, it was his intentions behind his actions. As