The Use Of Similes InAll Summer In A Day?

I’m Ray Bradbury’s excerpt Dandelions Wine, he uses a variety of rhetorical devices to express Douglas’s excitement for the returning of a “magical summer.” Bradbury begins this excerpt with personification that describes the town’s atmosphere at the beginning of the day. In line 2, he starts off by saying, ”the town covered over with darkness and at ease in bed.” He uses this rhetorical device to give the readers a feeling of how Douglas views his neighborhood that morning. He then continues with metaphors to further describe that morning.

“Nanny’s head and face looked like the standing roots of some old tree that had been torn away by storm” (Hurston pg 12). In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie mostly uses similes to emphasize on different aspects in her life. The use of similes helps the reader picture an image of a character or idea. The most important factor that an author should include in their work is the use of descriptive words. When Janie, the main character, describes her Nanny we use the simile that she provides to help paint a picture in our head.

At the outset, Bradbury commences to describe Douglas's feelings towards the beginning of summer. In lines 16 through 18, Bradbury uses a simile to emphasize Douglas's “gaze like a beacon from a light house in all directions” to compare Douglas's looking out to the same intensity of the lighthouse. Another rhetorical device used by the author is a metaphor in lines 18 to 19. Bradbury compares the extensive quantity of the trees to a swarm to emphasize the extent between the two in the reader's mind.

As one can see, Sandra Cisneros shows great use of metaphor in the vignette “Four Skinny Trees,” because she shows that people can bloom even in rough situations. “Four who do not

In The Veldt, by Ray Bradbury, he shows that the theme is addiction. I believe he shows this in similes, metaphors, and dialogue.

Over the course of history there have been many philosophers, scientists, and geniuses that have grappled with the human spirit, and how humans interact with one another. Ray Bradbury adds his name to that list with the short story “All Summer in a Day.” In this story, Bradbury uses realistic and fantastic elements, and plot structure to create and emphasize the theme that man despises all that is different.

Ray Bradbury is focused on multiple craft such as similes to give bigger and better pictures in your heads, metaphors to give us examples and to give us pictures as well, and foreshadowing to give use hints on what might come later in the story. He uses these craft moves to emphasize how spoiled the Hadley children have become. Ray Bradbury uses similes often in his story The Veldt to give us better images in our heads when reading the book. This is how Bradbury uses one of his similes. “The house lights followed her like a flock of fireflies.”

Bradbury’s style throughout his story aids in portraying his theme of technology’s harmful effects. Irony is a one of the stylistic devices that he uses. When a person thinks of a nursery, he pictures a safe, happy place where children can play with their siblings and parents. In this story however, Bradbury keeps the

In the story, All Summer in a day, by Ray Bradbury, the setting helps develop the mood of sadness, and depression. The author does this by making the setting dark and stormy everyday on venus. The setting makes the story gloomy at first, but when the sun comes out for one hour, it makes the reader hopeful, but the main character missed the sun. That makes the reader’s mood depressed and sad.

This can be seen in the poem “Brothers and Sisters” in which the literal and figurative levels of reality are joined. Wright does this through the use of pathetic fallacy, ensuring that she moves beyond simple description, to show that every aspect of the siblings’ lives is reflective of the environment that they live in. This is represented in the metaphor ‘the road turned out to be a cul-de sac, stopped like a lost intention”. Wright implies that the dead end of the street is reflective of the lack of fertility both in and outside the house, there is no movement forwards as the lives of those within it have ceased, the siblings are unmarried with no children, thus there is no new life being created. Wright has done this to ensure that that audience is aware of this process, rather than providing simple descriptions which can often be misleading. Neither the surrounding environment or the siblings are taking part in the evolutionary process of creating life, this sense of fruitless passing of time is furthered through the employment of the simile “years grew like grass and leaves” suggesting, although hindered there is an emotional connection present. By representing their lives as slow- growing and little- moving it continues to showcase the similarities between the landscape and its inhabitants, demonstrating that the environment grows old just as they do. Yet another representation of the landscape within the characters is seen in the inevitability of death, for the landscape and its inhabitants. This can be seen through the use of direct speech “There is nothing to be afraid of. Nothing at all”. This repetitive reassurance demonstrates their fear of death and the destructive nature of it, as witnessed in the landscape. The irony here is that with each

The author used the simile “I was putting one foot in front of the other, like a machine” (85) to describe the time when he was running, with the SS officers behind him commanding him to quicken his pace. The simile shows how Wiesel feels inhuman, how he feels more like a machine than a person. No one thinks twice about machines, they are used until they’re broken, and then fix them up a little before they break again. They are used whenever the use pleases, however they please, as much as they please. The SS officers treated Wiesel and the other Jews the same way.

Everyone needs to believe that things are going to get better, particularly when facing challenging or troubling times. Our world is fraught with sadness, misfortune, and adversity, and the world constructed by Ray Bradbury in “All Summer in a Day” is no different. Unending rain, gray skies, and endless dark doldrums beneath the surface of Venus plague the lives of the young children in his short story. And yet, every night when they go to sleep, the young protagonists hope for more. Despite being surrounded by a gray plague of ceaseless rain, the children dream of the sun. In “All Summer in a Day,” Bradbury uses the sun throughout the text to symbolize hope.

Figurative language is powerful, and Bradbury is not afraid of a metaphor. He uses an excessive amount to orchestrate

Another useful tool in analyzing a poem is to identify poetic devices, meter, and a rhyme scheme. Through her deft use of extended metaphor, Bradstreet weaves an intricate web of parallels between parent and author and between child and book--both relationships of creator to creation. This use of metaphor allows the reader to relate emotionally to Bradstreet’s situation. In line seven, we see the uses of litotes, “At thy return my blushing was not small,” to express the depth of her embarrassment. She also uses metonymy in line eight to express her pain more clearly, “My rambling brat (in print) should mother call.” The simile used in line nine stresses her objection to the published work, “I cast thee by as one unfit for light.” Then in line 19, the poetic device of consonance is used which provides emphasis on her warning, “In this array ‘mongst vulgars may’st thou roam.” In this poem, through the use of personification and apostrophe Bradstreet conveys her feelings and emotions. Anne Bradstreet ensures her poem’s success by linking the triumph and tragedy of authorship with the pain and pleasure of creating and nurturing human life. The meter used is

In the short story “All Summer in a Day”, the author Ray Bradbury uses sensory imagery such as sight and sound to describe the setting of his version of planet Venus and to describe the children. He then uses the absence of sensory imagery when describing Margot to create contrast which helps us understand the idea that people who are different are ostracised and hated.